Tuesday, February 25, 2025

Stealing Good Times from Bad - 80s casual fashions in Bermondsey

In the Face magazine, July 1984, Robert Elms wrote an article 'Good Times'. A follow up to his 1982 article 'Hard Times', it highlighted a shift in street fashion away from dressing down to dressing up and focused  on shops in the Bermondsey/Tower Bridge Road in particular. Here's a few extracts:

'Down the Old Kent Road they're wearing Cerruti. Gucci and Armani, spending hundreds of thousands of pounds on looking rich, and queueing up in front of anybody who can find new ways of separating them from their cash.

Amid the textbook urban decay of Tower Bridge Road there are three high-fashion, high-price clothiers, Le Pel, Platform 1 and Moda 3. In Moda 3 they sell menswear at prices that South Molton Strcet would think twice about and employ two bouncers on a Saturday afternoon to keep the kids out. That is serious business.



Hard times and suntans - the irony of recession Britain spending money like it's going out of fashion. Except that money has never been as thoroughly fashionable as it is right now. While governments tinker with redundant economics, so people, and in particular young people, have decided to buy themselves good times - whatever the price.

A Liverpool councillor said recently that despite the very real and appaling decay that his city has suffered, you'd be underestimating the resourcefulness of Liverpudlians if you thought they were bowing down and accepting Thatcher's recession - they find ways to get by. And a lot of people are getting by remarkably well. A self employed builder or plumber can earn a fair screw these days, but the standard profession in the Deep South seems to be "ducking and diving". Thatcher preaches self help. and there's plenty of helping yourself going on. There's a new euphemism for that kind of getting by: it's the one part of the economy that the Tories have been successful at boosting and it's now known as the informal sector. Considering what they're spending it on. perhaps casual might be a better word.

In Southwark there is the worst unemployment in London and among the worst housing. Yet amid the crumbling. Victorian red-brick blocks battered by the Blitz, there are half a dozen pubs on one estate alone which look like kitsch sci-fi spaceships that have landed in a barren, alien land.

These pubs are all dressed in pink and lime green with awnings that beckon like false eye-lashes and names like Gillies. EJ's. Sampsons and Southsides. Inside, the bars are stainless steel and the walls are covered in mirrors. They're a graphic. almost comic illustration of the mass desire to spend away the depression. Every night they're full of girls in cashmere sweaters downing drinks of many colours and boys in clothes with Milanese labels drinking every new overpriced bottled lager they can import. In Southsides these days the favourite tipple is champagne. In a tarted-up burger bar Dom Perignon costs £30 a throw; a bottle sent to the table is the polite precursor to an attempted pull. And outside they line up their Ford Escort XR3s with gold wheels and dream of the day it's a Porsche.

Tony Yusuff runs Le Pel, and two other equally exclusive and expensive clothes shops in the Old Kent Road and Lewisham. He makes regular trips to Italy to decide what hip South London is going to be wearing next season. He sells quality clothes to boys and girls in search of the Dolce Vita. In his new ladies shop he stocked a couple of jackets that retailed for £350 just to see how they went. They went very quickly indeed.. Money it seems is no object.

Next season he's going to move away from Italian classics into the more radical British designs of the likes of Bodymap. It's a risky move among conservative casuals, but he's sure that his increasingly sophisticated clientele will go with him. Le Pel has built up a reputation and a following by treating local kids with the kind of respect they rarely get from most of the snotty, effete shop assistants in South Molton Street.

"There's a kind of local pride. they even try to buy the bags. because like the clothes they're a status symbol".

[...]  Fashion inevitably weaves in and out, reacting against itself and everything else in an always fascinating chase. But in its broader sweeps, it's one of the most accurate barometers of an age, and we're in an age when fashion has swept broader than ever before. In the Sixties fashion was a powerful force because of new-found affluence - in the Eighties it's perversely powerful because of unabated depression. The art is one of stealing good times from hard'.


Le Pel is shown briefly in the 1985 Arena documentary 'Old Kent Road'

In his autobiography 'On a Plate' (2012), chef Gregg Wallace writes of this time: 'Bermondsey became alive with smart bars, like Sampson’s and Willows, two-floor affairs, with guys tapping their sovereign rings on their glasses of champagne in time to the music. Bus drivers pretended to be gangsters at the weekends, while dustmen with shirts from Moda 3 or Le Pel claimed they were going to have someone ‘blown away’. 

[Le Pel was at 268 Old Kent Road, its Lewisham branch was in Lee High Road; I believe Moda 3 used to do a Bermondsey t-shirt; I think the Gillies he refers to was actually  Gilly's piano bar in Wild Rents, SE1, off Long Lane; Samsons, sometimes known as Samsons Castle, was a pub in Grange Road SE1]

See also: South London Casuals: White Hall Clothiers, Camberwell Road 1983

Monday, February 17, 2025

Music Monday: Peckham Blancmange

Synth duo Blancmange had a string of early 1980s hits, starting with Living on the Ceiling in 1982. Singer Neil Arthur hailed from Lancashire but at the peak of their success he was living in 'London SE15 in a huge Georgian house. It's not mine I share it with four other people'. (don't know where but Peckham Peculiar has previously mentioned that he used to get his hair cut at Georgiou’s barbers on Atwell Road).

In the same 1983 interview with weekly pop magazine No.1, Arthur tells of his love for Young Marble Giants, seeing the Human League at the Nashville with Bowie in the crowd and of his wish 'that the Conservatives don't get in again' (spoiler: they did).

No.1 magazine, May 21 1983

My personal favourite of their's is their fine 1984 cover of Abba's The Day Before You Came. Of course the original is a synth pop classic in its own right and Abba's best song. Blancmange's video cuts in scenes from Abba's own promotional film for their version, and their Stockholm rail journey is replaced with a London one including going over Hungerford bridge, so presumably on the London Bridge to Charing Cross line. Pop obsessives may spot Blancmange change one line in the song - can you spot it?*


* answer - in the Abba version they sing 'I must have read a while, The latest one by Marilyn French or something in that style'. Blancmange change the author to Barbara Cartland.  I was always thought it was cool that Abba namechecked a feminist writer though.

Update: confirmation on Twitter, that Neil Arthur lived in Choumert Road SE15



Saturday, February 15, 2025

Swedenborg Churches in South London (Deptford, Camberwell, Norwood)

 The visionary Christianity of Emanuel Swedenborg (1688-1772) had a big impact on the more mystically inclined believers in the 18th and 19th centuries, famously including William Blake (though never somebody to bow to another's doctrine he had his criticisms of the Swedish thinker). To this day the Swedenborg Society still maintain a centre in Covent Garden where they put on some interesting events.

In the late 19th century there were at least three 'New Jerusalem Church' congregations in South London:  in Flodden Road, Camberwell; in Warwick Street, Deptford; and off Anerley Hill in Upper Norwood.

According to Lewisham archives, The Deptford New Jerusalem Church on Warwick Street (now Warwickshire path) was built in 1871and closed in 1949 though it was later used by the Deptford Branch of British Legion.


The Camberwell church is pictured below in 1908 (it closed in 1970):


The Deptford and Camberwell buildings are long gone, but another New Church off Anerley Hill remained open until 1987 and has been converted to housing (New Church Court in Waldegrave Road, near to Crystal Palace station):





Friday, February 14, 2025

Valentines weekend 2025 in Deptford and Lewisham, including 'Horrible Music for Horrible People'

 'An evening of love, intimacy, erotica and indulgence' at Little Nan's in Deptford:


Jungyalentines at Fox and Firkin, a Jungyals and Gays event:


Gasp at Endeavour Deptford:



Romeo's Distress 'Horrible Music for Horrible People' goth/industrial night at the Bunker SE8:



(posters photographed in New Cross Road)

Sunday, February 09, 2025

Chumbawamba, Levellers and more: New Cross Venue 1991

I have posted previously about the Venue in New Cross Road, closed since Covid but in the early 1990s one of the top live music places in London, particularly for up and coming indie bands. This selection of references from Sounds music paper from January to March 1991 shows just how busy it was. There were gigs every Friday and Saturday and sometimes on other nights in the week. Bands finished by 11 pm but there was a club afterwards until 2 am (known on Saturday night as Awesome), with coaches back to Trafalgar Square afterwards, from where you could get a night bus to most parts of London. 

Sounds 5 January 1991:

The Levellers reviewed- 'It seems that the tribes of the rainbow have gathered here tonight. Every shape, style, colour and form of youthful life'. Just don't call them Crusty.

Chumbawamba, Thatcher on Acid

Subhumans, Long Tall Texans, The Hinnies, The Cropdusters, Chumba

Anarcho-punk band The Subhumans played two consecutive nights at the Venue - reunion gigs which Sounds in 1991 described as a 'nostalgia trip... might be your last chance to get down to timeless classics'. Not quite - I saw them twice at the New Cross Inn in 2024!

Sounds 19 January 1991:

Melvins, Steel Pole Bath Tub, Ocean Colour Scene, Fieldmice, Heavenly, The Orchids, Easy, Close Lobsters, Afgan Wigs.

Ocean Colour Scene



Dr Phibes and the House of Wax Equations


The Fieldmice, Heavenly, The Orchids - I might have been at that one, definitely saw Heavenly there at least once



American bands The Melvins make their UK debut at the Venue in 1991, supported by Steel Pole Bath Tub


Chumba's gig on 12 Jan 1991  reviewed-  'The entire Venue is bathed in a sea of punks dancing'.  'Outside the roads are clogged with the prospective audience'. I think I went to this one, I remember the queue stretching down to New Cross station.

Easy, Close Lobsters



Carter USM and Billy Bragg to play 'Stop the War in the Gulf' CND Benefit

Leatherface, Sleep, Working with Tomatoes



Bleach, Basti, Suncarriage

Perfect Disaster, Bleach, The Darkside, Catherine Wheel, Chapter House

This issue Sounds featured a chart of the most requested records at the Venue - Carter USM, Nirvana, Cud, Throwing Muses, Orange Juice etc.



Half Man Half Biscuit supported by 'Levellers 5' (not to be confused with The Levellers, a different band who had to change their name as the latter went massive)

East Village, Jesse Garron and the Desperados, Shack, Guana Batz, Long Tall Texans, Rattlers, Green on Red (great American 'paisley underground' band).


'Despite its out of the way location, the Venue in New Cross has proved itself a welcome addition to the London gig circuit and has become a comfortable, popular place to frequent - as proved by the full house for tonight's first birthday celebrations'. Headliners 'Lush are the brightest stars of the future'. Support bands  are Moose and another who tread 'their well worn 60s groove'. Whatever did become of Blur? The following year Lush were supported by Pulp at the Venue.




Front Line Assembly, Solar Enemy, Ganz Heit

See previous posts




Venue Flyers (including Sebadoh and Belly)




Goblin Band and some South London folk nights/open mics

Goblin Band were great at the Goose is Out last week (Friday 31st January 2025) at the Ivy House, bringing a new energy to traditional folk song including not one but two versions of Widecombe Fair, a song which as they note they have resurrected after it being out of fashion for years. Excellent support too from Scottish singer/harpist Holly Murphy and unaccompanied singer Victoria Lynn (Goblin Band also played a few days later at the New Cross Inn, a benefit for Transgender Action).



Holly Murphy

Folk music is pretty accessible for those who want to take part, you don't even need to learn an instrument! For people who want to try singing and performing themselves there are plenty of entry points locally. The Goose is Out has a monthly singaround at the Ivy House (next one is  Sunday 9th Feb) where people take turns with standing and singing a song.


Deptford Folk is on the last Thursday of every month downstairs at the Endeavour, 39 Deptford Broadway, and has floor spots. Folk of the Round Table is a weekly Sunday open session  at SET Social (55a Nigel Road SE15 4NP). There is a Thursday night open mic at the Shirkers Rest in New Cross. As a spin off from that a New Cross Songwriter's Circle is doing a night there too.


Thursday, February 06, 2025

Railton Road Radical Histories Mural

The 'wall of respect for the radical histories of Railton Road' was painted  in 2021 by the RAD Mural Collective on a wall at  the 198 art space at 198 Railton Road. Designed by Jacob V Joyce and Monique Jackson, it packs in a lot of local historical detail, referencing black, queer and other radical spaces and scenes associated with the area. These are  mostly from the 1970s to 1990s, though there is a nod to more recent events with local firefighters shown taking the knee during the Black Lives Matter protests of 2021. 

According to the mural#s designers, 'Railton Road was once known as ‘The Front Line’ due to the sheer amount of anti-racist and counter hegemonic activisms which erupted on this street. A commemorative blue plaque which reads ‘The Front Line’ is painted into the top right corner of the mural. Beneath it local artist and often forgotten hero of black British LGBT history Pearl Alcock leans out of a window. Framing the scene on the left an art work by Rotimi Fani-Kayode, another LGBT icon and member of the Brixton Artist Collective, looms over a sleepy eyed Rasta opening his door in fluffy slippers. References to local organizations include the CLR James Supplementary School, radical squatted book shop 121 Books and a banner which reads ‘Black People Against State Harassment, B.A.S.H, a self defence campaign group also based on Railton Road. The Black Panthers, The Gay Liberation Front, Race Today Collective, and many other anti-racist, queer and feminist groups have been founded or run on this radical South London road'. The Front Line was the centre of the 1981 uprising, also referenced in the mural which was commissioned to mark its 40th anniversary.


I lived in Brixton for best part of ten years in some of these times so was taken aback (in a good way) walking past the mural recently to see all this so boldy and brightly represented, including the 121 Centre where I spent many a happy hour and maybe a few not so happy ones too! You could do another mural, or several, about just the things that happened there, as I summarised elseswhere:

'The 121 Centre in Brixton, variously known as an ‘anarchist centre’, ‘social centre’ and ‘squatted centre’, was a hub of international radical activity and much else throughout the 1980s and 1990s. The house at 121 Railton Road, SE24 was squatted by a group of local anarchists in 1981  (though it had previously been squatted by radical black activists) and was finally evicted in 1999. It is now private flats. Its four storeys included a bookshop, office space, printing equipment, kitchen and meeting area, and a basement for gigs and parties.

Over 18+ years it was the launchpad for numerous radical initiatives, some short-lived, others having a more lasting impact. Many groups used 121 for meetings and events, including Brixton Squatters Aid, Brixton Hunt Saboteurs, Food not Bombs, Community Resistance Against the Poll Tax, Anarchist Black Cross, the Direct Action Movement, London Socialist Film Co-op and the Troops Out Movement. Publications associated with 121 included Shocking Pink, Bad Attitude, Crowbar, Contraflow, Black Flag and Underground.

There was a regular Friday night cafe and many gigs and club nights, including the legendary mid-1990s Dead by Dawn. 121 was a venue for major events including Queeruption, the Anarchy in the UK festival and an International Infoshop Conference. It was, in short, a space where hundreds of people met, argued, danced, found places to live, fell in and out of love, ate and drank'.