Showing posts with label Railton Road. Show all posts
Showing posts with label Railton Road. Show all posts

Thursday, February 06, 2025

Railton Road Radical Histories Mural

The 'wall of respect for the radical histories of Railton Road' was painted  in 2021 by the RAD Mural Collective on a wall at  the 198 art space at 198 Railton Road. Designed by Jacob V Joyce and Monique Jackson, it packs in a lot of local historical detail, referencing black, queer and other radical spaces and scenes associated with the area. These are  mostly from the 1970s to 1990s, though there is a nod to more recent events with local firefighters shown taking the knee during the Black Lives Matter protests of 2021. 

According to the mural#s designers, 'Railton Road was once known as ‘The Front Line’ due to the sheer amount of anti-racist and counter hegemonic activisms which erupted on this street. A commemorative blue plaque which reads ‘The Front Line’ is painted into the top right corner of the mural. Beneath it local artist and often forgotten hero of black British LGBT history Pearl Alcock leans out of a window. Framing the scene on the left an art work by Rotimi Fani-Kayode, another LGBT icon and member of the Brixton Artist Collective, looms over a sleepy eyed Rasta opening his door in fluffy slippers. References to local organizations include the CLR James Supplementary School, radical squatted book shop 121 Books and a banner which reads ‘Black People Against State Harassment, B.A.S.H, a self defence campaign group also based on Railton Road. The Black Panthers, The Gay Liberation Front, Race Today Collective, and many other anti-racist, queer and feminist groups have been founded or run on this radical South London road'. The Front Line was the centre of the 1981 uprising, also referenced in the mural which was commissioned to mark its 40th anniversary.


I lived in Brixton for best part of ten years in some of these times so was taken aback (in a good way) walking past the mural recently to see all this so boldy and brightly represented, including the 121 Centre where I spent many a happy hour and maybe a few not so happy ones too! You could do another mural, or several, about just the things that happened there, as I summarised elseswhere:

'The 121 Centre in Brixton, variously known as an ‘anarchist centre’, ‘social centre’ and ‘squatted centre’, was a hub of international radical activity and much else throughout the 1980s and 1990s. The house at 121 Railton Road, SE24 was squatted by a group of local anarchists in 1981  (though it had previously been squatted by radical black activists) and was finally evicted in 1999. It is now private flats. Its four storeys included a bookshop, office space, printing equipment, kitchen and meeting area, and a basement for gigs and parties.

Over 18+ years it was the launchpad for numerous radical initiatives, some short-lived, others having a more lasting impact. Many groups used 121 for meetings and events, including Brixton Squatters Aid, Brixton Hunt Saboteurs, Food not Bombs, Community Resistance Against the Poll Tax, Anarchist Black Cross, the Direct Action Movement, London Socialist Film Co-op and the Troops Out Movement. Publications associated with 121 included Shocking Pink, Bad Attitude, Crowbar, Contraflow, Black Flag and Underground.

There was a regular Friday night cafe and many gigs and club nights, including the legendary mid-1990s Dead by Dawn. 121 was a venue for major events including Queeruption, the Anarchy in the UK festival and an International Infoshop Conference. It was, in short, a space where hundreds of people met, argued, danced, found places to live, fell in and out of love, ate and drank'.



 

Wednesday, October 16, 2024

Edward Said visits C.L.R. James in Brixton

Just been reading Timothy Brennan's 'Places of mind: a life of Edward Said'  in which he mentions the great Palestinian/American intellectual visiting Brixton in 1987, 'Paying his respects to an ailing C.L.R. James in Railton Road... Said had made the pilgrimage, in fact, to honor James's contributions to art and to black liberation. But even though, like Said, James had lived for a long time in the United States and praised autodidacts (and was himself one), his political experiences were starkly different. James had spent much of his life in Trotskyist parties organizing labor or battling with Caribbean nationalist leaders in a bid to create a West Indian federation. His tastes as a critic went much more in the direction of popular culture (especially Hollywood film) than Said's. More than anything, though, by the time of his visit, James's familiarity with Said's stature was limited. Only a few weeks earlier, the great civil rights activist and former Black Panther Stokely Carmichael had visited, and it was not clear James (who was not one to stand on ceremony) knew exactly who he was. Only when Said mentioned that he played piano did the two men settle in. In the hour and a half they spent together, they talked almost exclusively about Beethoven's sonatas and their dislike of Verdi and Puccini. Later, Said sent James a cassette of Gould's performance of The Goldberg Variations, to which James warmly replied 

A copy of James' letter to Said was posted on twitter by uptownberber last year 



As I've mentioned here before, James had many visitors upstairs at 165 Railton Road where he lived out the last years of his life. This visit was in the year I moved to Brixton where I spent much time in Railton Road. Nice thinking about whose paths I may have crossed in the streets