Full programme here, all events free of charge.
7 hours ago
Tuesday, September 05, 2017
Peckham and Nunhead Free Film Festival 2017
This year's Peckham and Nunhead Free Film Festival is already underway - too late if you've missed vampire film Nosferatu being screened in Nunhead Cemetery, but there's plenty more to come over the next week. Highlights include A Plastic Ocean, a documentary about the impact of plastic pollution on marine and human life, showing this Thursday 7th September (8 pm) at Southwark Integrated Waste Management Facility off the Old Kent Road, and Raving Iran at Persepolis in Peckham on the following day (5 pm). On Saturday at the Bussey Building there's all day Afrikans on Film Festival.
Full programme here, all events free of charge.
Full programme here, all events free of charge.
Monday, September 04, 2017
Music Monday: Ray BLK - Catford soul
There were lots of South London shout outs at Reading Festival last week including East Dulwich's Tom Misch, Croydon's Loyle Carner and in the Lewisham corner Ray BLK.
Nigerian-born and Catford-raised, Ray BLK (real name Rita Ekwere) was the winner of the BBC's Sound of 2017 award (for emerging talent) as well as Best Newcomer at the 2016 MOBO awards. She has been making music for a while, starting out with the Great Expectations inspired Havisham in 2015, but it was last year's Durt EP that really put her in the spotlight, in particular the track My Hood which features Stormzy.
She's followed it up this year with tracks including the latest single, Doing Me, and guest vocals on the Gorillaz album.
My Hood reflects her love/hate relationship with Lewisham- she wrote it after having her laptop nicked, and told BBC 'I was robbed around the time I wrote it and I honestly just wanted to leave. I was like, "I'm getting robbed. My neighbours sell drugs out of their house. It's not where I need to be." The lyrics reference Morleys chicken, the Blue Borough and Deptford's Pepys Estate:
Socks and sliders everywhere and every day
Full English breakfast at a caff, not a café
No, no, baby, we don't let strangers come our way
But you should come to my hood, my hood, my hood
Meet me at Morley's, best fried chicken is in South
I'll show you gangsters, don't you go running your mouth
Mopeds are racing, two AM outside my house, oh yeah, it's loud
But come to my hood, my hood, my hood...
Barely anyone at school after fifteen
We're chasing paper then Blue Borough should be green
I won't lie, finding a way out is our dream
But you should come to my hood, my hood, my hood
Top floor of Pepys estate, we'll show you our world
That building turns you to a woman from a girl
Nigerian-born and Catford-raised, Ray BLK (real name Rita Ekwere) was the winner of the BBC's Sound of 2017 award (for emerging talent) as well as Best Newcomer at the 2016 MOBO awards. She has been making music for a while, starting out with the Great Expectations inspired Havisham in 2015, but it was last year's Durt EP that really put her in the spotlight, in particular the track My Hood which features Stormzy.
She's followed it up this year with tracks including the latest single, Doing Me, and guest vocals on the Gorillaz album.
My Hood reflects her love/hate relationship with Lewisham- she wrote it after having her laptop nicked, and told BBC 'I was robbed around the time I wrote it and I honestly just wanted to leave. I was like, "I'm getting robbed. My neighbours sell drugs out of their house. It's not where I need to be." The lyrics reference Morleys chicken, the Blue Borough and Deptford's Pepys Estate:
Socks and sliders everywhere and every day
Full English breakfast at a caff, not a café
No, no, baby, we don't let strangers come our way
But you should come to my hood, my hood, my hood
Meet me at Morley's, best fried chicken is in South
I'll show you gangsters, don't you go running your mouth
Mopeds are racing, two AM outside my house, oh yeah, it's loud
But come to my hood, my hood, my hood...
Barely anyone at school after fifteen
We're chasing paper then Blue Borough should be green
I won't lie, finding a way out is our dream
But you should come to my hood, my hood, my hood
Top floor of Pepys estate, we'll show you our world
That building turns you to a woman from a girl
Saturday, September 02, 2017
Pussy Riot in New Cross
Maria Alyokhina, who was jailed in Putin's Russia for her activities with punk collective Pussy Riot, is speaking at the Centre for Investigative Journalism at Goldsmiths in New Cross on Wednesday 13 September 2017.
Maria was convicted in 2012 of “hooliganism motivated by religious hatred” and sentenced to two years in prison. Upon her release she helped found Media Zona, an independent media outlet which aims to hold Russia’s justice system to account. She will be talking about the reach of Russia’s official media in the age of Putin - and how to get around it. She has written a book, Riot Days, about her experiences of the Russian justice system.
The event takes place from 1:00pm-3:30pm, LG02 PSH Building, Goldsmiths University, 8 Lewisham Way, London SE14 6NW. Admission is free, all welcome.
Full details here: http://www.tcij.org/events/2017-09-13/pussy-riot-russia’s-official-media-and-how-subvert-it
While she's in the area she might want to check out the painting of Pussy Riot in the Ladywell Tavern!
Maria was convicted in 2012 of “hooliganism motivated by religious hatred” and sentenced to two years in prison. Upon her release she helped found Media Zona, an independent media outlet which aims to hold Russia’s justice system to account. She will be talking about the reach of Russia’s official media in the age of Putin - and how to get around it. She has written a book, Riot Days, about her experiences of the Russian justice system.
The event takes place from 1:00pm-3:30pm, LG02 PSH Building, Goldsmiths University, 8 Lewisham Way, London SE14 6NW. Admission is free, all welcome.
Full details here: http://www.tcij.org/events/2017-09-13/pussy-riot-russia’s-official-media-and-how-subvert-it
While she's in the area she might want to check out the painting of Pussy Riot in the Ladywell Tavern!
Monday, August 21, 2017
Red Stage: the 1930s Workers Theatre Movement in South London
Some interesting material in the University of Warwick's digital archive on British Political Theatre 1930s to 1950s, including some newsletters from the 1930s from the Workers Theatre Movement, associated with the Communist Party. As mentioned here before, South London was a focus for this kind of theatre, with performances of agitational sketches and songs given in the streets, at meetings and at shows.
According to 'Class against class: the Communist Party in Britain Between the Wars', (Matthew Worley, 2002): 'Communist theatre groups had begun to appear throughouth the country by the turn of the decade [the 1930s]. In London alone, ten such troupes, including the Red Star Troupe of West London, Red Radio of Hackney, the Red Magnets of Woolwich, the Red Front of Streatham, the Red Players of Lewisham, the Red Blouses of Greenwich and the Yiddish-speaking Proltet, existed by 1931’.
The Lewisham Red Players performed in Lewisham High Street and elsewhere, with their group chorus going:
“There is a word you mustn’t say – revo-lution
All the same it’s on the way – the workers’ revolution
Every day the world turns round - revo-lution
A few more turns, it will resound - revo-lution
It’s coming here, it’s coming there - revo-lution
The ground is tumbling everywhere – the workers’ revolution”.
(source: Raphael Samuel in Performance and Politics in Popular Drama: Aspects of Popular Entertainment in Theatre, Film and Television, 1800–1976, edited by David Brady, 1980)
The Red Players included in their ranks Charlie Mann, son of the veteran Communist and trade unionist Tom Mann, the latter who lived in Brockley in the 1920s (in 1927 his address was 1 Adelaide Road).
Charles B Mann (1905-1989) was editor of the Workers' Theatre Movement journal 'Red Stage', with his address given in the November 1931 issue as 61 Sydenham Park SE26.
Red Stage (November 1931) mentions new groups being set up in Croydon and Woolwich and 'the revival of the Deptford Group', and open-air 'Red Radio' shows in Bermondsey and Greenwich. The January 1932 issue includes a report from the Streatham-based 'Red Front Troupe, South London' stating that it had 'nine effective members, three of whom are women' and that in November 1932 they had given five shows and set up an unemployed troupe linked to the National Unemployed Workers Movement. The South London 'Red Players' reported that they had helped set up new groups in Croydon, Woolwich and Camberwell and were planning 'full WTM shows in Croydon, Lewisham and Woolwich'. The folowing month's issue (February 1932) includes reports from Red Blouses in Greenwich, Red Magnets (Woolwich) - planning a big show at Plumstead Baths - and Red Players, planning shows in Croydon, Lewisham and elsewhere.
The movement, which argued that 'Our theatre awakens the masses', presented theatre that condemned capitalism and promoted the workers movement, but there were disagreements about the best way of doing this. Within the pages of these publications we see some healthy debate about the role of the theatre and other issues. For instance the Jewish communist theatre troupe Proltet mounted a strong defence of doing performances in Yiddish, against criticism from some in the Party (WTM Monthly Bulletin, February 1933). There was a debate about jazz, with a letter arguing that 'it seems a great pity that, when so many fine revolutionary and other great melodies are available, it is found necessary to descend to the level of the American jazz exploiters' (Red Stage, January 1932) and a response that to reach the masses it was necessary to use tunes from popular culture - 'jazz brings us nearer to the workers' (February 1932).
A critical review in the Communist Party's Daily Worker attacked the tendency to 'individual self boosting' in the Workers Theatre Movement, provoking a firm response from the Red Players of South London: 'If Comrade Bennett's ideal state is one in which the individual is prohibited from personal expression, then that is not the state we are fighting for' (Red Stage, January 1932). There is a tragic historical irony that in Stalin's USSR - celebrated by the Workers Theatre Movement - such views could lead to the Gulag in this period.
According to 'Class against class: the Communist Party in Britain Between the Wars', (Matthew Worley, 2002): 'Communist theatre groups had begun to appear throughouth the country by the turn of the decade [the 1930s]. In London alone, ten such troupes, including the Red Star Troupe of West London, Red Radio of Hackney, the Red Magnets of Woolwich, the Red Front of Streatham, the Red Players of Lewisham, the Red Blouses of Greenwich and the Yiddish-speaking Proltet, existed by 1931’.
The Lewisham Red Players performed in Lewisham High Street and elsewhere, with their group chorus going:
“There is a word you mustn’t say – revo-lution
All the same it’s on the way – the workers’ revolution
Every day the world turns round - revo-lution
A few more turns, it will resound - revo-lution
It’s coming here, it’s coming there - revo-lution
The ground is tumbling everywhere – the workers’ revolution”.
(source: Raphael Samuel in Performance and Politics in Popular Drama: Aspects of Popular Entertainment in Theatre, Film and Television, 1800–1976, edited by David Brady, 1980)
The Red Players included in their ranks Charlie Mann, son of the veteran Communist and trade unionist Tom Mann, the latter who lived in Brockley in the 1920s (in 1927 his address was 1 Adelaide Road).
Charles B Mann (1905-1989) was editor of the Workers' Theatre Movement journal 'Red Stage', with his address given in the November 1931 issue as 61 Sydenham Park SE26.
Red Stage (November 1931) mentions new groups being set up in Croydon and Woolwich and 'the revival of the Deptford Group', and open-air 'Red Radio' shows in Bermondsey and Greenwich. The January 1932 issue includes a report from the Streatham-based 'Red Front Troupe, South London' stating that it had 'nine effective members, three of whom are women' and that in November 1932 they had given five shows and set up an unemployed troupe linked to the National Unemployed Workers Movement. The South London 'Red Players' reported that they had helped set up new groups in Croydon, Woolwich and Camberwell and were planning 'full WTM shows in Croydon, Lewisham and Woolwich'. The folowing month's issue (February 1932) includes reports from Red Blouses in Greenwich, Red Magnets (Woolwich) - planning a big show at Plumstead Baths - and Red Players, planning shows in Croydon, Lewisham and elsewhere.
The movement, which argued that 'Our theatre awakens the masses', presented theatre that condemned capitalism and promoted the workers movement, but there were disagreements about the best way of doing this. Within the pages of these publications we see some healthy debate about the role of the theatre and other issues. For instance the Jewish communist theatre troupe Proltet mounted a strong defence of doing performances in Yiddish, against criticism from some in the Party (WTM Monthly Bulletin, February 1933). There was a debate about jazz, with a letter arguing that 'it seems a great pity that, when so many fine revolutionary and other great melodies are available, it is found necessary to descend to the level of the American jazz exploiters' (Red Stage, January 1932) and a response that to reach the masses it was necessary to use tunes from popular culture - 'jazz brings us nearer to the workers' (February 1932).
A critical review in the Communist Party's Daily Worker attacked the tendency to 'individual self boosting' in the Workers Theatre Movement, provoking a firm response from the Red Players of South London: 'If Comrade Bennett's ideal state is one in which the individual is prohibited from personal expression, then that is not the state we are fighting for' (Red Stage, January 1932). There is a tragic historical irony that in Stalin's USSR - celebrated by the Workers Theatre Movement - such views could lead to the Gulag in this period.
 |
| Red Stage, January 1932 giving contact addresses for the Red Front troupe (16 Buckleigh Road, SW16 and for the Red Players (S. Banks, 22 Campshill Road, SE13) |
Music Monday: Vision Crew - 'Coming from the Blue side, that's SE'
Lewisham-based Vision Crew aren't shy about representing the 'blue borough'. The video for their latest release, Forever, was shot at St John's Station, while on their earlier 'Walk the Walk' (built around a haunting piano line) they proclaim that they are 'coming from the blue side, that's SE'.
According to Complex magazine (June 2017): 'Meet Vision Crew, The South London Grime Bandits - There's something in the water down in Lewisham, South London, because the Blue Borough has been funnelling a plethora of music acts making their voices heard. Penetrating with devastation akin to the Wu-Tang Clan, Vision Crew is a collective on the rise: established in 2014, Ezro, Pascall, Tyzz, Whackeye, Goldie and DJ Kay C are a group of close friends, made up of emcees, producers and DJs taking their ends to higher heights'
According to Complex magazine (June 2017): 'Meet Vision Crew, The South London Grime Bandits - There's something in the water down in Lewisham, South London, because the Blue Borough has been funnelling a plethora of music acts making their voices heard. Penetrating with devastation akin to the Wu-Tang Clan, Vision Crew is a collective on the rise: established in 2014, Ezro, Pascall, Tyzz, Whackeye, Goldie and DJ Kay C are a group of close friends, made up of emcees, producers and DJs taking their ends to higher heights'
Sunday, August 20, 2017
SE London Women Against Rape - Lewisham demo, 1980
I found this browsing at the interesting digital archive of feminist magazine, Spare Rib. The July 1980 issues records a 300 strong march through Lewisham on May 10 1980, called by South East London Women Against Rape - a group set up 'by Lewisham women after some of them had become involved in helping a woman who had just been raped. They had been shocked not only by the rape but at the harsh and unsympathetic treatment the woman had receivd at the hands of police and doctors'. The group contacts were given as Gill Chambers and Linda Stewart at Deptford Women's Centre, 74 Deptford High Street, and feminist singer Frankie Armstrong was also mentioned as being involved. The photo shows placard reading 'Stop Crimes Against Women Now', sadly as relevant in 2017 as it was in 1980.
Tuesday, August 15, 2017
Sound System: Dave Randall talk at Rye Wax
Coming up tonight (15 August 2017) at Rye Wax in the Bussey building on Rye Lane Se15, a Q&A with Brixton-based musician Dave Randall (Faithless, Slovo) about his new book 'Sound System: the political power of music':
'Musicians have often wanted to change the world. From underground innovators to pop icons, many have believed in the political power of music. Rulers recognise it too. Music has been used to challenge the political and social order – and to prop up
the status quo.
Dave Randall explores what makes music so powerful. In his talk, he’ll look at examples ranging from Beethoven to Beyoncé and pose the question: how can we make music serve the interests of the many, rather than the few?
Dave Randall is a musician and activist. He has contributed to multi-million selling albums and toured the world playing guitar with Faithless, Sinead O’Connor, Emiliana Torrini and many others.
Dave will be taking your questions and selling his book on the night'
the status quo.
Dave Randall explores what makes music so powerful. In his talk, he’ll look at examples ranging from Beethoven to Beyoncé and pose the question: how can we make music serve the interests of the many, rather than the few?
Dave Randall is a musician and activist. He has contributed to multi-million selling albums and toured the world playing guitar with Faithless, Sinead O’Connor, Emiliana Torrini and many others.
Dave will be taking your questions and selling his book on the night'
7:30 start, admission free.
More information
More information
Monday, August 14, 2017
Music Monday: from Versailles to Peckham Rye with Kele
'From the palace of Versailles
To the streets of Peckham Rye
You craved the dizziest of heights
But were caught out at the lights
The streets been talkin'
So starts Bloc Party singer Kele Okereke's new solo single 'The streets been talkin'. A new acoustic direction for Kele with an album to follow in October. Don't know what signfiicance Peckham holds for Kele, but he was recently interviewed in his 'new South London home', saying “I needed a change of scene. I couldn’t walk around Shoreditch without bumping into someone I knew. I was fed up with the grey and people vomiting in the streets. I wanted some green and some anonymity, to insulate myself from that world". Welcome to the green and lovely transpontine streets!
Saturday, August 12, 2017
318 New Cross Road - a little shop on a big day, 13 August 1977
The currently empty shop at 318 New Cross Road, next door to the New Cross House, was an important location in the 'Battle of Lewisham' forty years ago this weekend, when anti-fascist demonstrators confronted the far right National Front as they marched from New Cross to Lewisham.
The shop, most recently 'The Allotment' which closed earlier this year, had been empty too in 1977 when, shortly before the demonstration, it was occupied in the name of the Lewisham 21 Defence Committee. This was a campaign to support local young black people arrested in police raids as part of an 'anti-mugging' operation and whose march through New Cross in July 1977 had been attacked by the National Front (the arrest of NF members on that day in turn prompted the NF to call their 13 August demo). As the local paper the Mercury reported (4 August 1977) the Alcoholic Recovery Project was due to move in:
'Squat shock at a shop for charity
Squatters have taken over the new home of a charity for alcoholics. The squatters, members of the Lewisham 21 defence committee. took over an empty shop in New Cross Road, New Cross, last week.They broke in and cleared the place up to serve as campaign headquarters. But when they heard the shop was to become a centre for Lewisham's Alcoholic Recovery Project, the squatters said they would leave… shortly.
The project, a council-adied charity, had been negotiating the lease of the property for four months and was preparing to move in next week. It wants to use the shop as a reception area where alcoholics could go to receive advice and encouragement. The present owners of the property, Courage Breweries, sent a representative to speak to the squatters. He said "we will pursue our normal course of action was squatters, which is to go through the legal channels".
But it would take at least six weeks for the court order to go through, and the defence committee is prepared to "leave quietly". Members have agreed to get out after August 13, the date of the National Front demonstration in New Cross. The house is close to where the Front is due to congregate.
The committee is "defending" a number of young people charged with conspiracy to steal and loitering. It was named after the original 21 picked up in dawn raids by police on May 30'.
With the NF assembling in Achilles Street by Fordham Park, the shop overlooking Clifton Rise was a perfect place to act as HQ for anti-fascists on the day of the demonstration. It was probably for this reason that the police raided it on 13 August, sparking the first clashes of what was to be a long and violent day. According to the Mercury (18 August 1977), at ten past noon police 'moved in to evict SWP squatters occupying a shop opposite Clifton Rise. An incident that lit the fuse for an explosive timetable of violence.... The SWP were occupying a derelict shop next to the New Cross House pub. Police broke down a door and evicted the squatters, arresting 7 people and taking a quanity of propaganda and banners' (not sure whether all those arrested were members of the Socialist Workers Party, press reports from the time tended to label all the militant anti-fascists as SWP when in fact they were members of many groups and none - though the SWP did play a significant tole in the demonstration that day).
The Alcohol Recovery Project did move in to the shop later and remained there for at least the next twenty years.
Friday, August 11, 2017
Remembering the Battle of Lewisham weekend
I went along last week to the launch of What Are You Taking Pictures For? an exhibition of photographs documenting the events of 13 August 1977, a day of riotous demonstrations against the far right National Front often referred to as the 'Battle of Lewisham'. There are some great images and archive material, so do get along and take a look. The exhibition is open from 9 am to 9 pm for all of August in Goldsmiths Kingsway Corridor in the main old building on Lewisham Way.
This weekend sees a whole series of events to mark the 40th anniversary, organised by Goldsmiths in partnership with Lewisham Council, the Albany and Lover Music Hate Racism. All events free unless otherwise stated, full details here: http://www.gold.ac.uk/events/battle-of-lewisham/full-events-programme/
A night of protest music and poetry featuring Attila the Stockbroker, Robb Johnson, Mark ‘Mr T’ Thompson, and more.
6:45 - 11pm | The Stretch, Goldsmiths SU | £5 in advance, £7 on the door
Historian Dr John Price leads a history walk taking in key locations from the Battle of Lewisham.
11am - 1pm & 2 - 4pm, Goldsmiths.
Spirit of ’77: Protest films
Screening of newly rediscovered documentary, AUG 13, produced by the Albany Video Project chronicling the events of the Battle of Lewisham. Followed by 'The Depiction of Blackness', a new film by Nacheal Catnott. Screening followed by a Q&A with the film-makers and DJ set from Lezlee Lyrix. 7 - 11pm, The Stretch, Goldsmiths.
Sunday, 13 August 2017
Battle of Lewisham plaque unveiling
Lewisham maroon plaque unveiled on Clifton Rise in New Cross (by New Cross Inn), gathering point for anti-fascists on the day. 12pm |Further information
Battle of Lewisham 40th Anniversary Community Festival,
from 1 pm to 6 pm at the Albany, Deptford, including:
DJ sets
Featuring Rock Against Racism co-founder, Roger Huddle, and the Deptford Dub Club’s Soft Wax joined live by Tim from Top Cats (South London's favourite Ska band ) and Setondji Spirit.
1pm – 6pm | FREE
Exhibits
Goldsmiths presents a history of the Battle of Lewisham, including rarely seen photographs, first-hand accounts, and community led designs for a new public mural
1pm – 6pm | FREE
Marketplace
Food, drink and local organisations presenting their work. Including Indian street food from Hulabaloo, Love Music Hate Racism, The Word Bookshop, Bookmarks, Lewisham Anti-Racist Action Group, Lewisham Local History Society and Lewisham Pensioners Forum.
1pm – 6pm
Remembering the ‘Battle of Lewisham’ panel discussion
Hear first-hand accounts and explore the contemporary relevance of the Battle with Dr John Price, John Rees and John Lockwood.
2 pm, the Albany
The legacy of Rock Against Racism panel discussion
Featuring:
Roger Huddle, Co-founder of Rock Against Racism
Rhoda Dakar, lead singer of The Bodysnatchers (performed at RAR/ANL carnival in Leeds with The Specials)
Saskilla, Grime artist (performed at Love Music Hate Racism events)
Zak Cochrane, Love Music Hate Racism
4pm , the Albany
Battle of Lewisham 40th Anniversary Gig
Love Music Hate Racism presents a night of rebel music to mark the 40th anniversary of the Battle of Lewisham. With live music from Afro B (Hit track ‘Juice & Power’), IQ (Afro Beats), YGTV & Guests (Hosted by Saskilla), & Smokey Joe (Beat London Radio).
7 – 10pm, £10
This weekend sees a whole series of events to mark the 40th anniversary, organised by Goldsmiths in partnership with Lewisham Council, the Albany and Lover Music Hate Racism. All events free unless otherwise stated, full details here: http://www.gold.ac.uk/events/battle-of-lewisham/full-events-programme/
Friday, 11 August 2017
Spirit of '77: protest poetry and songA night of protest music and poetry featuring Attila the Stockbroker, Robb Johnson, Mark ‘Mr T’ Thompson, and more.
6:45 - 11pm | The Stretch, Goldsmiths SU | £5 in advance, £7 on the door
Saturday, 12 August 2017
Walking the Battle of LewishamHistorian Dr John Price leads a history walk taking in key locations from the Battle of Lewisham.
11am - 1pm & 2 - 4pm, Goldsmiths.
Spirit of ’77: Protest films
Screening of newly rediscovered documentary, AUG 13, produced by the Albany Video Project chronicling the events of the Battle of Lewisham. Followed by 'The Depiction of Blackness', a new film by Nacheal Catnott. Screening followed by a Q&A with the film-makers and DJ set from Lezlee Lyrix. 7 - 11pm, The Stretch, Goldsmiths.
Sunday, 13 August 2017
Battle of Lewisham plaque unveiling
Lewisham maroon plaque unveiled on Clifton Rise in New Cross (by New Cross Inn), gathering point for anti-fascists on the day. 12pm |Further information
Battle of Lewisham 40th Anniversary Community Festival,
from 1 pm to 6 pm at the Albany, Deptford, including:
DJ sets
Featuring Rock Against Racism co-founder, Roger Huddle, and the Deptford Dub Club’s Soft Wax joined live by Tim from Top Cats (South London's favourite Ska band ) and Setondji Spirit.
1pm – 6pm | FREE
Exhibits
Goldsmiths presents a history of the Battle of Lewisham, including rarely seen photographs, first-hand accounts, and community led designs for a new public mural
1pm – 6pm | FREE
Marketplace
Food, drink and local organisations presenting their work. Including Indian street food from Hulabaloo, Love Music Hate Racism, The Word Bookshop, Bookmarks, Lewisham Anti-Racist Action Group, Lewisham Local History Society and Lewisham Pensioners Forum.
1pm – 6pm
Remembering the ‘Battle of Lewisham’ panel discussion
Hear first-hand accounts and explore the contemporary relevance of the Battle with Dr John Price, John Rees and John Lockwood.
2 pm, the Albany
The legacy of Rock Against Racism panel discussion
Featuring:
Roger Huddle, Co-founder of Rock Against Racism
Rhoda Dakar, lead singer of The Bodysnatchers (performed at RAR/ANL carnival in Leeds with The Specials)
Saskilla, Grime artist (performed at Love Music Hate Racism events)
Zak Cochrane, Love Music Hate Racism
4pm , the Albany
Battle of Lewisham 40th Anniversary Gig
Love Music Hate Racism presents a night of rebel music to mark the 40th anniversary of the Battle of Lewisham. With live music from Afro B (Hit track ‘Juice & Power’), IQ (Afro Beats), YGTV & Guests (Hosted by Saskilla), & Smokey Joe (Beat London Radio).
7 – 10pm, £10
 |
| John Price launches the photography exhibition at Goldsmiths |
Wednesday, August 09, 2017
And Did Those Hooves in Ancient Times
An interesting talk coming up at South East London Folklore Society this week - Thursday 10th August 2017 - looking at all kinds of magickal and folkloric aspects of the goat. No less than 'a journey through goatish manifestations by way of Snowdonia, Avebury and Crouch End: Alexander Keiller's Pan worship, daimonic encounters, haunted abandoned rail lines, and cough syrup hallucinations'.
The speaker is the erudite and quietly influential Gyrus, 'a writer based in south London, obsessed with animism, altered states, depth psychology and archaic revivals. Creator of the journals Towards 2012 and Dreamflesh, and author of North, an epic cosmological history.'
The talk takes place in the upstairs room of The Old King's Head, just down the road from London Bridge, across which Cilla Black and Cherie Blair walked goats for charity not so long ago. Also only five minutes away from Queen Elizabeth Street SE1 where in July 1944, a Nazi rocket destroyed The Goat Public House, killing 18 people. I am sure there must be lots of other local goat connections... any ideas?
Entrance is £3/1.50 concs, in King's Head Yard, 45-49 Borough High Street, SE1 1NA (facebook event details here)
The speaker is the erudite and quietly influential Gyrus, 'a writer based in south London, obsessed with animism, altered states, depth psychology and archaic revivals. Creator of the journals Towards 2012 and Dreamflesh, and author of North, an epic cosmological history.'
The talk takes place in the upstairs room of The Old King's Head, just down the road from London Bridge, across which Cilla Black and Cherie Blair walked goats for charity not so long ago. Also only five minutes away from Queen Elizabeth Street SE1 where in July 1944, a Nazi rocket destroyed The Goat Public House, killing 18 people. I am sure there must be lots of other local goat connections... any ideas?
Entrance is £3/1.50 concs, in King's Head Yard, 45-49 Borough High Street, SE1 1NA (facebook event details here)
Dan Aykroyd and Tom Hanks dressed up for the Pagan goat dance in Dragnet (1987)
Monday, August 07, 2017
Music Monday: Joel Culpepper
SE London soul singer Joel Culpepper has been getting lots of attention recently on the back of his new Tortoise EP. He was on Gilles Peterson's BBC 6Music show a few week ago and gave a shout out to Lewisham.
His collaborators on the EP include legendary Chicago house producer Roy Davis Jr. (responsible for garage anthem Gabriel), with whom he has written 'Afraid to be King', newly released as a single this week and already getting lots of airplay from Lauren Laverne and others.
'It don't mean I'm in love' was produced by Jimmy Hogarth, who has worked with Duffy and Amy Winehouse among others. The video features Blackheath and the LP Bar in New Cross Road - and an implicit message that when a guy say 'let's take it slow' he actually means 'I can't commit as I have a string of women across town'.
His collaborators on the EP include legendary Chicago house producer Roy Davis Jr. (responsible for garage anthem Gabriel), with whom he has written 'Afraid to be King', newly released as a single this week and already getting lots of airplay from Lauren Laverne and others.
'It don't mean I'm in love' was produced by Jimmy Hogarth, who has worked with Duffy and Amy Winehouse among others. The video features Blackheath and the LP Bar in New Cross Road - and an implicit message that when a guy say 'let's take it slow' he actually means 'I can't commit as I have a string of women across town'.
Tuesday, August 01, 2017
Horns of Taurus over New Cross Gate
My current favourite phone app is SkyView (I have only used the free version so far). Essentially an astronomy aid if you point it at the night sky it will tell you the names of the stars, planets and constellations that you can see. But of course the stars are still there during the day, it's just too bright for us to see them - other than the sun. And SkyView does work in the day by showing what is currently invisible to the naked eye, enabling you to create some striking montages.
Here's Virgo over the old Deptford Town Hall on Sunday afternoon...
.... and Taurus over New Cross Sainsburys.
During a dull moment at work I did actually point it at my keyboard and spot that the international space station was currently in line with the middle of it - but I'm not going to subject you to that photo!
Here's Virgo over the old Deptford Town Hall on Sunday afternoon...
.... and Taurus over New Cross Sainsburys.
During a dull moment at work I did actually point it at my keyboard and spot that the international space station was currently in line with the middle of it - but I'm not going to subject you to that photo!
Monday, July 31, 2017
What are you taking pictures of? - Lewisham '77 photo exhibition
As mentioned here before, there's a whole series of events led by Goldsmiths coming up in next couple of weeks to mark the 40th anniversary of the 'Battle of Lewisham' when, on 13 August 1977, the far-right National Front (NF) attempted to march from New Cross to Lewisham town centre, leading to violent clashes with counter demonstrators and the police.
For the whole of August there will be a photography exhibition 'What are you taking pictures for?' in the Kingsway Corridor of the Richard Hoggart Building at Goldsmiths (that's the main old building on Lewisham Way):
'For the first time, photographs documenting the events of 13 August 1977 are exhibited alongside ephemera and newly discovered archive material. This exhibition brings together striking images featured in radical photography journal Camerawork and rarely seen photographs taken by some of the most important photographers documenting life in Britain in the late 70s.
Featuring work by Mike Abrahams, Peter Marlow, Chris Schwartz, Syd Shelton, Chris Steele-Perkins, Homer Sykes, and Paul Trevor.
Opening event with drinks reception: 6pm on Thursday, 3 August. All welcome'.
Image below by Chris Schwartz, I think this is New Cross Road taken from Clifton Rise - building on left is New Cross House, the car place (The Motor Way Centre) opposite is on corner of Laurie Grove is now the Word Bookshop. Banners visible include a couple of anarchist ones ('Struggle' and 'Anarchist Black Cross - Oxford Group') and 'Socialist Challenge' (newspaper of the International Marxist Group).
For the whole of August there will be a photography exhibition 'What are you taking pictures for?' in the Kingsway Corridor of the Richard Hoggart Building at Goldsmiths (that's the main old building on Lewisham Way):
'For the first time, photographs documenting the events of 13 August 1977 are exhibited alongside ephemera and newly discovered archive material. This exhibition brings together striking images featured in radical photography journal Camerawork and rarely seen photographs taken by some of the most important photographers documenting life in Britain in the late 70s.
Featuring work by Mike Abrahams, Peter Marlow, Chris Schwartz, Syd Shelton, Chris Steele-Perkins, Homer Sykes, and Paul Trevor.
Opening event with drinks reception: 6pm on Thursday, 3 August. All welcome'.
Image below by Chris Schwartz, I think this is New Cross Road taken from Clifton Rise - building on left is New Cross House, the car place (The Motor Way Centre) opposite is on corner of Laurie Grove is now the Word Bookshop. Banners visible include a couple of anarchist ones ('Struggle' and 'Anarchist Black Cross - Oxford Group') and 'Socialist Challenge' (newspaper of the International Marxist Group).
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Thursday, July 27, 2017
They Will Have to Kill us First - Mali music movie in Catford
Coming up at Catford Constituional Club on Sunday 31 July 2017 (7:30 PM - 10 PM), Catford Film are showing 'They Will Have To Kill Us First', Johanna Schwarz's feature length documentary about Mali's musicians and their struggle to survice and perform under Islamist rule which banned their music. The event, which is being screened in support of of Lewisham Refugee and Migrant Network ,will include an interview and Q+A session with the Director at the end of the film. Admission is free, but let them know at their facebook event page if you are planning to come so that they have an idea of numbers.
Synopsis of film:
'Islamic extremists have banned music in Mali, but its world famous musicians wont give up without a fight. They Will Have To Kill Us First tells the story of Malis musicians, as they fight for their right to sing. With a specially commissioned soundtrack from some of Malis most exciting artists, the film features musicians: Khaira Arby, Fadimata Disco Walet Oumar, Malian superstar Amkoullel, Moussa Sidi and introducing Songhoy Blues.
Music is the beating heart of Malian culture, but when Islamic jihadists took control of northern Mali in 2012, they enforced one of the harshest interpretations of sharia law in history: They banned all forms of music. Radio stations were destroyed, instruments burned and Malis musicians faced torture, even death. Overnight, Malians revered musicians were forced into hiding or exile where most remain, even now. But rather than lay down their instruments, the musicians are fighting back, standing up for their cultural heritage and identity. Throughout their struggle, they have used music as their weapon against ongoing violence that has left Mali ravaged. They Will Have to Kill Us First sees musicians on the run, tells the story of the uprising of Touareg separatists, reveals rare footage of the jihadists, captures life at refugee camps where money and hope are scarce, charts perilous journeys home to war-ravaged cities, and follows our characters as they set up and perform at the first public concert in Timbuktu since the music ban'.
Synopsis of film:
'Islamic extremists have banned music in Mali, but its world famous musicians wont give up without a fight. They Will Have To Kill Us First tells the story of Malis musicians, as they fight for their right to sing. With a specially commissioned soundtrack from some of Malis most exciting artists, the film features musicians: Khaira Arby, Fadimata Disco Walet Oumar, Malian superstar Amkoullel, Moussa Sidi and introducing Songhoy Blues.
Music is the beating heart of Malian culture, but when Islamic jihadists took control of northern Mali in 2012, they enforced one of the harshest interpretations of sharia law in history: They banned all forms of music. Radio stations were destroyed, instruments burned and Malis musicians faced torture, even death. Overnight, Malians revered musicians were forced into hiding or exile where most remain, even now. But rather than lay down their instruments, the musicians are fighting back, standing up for their cultural heritage and identity. Throughout their struggle, they have used music as their weapon against ongoing violence that has left Mali ravaged. They Will Have to Kill Us First sees musicians on the run, tells the story of the uprising of Touareg separatists, reveals rare footage of the jihadists, captures life at refugee camps where money and hope are scarce, charts perilous journeys home to war-ravaged cities, and follows our characters as they set up and perform at the first public concert in Timbuktu since the music ban'.
Saturday, July 22, 2017
Elle Fanning in Brockey?
Walking past Brockley Social Club yesterday I noticed that there was a film shoot in progress. Quick bit of investigation - OK I looked at the sign on one of the vehilces - and it transpires that 'Teen Spirit' is the movie in question. Directed by Max Minghella, the film stars US actor Elle Fanning
According to Hollywood Reporter: 'Teen Spirit tells the story of a shy Eastern European teen who dreams of pop stardom to escape her small town and shattered family life. With the help of an unlikely mentor, Violet (Fanning) enters an international singing competition that will test her integrity, talent and ambition. Fred Berger (La La Land) is producing alongside Brian Kavanaugh-Jones under their Automatik banner, while Jamie Bell, who helped develop the screenplay with Minghella, will executive produce'.
The Social Club has been used a location before for its 1970s decor. I saw some filming there last year which I think was for the TV series Guerrilla, starring Idris Elba, which also has scenes shot in Deptford High Street. I assume on this occasion it is standing in in this film for an East European small town drinking den.
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| Elle Fanning in 20th Century Women (2016) |
Monday, July 17, 2017
Music Monday: Peter Perrett 'How the West was Won'
'How the West was Won' is the new solo album from Peter Perrett (Domino, 2017).
Perrett is best known as the former lead singer of The Only Ones, responsible for one of the greatest songs of the punk era 'Another Girl, Another Planet'. He was born at Kings in Camberwell in 1952, and after being kicked out of boarding school ended up at school in New Cross: 'My first school was called Bancroft’s on the edge of Epping Forest. I got a scholarship to go there because I was brainy. I got expelled from there when I was 15 and then went to Haberdashers’ Aske’s in New Cross. One of my classmates was [Cockney Rebel singer] Steve Harley – called Steve Nice back then. He was one of the only two people who were into Dylan; the difference was he was a skinhead and I was a longhair'.
After The Only Ones split up in 1981, Perrett 'vanished from public view. Sequestered in a crumbling gothic house in Forest Hill that he fortified against police raids, Perrett took and dealt heroin' (Alex Petridis, 2007)). I believe this house was in Manor Mount, SE23. Perrett once told Mojo Magazine that while living here 'On two or three occasions we had the police living opposite us, for a period of months. I mean, they spent hundreds of thousands of pounds on operations to bust us, and they got close on a couple of occasions. Luckily, we lived in a fortress, it was impossible to get in. We’d watch them try and break the door down but the door was at the very top of a steep flight of stairs. So, they would have to try and run up the stairs, and they could never get full contact on the door with their battering ram – it just used to slide off'. Barney Hoskyns mentions that in this period he visited Perrett 'in his huge decaying home in Forest Hill, though my efforts to help him... were wholly in vain' (Never Enough: a way through addiction, 2017). I think Perrett later moved to Norwood.
The new album is not dissimilar to The Only Ones output of nearly 40 years ago- songs of love as a metaphor for addiction and vice versa, performed in a world weary tone. But this time underpinned by a note of defiance as a survivor; as he sings on 'Something in my brain':
'Just like the experiment with the rat,
He could choose food or he could choose crack.
Well the rat he starved to death
But I didn't die, at least not yet'
Perrett is best known as the former lead singer of The Only Ones, responsible for one of the greatest songs of the punk era 'Another Girl, Another Planet'. He was born at Kings in Camberwell in 1952, and after being kicked out of boarding school ended up at school in New Cross: 'My first school was called Bancroft’s on the edge of Epping Forest. I got a scholarship to go there because I was brainy. I got expelled from there when I was 15 and then went to Haberdashers’ Aske’s in New Cross. One of my classmates was [Cockney Rebel singer] Steve Harley – called Steve Nice back then. He was one of the only two people who were into Dylan; the difference was he was a skinhead and I was a longhair'.
After The Only Ones split up in 1981, Perrett 'vanished from public view. Sequestered in a crumbling gothic house in Forest Hill that he fortified against police raids, Perrett took and dealt heroin' (Alex Petridis, 2007)). I believe this house was in Manor Mount, SE23. Perrett once told Mojo Magazine that while living here 'On two or three occasions we had the police living opposite us, for a period of months. I mean, they spent hundreds of thousands of pounds on operations to bust us, and they got close on a couple of occasions. Luckily, we lived in a fortress, it was impossible to get in. We’d watch them try and break the door down but the door was at the very top of a steep flight of stairs. So, they would have to try and run up the stairs, and they could never get full contact on the door with their battering ram – it just used to slide off'. Barney Hoskyns mentions that in this period he visited Perrett 'in his huge decaying home in Forest Hill, though my efforts to help him... were wholly in vain' (Never Enough: a way through addiction, 2017). I think Perrett later moved to Norwood.
The new album is not dissimilar to The Only Ones output of nearly 40 years ago- songs of love as a metaphor for addiction and vice versa, performed in a world weary tone. But this time underpinned by a note of defiance as a survivor; as he sings on 'Something in my brain':
'Just like the experiment with the rat,
He could choose food or he could choose crack.
Well the rat he starved to death
But I didn't die, at least not yet'
Sunday, July 16, 2017
I Want Your Love
'I want your love' - tape on metal box, Peckham Rye/Nunhead Lane junction.
But are they referencing Chic or Transvision Vamp?
Monday, July 10, 2017
Music Monday - Tom Misch - South of the River
Tom Misch has a new single and it is a proper transpontine neo-soul anthem entitled South of the River. It has a bit of a disco feel to it including a nice violin line from Tobie Tripp as a one man Philly string section and a fusiony keyboard solo from Rob Araujo (which put me in mind of Joey Negro's Universe of Love)
The East Dulwich multi-instrumentalist and producer is definitely going places, headling venues like Somerset House when he hasn't even released a full album yet. Tom Misch has though put out lots of great material on his soundcloud site, collaborating with artists including Loyle Carner and Carmody. If you like this track check out his 'Beat Tape 2' and more recent 'Revere' EP.
Update 24 August 2017
There's a great video for this song now, stcitched together from clips made by Misch enthusiasts from around the world. The Catford cat gets a look in...
The East Dulwich multi-instrumentalist and producer is definitely going places, headling venues like Somerset House when he hasn't even released a full album yet. Tom Misch has though put out lots of great material on his soundcloud site, collaborating with artists including Loyle Carner and Carmody. If you like this track check out his 'Beat Tape 2' and more recent 'Revere' EP.
Update 24 August 2017
There's a great video for this song now, stcitched together from clips made by Misch enthusiasts from around the world. The Catford cat gets a look in...
Thursday, July 06, 2017
Green Onions and Red Lion - healthfoods, vinyl and coffee in Clifton Rise SE14
Tucked off the New Cross Road in Clifton Rise SE14, Green Onions has been going for about 18 months offering a great combination of healthfoods and vinyl.
Out front there's vegan goodies, gifts and all the tea bags...
Head to the back though and there's racks of vinyl from Spotty Vinyl Records... some great finds to be had for all you crate diggers, with new stock every week.
I was sorely tempted by a couple of disco 12"s, maybe next time. Don't think they had this soul classic though...
Green Onions is open every day, including until 7:30 pm Monday to Friday, so handy for popping in on the way to or from New Cross Gate if you're commuting.
Also in Clifton Rise you can now get a really good coffee (not to mention plenty of food) at the new Red Lion Coffee Company. I know there's no shortage of cafes in the area, especially up near Goldsmiths, but lets just say coffee quality can be variable if you are as fussy as me.
Red Lion is on corner of Clifton Rise and Batavia Road near to Fordham Park.
Monday, June 26, 2017
Music Monday: Mirage - 1980s Brockley Brit Funk
There was food, music, books and sunshine to be had in Crofton Park earlier this month (3rd June 2017) with stalls along the main road as part of Croftest in the Brockley Max festival. Some fine soul and house music was being played by the sound system outside First Glance hair, with the DJ announcing that one track was by a band from Brockley in the 1980s - Mirage.
Naturally that got me curious...
Mirage were a brit funk outfit who released Summer Grooves (backed with Love and Devotion) on Flamingo Records in 1980 (see discogs entry). It was produced by Colin Green at Trident studios in Soho. I don't think it was a big chart hit but has been recognised since - it is included on Joey Negro's fine collection Backstreet Brit Funk (Z Records) and was used as the signature tune for the Radio One Roadshow for some time.
Another single, As From Now (backed with Luckiest People) was released on Copasetic Records in 1981.
I can't find out much more about them - Morris Michael was keyboardist in the band and wrote the songs, I believe he is still recording/performing as Mo Michael though these days he plays the blues.
Does anyone know anymore about the Brockley/Lewisham connection to this band?
Monday, June 19, 2017
Music Monday: Jem Finer's Longplayer
Jem Finer is probably best known as a member of The Pogues, for whom he co-wrote the Christmas favourite The Fairytale of New York and the transpontine anthem Misty Morning Albert Bridge. In recent years he has focused more on his work as a sound artist and composer, most notably composing the awesomely ambitious 'Longplayer' - a piece designed to last for 1000 years, and which in fact has already been playing since the start of this century (including at Trinity Buoy Wharf on the Thames at Poplar in East London).
It is essentially an optimistic work, assuming that the species will survive that long and that humans will still be co-operating to make and appreciate music centuries into the future.
The Longplayer Trust has.now established a partnership with Goldsmiths in New Cross and as part of this the innaugural Longplayer Day is taking place thi Wednesday 21 June, from noon until midnight. with free events taking place across London. It all starts in Goldsmiths Great Hall, followed by Siswå Sukrå - a Javanese gamelan group - performing on Goldsmiths Forecourt at 1:25 pm. Other locations include Margaret McMillan Park in Deptford - where The Study Group will be performing Pauline Oliveros' summer sostice piece, Welcoming the Light and The Greenwich Foot Tunnel, where Violinist and composer Angharad Davies will be performing. Deptford percussionist Charles Hayward will be performing on the Thames shoreline at Newcastle Draw Dock, and it will all finish at the lighthouse at Trinity Buoy Wharf where Jem Finer will give a short talk.
I've been to a Longplayer event at the lighthouse before and it is quite mesmerising, as well as being an interesting location right next to where the River Lea flows into the Thames.
Full details here
It is essentially an optimistic work, assuming that the species will survive that long and that humans will still be co-operating to make and appreciate music centuries into the future.
The Longplayer Trust has.now established a partnership with Goldsmiths in New Cross and as part of this the innaugural Longplayer Day is taking place thi Wednesday 21 June, from noon until midnight. with free events taking place across London. It all starts in Goldsmiths Great Hall, followed by Siswå Sukrå - a Javanese gamelan group - performing on Goldsmiths Forecourt at 1:25 pm. Other locations include Margaret McMillan Park in Deptford - where The Study Group will be performing Pauline Oliveros' summer sostice piece, Welcoming the Light and The Greenwich Foot Tunnel, where Violinist and composer Angharad Davies will be performing. Deptford percussionist Charles Hayward will be performing on the Thames shoreline at Newcastle Draw Dock, and it will all finish at the lighthouse at Trinity Buoy Wharf where Jem Finer will give a short talk.
I've been to a Longplayer event at the lighthouse before and it is quite mesmerising, as well as being an interesting location right next to where the River Lea flows into the Thames.
Full details here
Wednesday, June 14, 2017
Laurie Grove Baths event at Goldsmiths
An interesting event coming up tomorrow night (Thursday 15 June 2017, 5:30 to 8:30) at Goldsmiths focused on the Laurie Grove Baths. This building hosted swimming pools and public washhouses for a hundred years or so before it closed in 1991 and was taken over by Goldsmiths, for among other things, artist studio space. I've written about its history here before. More recently I came across this tragic episode-
'Dives To Death In Baths
Large crowds at Laurie Grove Baths, New Cross, London, saw Arthur William Burgess, 29, of Biggin Hill, Kent, dive to his death. Burgess climbed to the top diving board, piunged into 6ft. of water and struck his head on the bottom. Mr. A. J. Gould, baths attendant, of Deptford, dived fully clothed and brought Burgess to the surface. Artificial respiration was administered, but Burgess was dead when he was examined at hospital in Deptford' (The Newcastle Sun, New South Wales, 18 Nov 1952)
.
Here's the details of this week's event:
'Slippages and Water Matters: Inheritances of the Laurie Grove Baths
Over the years the Laurie Grove Baths has been used as a place for washing, swimming, dancing, playing music, wrestling, boxing, bowling, fine art, and urban research. In this exhibition we immerse ourselves in work which exposes and explores slippages; institutional, emotional, social, historic. This collection of collaborative work speaks about the slippery qualities of inheritances such as these, and the ways that humans, non-humans, materials and things have occupied, subverted and transformed them. How do we continue to do so?
Exploring topics from gender, to mental health, ecologies, colonial legacies, knowledge production, graffiti, and more, we occupy toilets, waiting rooms, and stairwells. The panel discussion will feature:
- Les Back, talking about his work on the local history of The Baths;
- Sophie Watson, discussing her research elsewhere in London on water as material for public space,
- Alison Rooke in conversation with the authors of the installations.
The event will be followed by drinks upstairs in the Council Room.
Water Cultures is a series of collaborative public work, organised and supported by CUCR on the urban sociology of water'.
The event will take place in Laurie Grove Baths, 21 Laurie Grove, London SE14 6NH.
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Sunday, June 11, 2017
Hissing Queen Victoria 1888
When 19th century writers referred to transpontine theatre houses, on the wrong side of the river from high culture and power, they seem to have particularly had in mind the Royal Surrey on Blackfriars Road.
I recently came across this review of a night there in 1888 - a reminder that in some parts of London, Queen Victoria was very unpopular at this time:
'I went on Saturday to the Surrey Theatre see In the Ranks and... to study the audience. The play was badly acted, but the scenery was rather good. One incident I may mention. A mother goes down to some barracks to see her son, a private soldier, and proposes to kiss him. The son objects to being kissed, saying that he is "serving the Queen.” The mother replies, "She wouldn't mind a mother kissing her own son, for she's got a mother’s heart herself.” Now the author obviously intended that that sentiment should be cheered, and so it would have been at any West-end or provincial theatre. But at the Surrey it was hissed. I am afraid the Socialists, Anarchists. Atheists, and Republicans are getting too much influence in that part of London' (Croydon Advertiser and East Surrey Reporter - Saturday 24 March 1888).
Friday, May 26, 2017
Beating the Bounds in Penge and Lee
On this day in 1881, a 'beating the bounds' procession took place in Penge. As reported in The Beckenham Journal and Penge and Sydenham Advertiser, Wednesday, June 1, 1881:
'The ancient custom of beating the bounds was observed with all due ceremony in Penge on Thursday the 26th being Ascension Day. Some 18 boys from various schools in the Hamlet, with willow wands, to which were attached ribbons and bells, started from the Vestry Hall shortly after 10 o'clock in the morning, under the direction of Mr C.W. Dommett, the vestry Clark, and Mr A. Wilson, assistant overseer, many of the vestry men being also present and joining in the procession. The party was followed by a wagonettte containing ladders etc required to surmount some of the obstacles which were encountered. At important points of the boundary the custom of "bumping" was duly observed, to the great delight of the boys, if not of some of the elders. During the journey the party availed themselves of refreshments kindly provided for them at the residences of Dr Gibbes and Messrs T. Bugler and W. Matthews. Fortunately the weather was fine, or the day would have been far from pleasant for those concerned. A number of the overseers, vestry men, and others interested in the hamlet met at the vestry Hall in the evening and partook of an excellent dinner'.
Beating the bounds processions took place in many parishes until the 19th century. According to folklorist Steve Roud they involved 'walking around the boundaries of the parish both to check that there had been no encroachments or illegal building, and to make sure that everyone knew the extent of the parish in detail... In the days before accurate maps, it was essential that the knowledge of boundaries was passed on to younger generations... The participants often carried flexible wands, and when they reached a particular boundary marker they would literally beat it with their sticks. In many cases, boys were whipped with the wands at each stone, or bumped on them, or even held upside down. Sometimes they were encouraged to run on ahead to find the next marker and the first one there was rewarded. It was also thought important, even perhaps legally binding, that the whole of the boundary be followed, at least by a representative. Boys were therefore useful to scale walls, crawl through hedges, wade through ponds – wherever the official boundary took them' (Steve Roud, London Lore, 2008).
Roud also mentions that Penge was 'for centuries a detached part of Battersea parish given to them in the year 957'. The parish records of St Mary's Church, Battersea, record officials 'agoeing the bownds of the parish at Penge' in 1661 and on other occasions.
Beating the Bounds processions have been revived in a number of places in recent years as a way of celebrating local history and geography. In Penge, there is a Beating the Bounds walk on Sunday 4 June starting at 2.30 pm from Alexandra Nurseries, 56B Parish Lane, SE20 7LJ. In recent years there have also been Beating the Bounds processions in Nunhead, and in Lee where last month (April 22) Dacre Morris and Blackheath Morris beat the bounds of the old Dacre estate.
Dacre Morris beating the bounds April 2017
(photo from Dacre Morris facebook page)
Monday, May 22, 2017
Election street art
So far the General Election street art hasn't been too extensive.
I did spot this grime artists/rappers supporting Labour poster under the railway bridge at Brockley cross.
Among those featured is Brockley's own Novelist. Up at the top of Pepys Road SE14 you can still read the 'Novelist - pave the way' graffiti in the road (this photo actually taken last November).
Walking down Nunhead Lane I noticed this Theresa May-mocking 'Strong and stable my arse' poster, one of a number around London. It was revealed today that the artist Jeremy Deller is responsible for them. This particular example was just down the road from where he went to primary school - St John's and St Clements's by Goose Green in East Dulwich.
Update 28 May 2017:
Spotted in Telegraph Hill upper park (Kitto Road SE14) this morning - Theresa May as 'PredaTory'
(just to be clear - it's only one piece, included a few photographs to show scale and also detail - text looks different depending on angle)
Monday, May 15, 2017
Linear Obsessional Festival in Deptford and Hither Green
Hither Green-based experimental/improv label Linear Obsessional Recordings (LOR) has a busy weekend coming up with a two day festival starting out on Saturday (20/5/2017) with a gig at Vinyl Deptford:
'Live Music from 5pm with
Tom Jackson, Daniel Thompson, Jacques Duerinckx & Matthieu Safatly - acoustic free improvisation from this specially assembled Anglo/Belgian quartet - clarinet, guitar,soprano sax and cello. Expect intricate flowing absorbing interaction.
Jo Thomas - astonishing electro-acoustic composer - Her music captures a combination of refined and raw sonic matter, and is utterly absorbing. Her work has won awards and been performed around the world
Stephen Shiell - Sculptor, field-recordist and environmental musician is working on a new album for Linear Obsessional - here's a rare chance to see him perform solo and in a confined space!
Ne...t - Net is the project of Finland based composer and electronicist NE.Trethowan whose Linear Obsessional album "Grammostola" recieved extraordinary reviews. This is his UK debut and he will be working with modular synth and samples. He has new release imminent on Whitelabrecs.
http://tvei.eu/net2.htm
https://
James Worse - writer and poet James Worse is a "master of the surreal spoken word" (the Quietus) whose melifluous, extraordinary wordplay is compelling and irrestable.He was invited after his extraordinary contribution to the LinOb "Utterances" compilation-
https://
Starting the evening- a first performance for a trio of three LinOb artists-
Phil Durrant, Phil S. Maguire and Richard Sanderson
(modular synth, tiny electronics and melodeon respectively) creating an enveloping slowlydeveloping wave of sound.
http://
https://philmaguire.com/
http://
Admission - a donation of £5
Food, Drink, Coffee,Tea Vinyl Reords and Linear Obsessional material available'
http://tvei.eu/net2.htm
https://
James Worse - writer and poet James Worse is a "master of the surreal spoken word" (the Quietus) whose melifluous, extraordinary wordplay is compelling and irrestable.He was invited after his extraordinary contribution to the LinOb "Utterances" compilation-
https://
Starting the evening- a first performance for a trio of three LinOb artists-
Phil Durrant, Phil S. Maguire and Richard Sanderson
(modular synth, tiny electronics and melodeon respectively) creating an enveloping slowlydeveloping wave of sound.
http://
https://philmaguire.com/
http://
Admission - a donation of £5
Food, Drink, Coffee,Tea Vinyl Reords and Linear Obsessional material available'
Day Two is on Sunday when as part of the Hither Green Festival LOR will be taking over Manor Park from 12:30, starting out with a free event including interactive sound sculptures and an open access al-fresco drone from multiple musicans throughout the park. From 4 pm there will be a gig in the Arts Cafe in the park with Oren Marshall (tuba), Greta Pistaceci (theremin), Ed Lucas and Danile Kordik (sax/electronics) and Me, Claudius (avant noise dub) -£5 donaton for indoor gig in Cafe.
If you want to take part in the drone performance contact Richard Sanderson (bagrec@gmail.com) - virtuosity not required, in fact postively discouraged - the idea is for the public to wander through a park enlivened by long, softy played sustained tones on all kinds of instruments mutating slowly over a two hour period down by the banks of the River Quaggy.
Sunday, May 14, 2017
A not so joyful sound - noisy singing in New Cross church, 1866
From 1866, the tale of an unusual protest in a New Cross church -deliberately singing loudly and out of tune!
'Unseemly conduct at church
For the last fortnight or three weeks the congregation worshipping at Saint James's Church, Hatcham, have been annoyed by the conduct of a female, determined to make her voice heard above all others in the responses, and in the singing adopting a completely different tune. The cause of this is wholly annoyance to the officiating clergymen and churchwardens, the woman having been removed from some office in the church, since which this unseemly conduct has been displayed; but surely the officials have some means whereby the annoyance and irreverence may be put a stop to'
(Kentish Mercury, June 22, 1866)
St James, Hatcham, built in 1854 - now used as part of Goldsmiths with the church relocated to a new building next door
Saturday, May 13, 2017
A Joyful Noise Unto the Creator SE17
At a neighbour's moving house sale earlier I picked up a vinyl copy of Galliano's acid jazz album 'A Joyful Noise unto the Creator' (Talkin Loud, 1992). Looking at the cover photo I thought I've been to parties on roof tops like that in the Pullens Estate off Walworth Road. And looking in more detail at the background I think you can make out the now demolished Heygate Estate and the Newington Library building on Walworth Road.
Compare building on right of background with Newington Library picture below (not curved roof with two windows underneath, and chimney stack on right of building)
Any one no any more? No doubt somebody who knows those streets better than I will be able to narrow down the location further.
Update
Rob Gallagher, lead singer of Galliano, has confirmed photo was taken on roof of his flat on the Pullens and that Constantine Weir, the band's other regular vocalist, lived round the corner. Interesting times in which different scenes overlapped and flowed into each other. I went to some 'acid jazz' nights like Flipside at Iceni in Mayfair and was also very politically active in that post-poll tax period, then came the anti-rave Criminal Justice Act and the road protests at Claremont Road and Newbury, and Galliano got amongst it with their last album 'The Plot Thickens' aligning themselves with that movement.
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