Rubbish & Nasty, New Cross Road - noughties ''nu-rave squat-chic"

Was chatting today about noughties New Cross and was reminded of Rubbish and Nasty, a music/retro clothes shop that was at 308 New Cross Road from around 2006-8. It was part of a row of interesting places including Prangsta (304), Cafe Crema (306), and a little earlier the squatted coffee shop at 310. All in a row living under the curse of threatened redevelopment by the landlord, Goldsmiths College (at time of writing mostly empty).

I believe it was run by Ian McQuaid, who used to work at Morps record shop, downstairs in Moonbow Jake's cafe (I think he also put on the Fear of Music nights at the Montague Arms).  Also running the shop was Sophi Soni who created a great Rubbish Fairy shrine behind the shop.

Found a couple of photos of the shrine, including this one from Darryl SE7

...and this one from the Rubbish Fairy herself, on insta now as house_of_doll

The place was mentioned in an article by Joe Muggs, 'Is New Cross the New Camden' in the Standard (9 Nov 2007) which proclaimed it as the haunt of 'nu-rave squat-chic types'

They put on some gigs/parties there, remember seeing Lost Penguin there in 2006.

David Lynch/Elephant Man in Shad Thames SE1

Shad Thames/Butlers Wharf has been used in so many films, evoking as it does to this day the lost world of dockside London with its warehouses and narrow streets.

It was memorably used in 'The Elephant Man' (1980),  starring John Hurt and Anthony Hopkins and directed by David Lynch, who was hired for the job by producer Mel Brooks.

David Lynch on set with John Hurt

As Mel Brooks recalled in his book 'All About Me': “The first day of shooting with David Lynch was in October 1979 on Butler’s Wharf on the South Bank of the Thames River just east of London’s Tower Bridge. It was a chilly day, and David Lynch had arrived earlier on the set without a coat. I sent somebody to Harrods department store with David’s measurements and bought him a warm, dark blue, brushed woolen English overcoat. He wore it every day — I’m not kidding. Every day! Whether he was indoors or outdoors, every time he directed a scene for The Elephant Man he was wearing that blue coat. I think he might have believed it was some kind of good luck charm.

Many years later in 2013, when I was awarded the American Film Institute’s prestigious Life Achievement Award, among the celebrated filmmakers that honored me that night was David Lynch. When he told the story of how we had met on The Elephant Man he actually brought out onto the stage with him the blue coat that I had bought for him at Harrods, which he had carefully tucked away in his cedar closet all these years. I can’t tell you how touched I was at the sight of that coat.” 

Anthony Hopkins

Update 22 Jan 2024 - I originally thought that the Anthony Hopkins picture above was in Shad Thames but it has been pointed out that it is probably Wapping High Street across the river. It seems that both streets were used in the film. According to  'Making the Elephant Man: a producer's memoir' by Jonathan Sanger (2016): 'Wapping High Street was a long cobblestoned road filled with wharves that dated to around the time of our story. It was right next to the famous Tower Bridge. The wharves were soon to be gutted and refurbished into high end condominiums but we still had enough time to capture them in their 19th century squalor. Shad Thames was also close to the river but on the opposite side from Wapping and also consisted of a series of cobblestoned alleys and dead ends that had not yet been prettified. We decided to center our opening sequences around these streets'

  Reelstreets has also identified some scenes being filmed in Clink Street SE1, round the back of Southwark Cathedral. And Vanessa Woolf has said that she believes the production used the Jacob Street film studios SE1, a little further along the river from Butlers Wharf.

A scene in Clink Street, according to Reelstreets

Wonder if Lynch crossed paths with film maker Derek Jarman at this time? The latter was living in Butlers Wharf in 1979.

Hollydale Tavern reopens

The Hollydale Tavern - on the corner of Hollydale and Brayards Roads SE15 - has been spruced up and reopened, having been closed since 2019. We popped in for an early evening drink last week, very child friendly at that time of night with craft activities for kids going on and families ordering in pizza from Yard Sale.

The pub has an exhibition of delightful bird prints by locally based artist Fran Giffard. Fran says 'I  live and work in Peckham Rye, London. When I am not drawing birds in my studio, I am studying them at the Natural History Museum or the Horniman Museum' (interview with her at Little Observationist).

photo by Fran Giffard 

Goldfinch 

HMS Belfast: Housing Protest (1981), Spandau Ballet and some seagulls

HMS Belfast is a 1930s built Royal Navy warship that has been permanently moored on the south bank of the Thames between London Bridge and Tower Bridge since 1971. It is managed as a tourist attraction by the Imperial War Museum. I am not a big fan of military hardware and remember a not so exciting trip there when I was at school, but no doubt there are interesting stories to be told about it not least its manufacture in the Harland and Wolff shipyward in Belfast -a notoriously sectarian workplace where Catholics had been violently expelled from their jobs - and its wanderings through the last days of Empire.

Not to mention that time it unwittingly hosted an early gig by Spandau Ballet in July 1980. The story is that they booked it as a private graduation party for some Oxford students. As remembered by their manager Steve Dagger: 

'Our host began to suspect he had been misled as the band’s equipment started to arrive and became agitated. His mood blackened as he saw the nature of the crowd that was arriving. This was the combined forces of hip London Blitz/club culture at its finest. There were Elizabethan inspired crossdressers, there were Soul boys, Rockabillies, there were Fritz Lang futurists, there was Boy George, Marilyn, Phillip Salon in their prime and one man in a wedding dress with fairy lights who asked Graham if there was a plug socket he could use to illuminate. Rusty Egan, the DJ from the Blitz and our great friend began his set of electronic sounds. It got worse still as the party got started and as the crowd became boisterous with drink, drugs (there was a lot of acid and speed ), and a degree of sex... Legendary club promoter Dave Mahoney, Polecat band member Phil Bloomberg, and others, although on the guest list, stole a rowing boat, and boarded the Belfast from the river. As the fire eaters that Chris had booked arrived and combined with his discovery of 2 men having sex in the engine room, it would be fair to say that our host went mental' (Source:  Spandauballet.com). The ship also featured in 1980s videos for Kelly Marie’s It Feels Like I’m in Love  and Depeche Mode's People are People.

Spandau Ballet on board ship

Dave Gahan (Depeche Mode) below deck

In  April 1981, HMS Belfast's eyecatching properties were put to use in a short protest demanding that the nearby Hays Wharf site be converted for housing not offices. Peter Tatchell, who took part, later recalled 'We bought a group concession in the name of the East Dulwich Tennis Club and then strung huge banners from the bridge.’  Tatchell can be seen between two banners in photo below, seemingly with the slogans 'Homes not offices' and 'houses on Hays Wharf'. At the time Tatchell was secretary of Bermondsey Labour Party and was soon (1983) to face  a virulently homophobic campaign when standing in the notorious Bermondsey byelection of 1983. The Hays Wharf campaign was not successful, though as highlighted in the excellent SE1 Stories exhibition and pamphlet, community action in that period did achieve some victories which is why social housing was built close to the riverfront from Waterloo to Rotherhithe.

photo by George Nicholson

Anyway today you can meet some interesting gulls chilling out by the boat and note how the Royal Navy appropriated their colouring for camouflage.

Black headed gull - in winter plumage with a whte head

Herring Gull

 Post prompted by a couple of pleasant encounters with seagulls in January 2025 and seeing the SE1 Stories exhibition at the Castle lesiure centre in Elephant and Castle.

Children of Hiroshima - peace meetings in 1950s Lewisham and Bromley

The Campaign for Nuclear Disarmament was founded in 1958 and its first wave of activism peaked in the early 1960s at a time when fears of nuclear war were at their height. The movement against nuclear weapons started a few years earlier, with a key campaigner being the Methodist minister Donald Soper (1903-1998) - who incidentally went to Haberdashers school in New Cross.

In October 1955 'a ten day peace campaign by South London pacifists' included showings of the Japanese film 'Children on Hiroshima', documenting the impact of the first use of a nuclear weapon ten years previously. The film was shown 'in Bromley library and various church halls in Bellingham, Downham, Lewisham and Catford culminating in a  public meeting in Lewisham Town Hall.

Peace News 7 October 1955

Lewisham Borough News, 11 October 1955. Venues for film shows including St Dunstan's Church Hall, Bellingham; Public Library, Bromley High Street; Wesley Church Hall, Downham; St Mark's Church Hall, Lewisham; St Laurence Church Hall, Catford; St Luke's Church Hall, Downham

400 people attended the event in Lewisham Town Hall on 25 October 1955 with an extra hall being needed to accommodate demand.  As well as the film showing, Dr Soper gave a socialist and pacifist speech quoting from Joseph Rotblat (a physicist who had walked away from the Manhattan Project that developed the first nuclear bomb) 'Two of every three people don't have enough to eat. Economically we can have guns or butter but not both. The world must dedicate itself to producing necessities for the life of its increasing population or it will squander its resources in killing suddenly those who do not starve slowly'.  Also speaking was Sybil Morrison (1893-1984). Born in Sunderland Road, Forest Hill she was active in the women's suffrage movement then a lifelong peace activist.

Peace News 4 November 1955 

Save SILO SE8 Studio

Silo SE8 music collective have been operating out of a railway arch in Deptford for many years, but like many other arch users are facing increasing rents following the transfer of railway arches from National Rail to private landlord the Arch Company. Facing a big bill for a backdated rent increase they have launched a crowdfunder to raise funds. They say:

'Silo SE8 Musicians Collective is a non profit organisation that morphed out of the South East London Musicians Collective (SELMC) in the 1980s. Founding members Rabbit and The Balloons are still actively involved in the collective whilst other members have come and gone.

Over the years there has been a fairly consistent membership of about 25 musicians. The collective is run by the members on a voluntary basis and no one is paid a salary. Silo SE8 Musicians Collective offers local musicians a shared studio space in which to practice our instruments, rehearse material and store equipment.

We are active in the local community putting on concerts, reviving the centuries old May Day Jack in the Green Deptford procession and running Skronk, an improvisation night open to all at The Endeavour in Deptford. We have worked with artist Sue Lawes running the “Give us back our Bloomin’ Anchor” campaign and were successful in securing the return of our Deptford High Street landmark.

Silo SE8 members were involved in the organisation of the Fordham Park festivals, as well as performing at them. We have also been involved in Lewisham People’s Day, Deptford X, Deptford Festival, Party in the Park and Lewisham: London Borough of Culture 2022. We have organised benefit shows for Survivors Poetry, ALD Life and MAD Pride. We supported the visit of the MS Stubnitz from Hamburg, Germany where it is now a permanently moored arts venue. Silo SE8 members have performed in all of these.

In 2019 the management of leases of all railway arches in London were transferred from National Rail to a private company. In 2020 that company invoked a rent review as per the lease, for all tenants. They increased the rent “in line with market rates”, which was about double what we had been paying previously. Silo SE8 entered into dialogue with our new landlord requesting a concessionary discount as we are not a commercial entity. These conversations were protracted, partially due to the COVID pandemic. In February 2024 both Silo SE8 and the landlord agreed a new rent at just under a 70% increase. All members are now paying an increased monthly rent. What we did not expect was that this increase would be backdated to the 2020 rent review date, landing us with a £12,200 bill'

You can donate to their crowdfunder here: https://www.crowdfunder.co.uk/p/silose8

You can also support them by buying compilation albums from their bandcamp: https://silo-se8.bandcamp.com

Last month David Aylward from Silo SE8 presented a special edition of the Bad Punk show on Resonance FM. He talks about its origins in the South East London Musicians Collective (SELMC) operating out of TUC unemployed centre in Catford in the 1980s/early 1990s with gigs at the Lewisham Labour Club and elsewhere. Then on to Music City in New Cross, Mumford Mills and Seagar Distillery in Deptford, and the Merryweather fire engine factory in Greenwich. Most of these places have been lost to successive waves of development, but the railway arch in Resolution Way remains as long as they can pay the rent...

Some South London Beverages

Some South London themed drinks for the festive period. Good to see Hilly Fields getting its own beer courtesy of Brockley Brewery

Then there's Myatt's Fields Cocktails whose bottles will immortalise this part of SE5 for future archaeologists.

 

Last days of Catford Homebase

The Homebase store in Catford is closing down after the company went into administration. Bad news for the staff working there and also a pain for those who will have to travel further afield in search of DIY and gardening materials. I also the think the building on corner of Bromley Road and Beckenham Hill Road SE6 is quite iconic, not sure what the plans are for its future use. I think it would be suitable for a botanic garden!

The shop sits aside a pond fed by the River Ravensbourne that once served a nearby mill. Known as Southend Pond it was also known for a period as Peter Pan's Pool, a popular post World War 2 boating lake and amusement park for children. Today its island is home to a resident heron and a statue of two lovers.

 

Deptford evictions

Renters living in Childers Street SE8 are continuing their campaign against being evicted from their homes after been issued with 'Section 21' notices. These allow landlords to kick people out without having to give a reason and are due to be abolished next year.  Thousands of people have already signed a petition against the evictions  which states:

'We, the tenants of Vive Living, Childers Street, a total of 83 homes and around 150 people, are being evicted en masse ahead of Section 21 becoming illegal in 2025.

The government are abolishing Section 21 evictions for a reason - they are inhumane and cruel - and it is clear that the landlord are using this window of time while it is still technically legal to unjustly displace a huge group of people all at once.

We have received these notices, written in intimidating legalese, less than 3 weeks before Christmas with the earliest eviction date as early as 11 February. It has left us scrambling to understand our rights and in fear of becoming homeless.

The actions of Aitch Group - run by property mogul Henry Smith - have been condemned by local Lewisham North MP Vicky Foxcroft and several local councillors.

Our local community, wider London, and all of the UK are suffering from a housing and cost of living crisis. It is virtually impossible to find suitable, affordable housing in an already flooded, overpriced market 2. The local housing market cannot accommodate over 100 more of us needing immediate rehoming.

We will not be unique in our situation. Predatory landlords can, and surely will, utilise this time before S21 is banned next summer to take away people’s homes for their own financial benefit.

This behaviour is repugnant, and we are standing together to fight it. We fight not only for our own homes and situations, but for those who will be attacked in the same way who are far more vulnerable than us'.

The Aitch group are also involved in other developments locally including the Glassworks at Deptford Bridge.  Business activities previously linked to founder Henry Smith have been the subject of some less than flattering media coverage in the past including:

'The East End payday loan tycoon and his VERY glamorous girls: Lavish lifestyle of the jet-set family behind a 'parasitic' lending company' (Daily Mail 25 Sept 2016)

'Luxury jet-set lifestyle of dodgy loan clan forced to pay out £34m for its ‘parasitic abuse’ of 97,000 customers' (The Sun, 24 Sept 2016)

'Lender threatened victims while family lived high life' (The Times, 20 Sept 2016)

'Payday loan sharks who partied in Vegas and took private jets while victims suffered' (This is Money, December 2022)

Vive Living in Childers Street

A timely poster in Deptford for recent London Renters Union demonstration

London Renters Union stickers spotted in Brockley

Cat & Cucumber & Sham 69

Lunch recently at the Cat and Cucumber Cafe on Tower Bridge Road (corner of Druid Street SE1), Neil Controlled Weirdness mentioned that the very table we were sitting at features in a 1979 film focused on punk band Sham 69.

Yes indeed 'Tell us the Truth', a BBC Arena programme, does indeed include a scene filmed there. Sorry for quality of images, screenshot from grainy youtube, but you can see Cafe had the same name then and no doubt the menu of classic fry up breakfast fare hasn't changed too much either.

Check out the film, there's a few other London locations in it so let us know if you recognise any.

 

T.Rex at Lewisham Odeon (1971)

T.Rex at Lewisham Odeon July 1971 - 60p in with two shows, at 6:30 pm or 9 pm.  This was the year when Marc Bolan's band really blew up, releasing the Electric Warrior album and dominating the UK charts with singles including Hot Love and Get it On.

 The live album T.Rex in Concert, released posthumously in 1981, includes three tracks record at the Lewisham concert: Ride a White Swan, Get it On and Summertime Blues

Camberwell Communists and the Nigerian Miners Massacre (1949)

 In Nigeria in November 2024, the National Commission for Mu­seum and Monuments 'marked the 75th anniversa­ry of the massacre of 21 coal miners at Iva Valley, Enugu, by the colonial masters. It could be recalled that 21 coal miners were shot dead in Enugu on Nov. 18, 1949, by the colonial mas­ters for agitating for better working conditions and improved welfare packages'.

A monument to the massacre in Nigeria

The massacre took place at a British owned mine under British colonial rule. It sparked protests throughout the country that strengthened the movement for independence. During these protests a young Nigerian who had lived in Camberwell was among those killed, having returned to Nigeria only a couple of weeks earlier.  Odilia Asaka was a young Nigerian law student who lived in De Crespigny Park. He had given demonstrations of African songs to Peckham Secondary Girls School and was a member of the Camberwell branch of the Communist Party, and his death was announced at a CP meeting at Peckham girls school by Tom Gibson (I believe the school was on the site of what is now Harris Academy Peckham).

The Secretary of the State for the Colonies at the time was Arthur Creech Jones, the former secretary of Dulwich Independent Labour Party. When he came to speak at a Labour Party meeting at Grafton Hall, Dulwich on 24 November 1949 he was shouted down by Nigerians in the audience with cries such as .‘Our people have been shot. You live on our sweat. When we ask for money you give us bullets'.

The Labour Party blamed the Communist Party for the disruption of the meeting. For their part the Camberwell CP were happy to stand by the Nigerian protestors and passed a resolution that denounced 'the acts of brutality being committed against Nigerian miners who are striking for a better standard of living. For the Labour Government to allow such atrocities to continue is a complete negation of the principles of the British Labour movement and the Colonial Secretary is urged to take action and arrest and charge with murder those who authorised the shooting, grant workers their wage demands, give pensions to dependents of murdered miners and convene immediately a democratically elected constituent assembly  and enable them to choose the form any government of Nigeria should take' (South London Observer, 9 December 1949). Nigeria became independent in 1960.

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Giggs in Nunhead

Was it really ten years ago that Katy B and Ikonika were chatting online about Ayre's the Baker in Nunhead? At the time I described it as 'the number one bakers for the London post-dubstep scene'.  Not sure if there's been too much music action there since - have spotted members of Foals at the shops there in the past, though not actually in the bakers.

But today Ayre's reclaimed its crown. Giggs was not just in the shop but took it over for a day with oat milk company Oatly to promote its brand of vegan custard, much loved by the lactose intolerant Peckham raised rapper. Neighbouring pizza place Dinner for 100 managed to get a photo of hm in there with one of their pizzas.

@dinnerforonehundred

People's Habitat: a festival of Alternative Living' - Surrey Docks, 1976

Intrigued about 'People's Habitat: a festival of Alternative Living' which took place in Rotherhithe in May/June 1976. According to the magazine Undercurrents (June 1976) it was to be 'an all embracing  adventure into what the alternative society could be, given a chance'. It was intended to be a counter festival to the United Nations Habitat Conference taking place at the time in Vancouver.

This issue of the magazine included a series of articles on the People's Habitat theme, claiming that in contrast to the Vancouver event. 'At People's Habitat we ordinary mortals will be coming together to work out how we can wrest control of our living and working environments away from those, both capitalist exploiters and paternalist bureaucrats, who have stolen our freedom. We will  be exploring new ways of living and working co-operatively with, and for, each other in harmony with the rest of the natural world'

Not sure how it actually went, there was a less than effusive review in Freedom anarchist paper (26 June 1976) which described its best feature as a windmill aiming 'to pump water to the allotments on the filled in Surrey Docks' 

I believe Clifford Harper designed the poster for the event.

Anyone know any more about it?