Last days of Peckham Rye Station Arcade

The Arcade in front of Peckham Rye station is empty and awaiting demolition - in fact signs around the site say that it demolition was due to start in summer 2025.

The two-storey building was built in around 1935 to occupy the square in front of the Victorian train station. It was designed by Scottish architect John James Joass who was also responsible for some of the buildings at London Zoo and for Whiteley's department store in Bayswater. Its demolition is part of a plan to reinstate the original square, so that the grand main station building can be seen from Rye Lane (architect's impression below). 

I can't say the Arcade has particularly happy memories for me, the many hours I spent there were mainly in the dentists chair, though there were some really nice dentists there over the years.  Others have had more pleasant experiences, including in recent years some great soul and jazz nights at the CLF Art Cafe & Roof Garden upstairs.

'Brotherhood of Breath' at CLF Arts Cafe, Station Way in 2022

While I might not be going to the barricades to save it, I think in its final days we can certainly celebrate its features and history. There is a faded art deco grandeur to the place and in its current state of graffiti'd dereliction it is the classic example of a kind of early 21st century Peckham grime that is gradually being cleaned up and swept away.

In its earlier life the Station Arcade hosted an Irish dance hall, the Brian Boru Social Club, in the late 1930s:

James Power was the proprietor of the Brian Boru Social Club

During the Second World War the Camberwell district of the Young Communist League had its HQ at 1a Station Approach 

Stalin was right say the YCL in 1943! At this time of course, the USSR was a key ally in the war against Hitler, so such praise was not that unusual in Britain at the time.

'Young Communists' Talent Contest', South London Observer, 23 April 1943

After the war the London County Council ran one of its Civic Restaurants there, one of a chain aiming to offer affordable food. With Jenny's cafe in the arcade in its later years, many thousands of meals must have been eaten in the arcade, and many cups of tea drunk.

Camberwell Communists and the Nigerian Miners Massacre (1949)

 In Nigeria in November 2024, the National Commission for Mu­seum and Monuments 'marked the 75th anniversa­ry of the massacre of 21 coal miners at Iva Valley, Enugu, by the colonial masters. It could be recalled that 21 coal miners were shot dead in Enugu on Nov. 18, 1949, by the colonial mas­ters for agitating for better working conditions and improved welfare packages'.

A monument to the massacre in Nigeria

The massacre took place at a British owned mine under British colonial rule. It sparked protests throughout the country that strengthened the movement for independence. During these protests a young Nigerian who had lived in Camberwell was among those killed, having returned to Nigeria only a couple of weeks earlier.  Odilia Asaka was a young Nigerian law student who lived in De Crespigny Park. He had given demonstrations of African songs to Peckham Secondary Girls School and was a member of the Camberwell branch of the Communist Party, and his death was announced at a CP meeting at Peckham girls school by Tom Gibson (I believe the school was on the site of what is now Harris Academy Peckham).

The Secretary of the State for the Colonies at the time was Arthur Creech Jones, the former secretary of Dulwich Independent Labour Party. When he came to speak at a Labour Party meeting at Grafton Hall, Dulwich on 24 November 1949 he was shouted down by Nigerians in the audience with cries such as .‘Our people have been shot. You live on our sweat. When we ask for money you give us bullets'.

The Labour Party blamed the Communist Party for the disruption of the meeting. For their part the Camberwell CP were happy to stand by the Nigerian protestors and passed a resolution that denounced 'the acts of brutality being committed against Nigerian miners who are striking for a better standard of living. For the Labour Government to allow such atrocities to continue is a complete negation of the principles of the British Labour movement and the Colonial Secretary is urged to take action and arrest and charge with murder those who authorised the shooting, grant workers their wage demands, give pensions to dependents of murdered miners and convene immediately a democratically elected constituent assembly  and enable them to choose the form any government of Nigeria should take' (South London Observer, 9 December 1949). Nigeria became independent in 1960.

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Southwark Spain Shop, Walworth Road: anti-fascist solidarity in South London

Edith Tudor-Hart (1908–1973) was an Austrian photographer who studied at the Bauhaus. Born Edith Suschitzky, she came from a left wing Jewish background and fled rising fascism to move to London having married Alex Tudor-Hart in 1933.  They lived for a while in Brixton where she had a photography studio. Alex became a GP and later went to Spain during the Civil War as part of the anti-fascist British Medical Aid Unit. Edith developed her practice as a documentary photographer, not to mention apparently helping to recruit Kim Philby to spy for the Russians.

A recent display at Tate Britain features some of her work, along with photos by her brother Wolfgang Suschitzky (a photographer and cinematographer who worked on the 1971 film 'Get Carter' among others). Both of them captured/constructed some great images of London life, but one image in particular caught my attention:

Tudor-Hart's image shows something called the 'Southwark Spain Shop', with the caption stating that it was taken in 1937. As the shop in question is covered in posters there is quite a lot of information in the photograph itself. Messages include 'Spain is fighting for you', 'Buy a tin of food, we will send it it Spain', 'Arms and food for Spain', 'Please step inside and see what Spain means to you'. It is obvious that the shop is in support of the anti-fascist side in the then-raging Spanish Civil War. But where was it? And what was the local context for the shop?

In terms of location there are some clues in the photograph. Posters on the seemingly vacant property next door advertise a dance at Manor Place Baths, situated off the Walworth Road and a major venue for public meetings, dances as well as swimming.

To dig further I spent some time looking through the online archive of the Daily Worker from this period, the newspaper of the Communist Party of Great Britain. It took a while, but I have confirmed the address. A report in the Daily Worker states 'Outstanding features of Southwark's Spain fortnight, which began yesterday, are a meeting at Manor Place Baths, February 13 and a dance at the same place a week later, and the opening of a Spain shop at 174 Walworth Road SE17'. The date of this article is 7 February 1939 so pretty sure that the date on photo caption is incorrect (of course it's possible that there was another shop in 1937 but seems unlikely and there's no trace of such in the Daily Worker).

A few days later the same paper advertised the 'Aid Spain' meeting at Manor Place Baths on 13th February with Ellen Wilkinson, Fred Copeman (Lewisham volunteer with the International Brigades) and Langdon-Davies, with an appeal to 'Bring food, clothes, money to meeting and to Spain Shop, 174 Walworth Road. Volunteers needed day or eve'. The same issue mentions another Spain Shop in Hackney at 122 Upper Clapton Road E5, as well as a 'Meeting for Spain' at Bermondsey Town Hall, also on 13th February to 'Welcome back International Brigade convoy' (Daily Worker, 11 February 1939). There was also a 'Help defend Spain in S.London!' rally at Lewisham Town Halll on 20th February (also with Copeman as well as Vernon Bartlett MP), and at Greenwich Baths on 10th February, like the Bermondsey meeting to 'Welcome International Brigade Convoy' (Daily Worker, 10 February 1939).

174 Walworth Road was just around the corner from Manor Place Baths, just up from the still standing Tankard pub at number 178 on the corner of Amelia Street.  The 1953 Report of the Medical Officer of Health for Southwark shows that 174 Walworth Road was one of a number of ‘unfit and insanitary premsies’ demolished in 1953'.

Solidarity with Spain in South London

As is clear from above, the Southwark Spain Shop was just one aspect of a wider local anti-fascist Spanish solidarity movement which was of course part of an international movement that witnessed people travelling from many countries to join the fight. There are many other references in the Daily Worker to local events in this period, here are some examples:

- Southwark Amalgamated Engineering Union held a public meeting ‘Support Spanish Medical Unit’ showing the films ‘Defence of Madrid’ and Call to Arms (DW 20/3/1937)

- ‘Southwark! Support Spain by coming to CP Dance, Friars Hall, Blackfriars Road. Tonight, 8.0. Ritz Revels Band. 1s’ (DW 20/3/1937).

- 'With the object of rousing support for a Spanish Medical Aid Committee... Southwark Communist Party  is organising a meeting to be held at Manor Place, Walworth Road on April 5, at 8 pm. All Southwark workers are urged to attend' (DW 30/3/37)

- 'Lambeth and Southwark Ambulance for Spain - Meeting, Victory Place School, Walworth. Tuesday, May 25, 8 pm. Speakers: G.R. Strauss MP, Councillors L. Styles, Searson and Gillian' (DW 24 May 1937)

‘Lambeth and Southwark Ambulance for Spain – Dance, Sat. May 29, 7:30 to 11:30, Henry Fawcett School (opp. Horn’s), Kennington Road’ (DW 28/5/37)

‘Southwark and Lambeth Spanish Medical Aid Committee – demonstrate to Trafalgar Square from Kennington Church, Sunday July 11, 2:00 pm (DW, 10/7/37)

'Southwark supporters of Spain's fight have formed a branch of the International Brigade Dependants' Aid Committee... "Inspired by or 15 Southwark comrades who are fighting in Spain and in memory of J.B.Dunbar, who gave his life fighting for democracy in Spain"' (DW 27/1/1938)

'Southwark Aid Spain Dance, Manor Place Baths, Walworth Road tonight. 1s. Appearance of Teddy Joyce, Mayor of Southwark, Geo. Isaacs, G.A. Strauss, Lewis Silkin. Licensed Bar. 26 valuable prizes, including overcoat, frock, watches, table lamp etc' (DW, 25/11/38 - same issue also mentions Communist Party meeting on same day at Brockley Co-op Hall on 'Spain and Chamberlain's policy'.

In June 1939 the Dramatic Section of the Building Trade Workers' Sport Association put on a play adaption of socialist novel The Ragged Trousered Philanthropists at the Co-operative Hall, Rye Lane, Peckham to raise funds for the Aid Spain Committee. All the actors were bricklayers or carpenters. The lead was Alf Goddard, a brickie from Camberwell, and the producer Dan Telfer, also a bricklayer (Daily Herald 15/6/39)

Update: on twitter @catford_se6 has noted this old photo of the Tankard on pubmywiki. On the right of the photo you can see the stonework of the shop and the barbers pole visible on the shop photo - there was a Scott Hyman, hairdresser, listed there in 1915.

Related posts:

Bill Alexander, Sydenham International Brigadier
Jessica Mitford in Rotherhithe (and Esmond Romilly in Spain)

[The Edith Tudor-Hart photography show is at Tate Britain closed in November 2019]

Red Stage: the 1930s Workers Theatre Movement in South London

Some interesting material in the University of Warwick's digital archive on British Political Theatre 1930s to 1950s, including some newsletters from the 1930s from the Workers Theatre Movement, associated with the Communist Party. As mentioned here before, South London was a focus for this kind of theatre, with performances of agitational sketches and songs given in the streets, at meetings and at shows.


According to 'Class against class: the Communist Party in Britain Between the Wars', (Matthew Worley, 2002): 'Communist theatre groups had begun to appear throughouth the country by the turn of the decade [the 1930s]. In London alone, ten such troupes, including the Red Star Troupe of West London, Red Radio of Hackney, the Red Magnets of Woolwich, the Red Front of Streatham, the Red Players of Lewisham, the Red Blouses of Greenwich and the Yiddish-speaking Proltet, existed by 1931’.

The Lewisham Red Players performed in Lewisham High Street and elsewhere, with their group chorus going:

“There is a word you mustn’t say – revo-lution
All the same it’s on the way – the workers’ revolution
Every day the world turns round - revo-lution
A few more turns, it will resound - revo-lution
It’s coming here, it’s coming there - revo-lution
The ground is tumbling everywhere – the workers’ revolution”.

(source: Raphael Samuel in  Performance and Politics in Popular Drama: Aspects of Popular Entertainment in Theatre, Film and Television, 1800–1976, edited by David Brady, 1980)

The Red Players included in their ranks Charlie Mann,  son of the veteran Communist and trade unionist Tom Mann, the latter who lived in Brockley in the 1920s  (in 1927 his address was 1 Adelaide Road).


Charles B Mann (1905-1989) was editor of the Workers' Theatre Movement journal 'Red Stage', with his address given in the November 1931 issue as 61 Sydenham Park SE26.

Red Stage (November 1931) mentions new groups being set up in Croydon and Woolwich and 'the revival of the Deptford Group',  and open-air 'Red Radio' shows in Bermondsey and Greenwich. The January 1932 issue includes a report from the Streatham-based 'Red Front Troupe, South London' stating that it had 'nine effective members, three of whom are women' and that in November 1932 they had given five shows and set up an unemployed troupe linked to the National Unemployed Workers Movement. The South London 'Red Players' reported that they had helped set up new groups in Croydon, Woolwich and Camberwell and were planning 'full WTM shows in Croydon, Lewisham and Woolwich'. The folowing month's issue (February 1932) includes reports from Red Blouses in Greenwich, Red Magnets (Woolwich) - planning a big show at Plumstead Baths - and Red Players, planning shows in Croydon, Lewisham and elsewhere.




The movement, which argued that 'Our theatre awakens the masses', presented theatre that condemned capitalism and promoted the workers movement, but there were disagreements about the best way of doing this. Within the pages of these publications we see some healthy debate about the role of the theatre and other issues. For instance the Jewish communist theatre troupe Proltet mounted a strong defence of doing performances in Yiddish, against criticism from some in the Party (WTM Monthly Bulletin, February 1933). There was a debate about jazz, with a letter arguing that 'it seems a great pity that, when so  many fine revolutionary and other great melodies are available, it is found necessary to descend to the level of the American jazz exploiters' (Red Stage, January 1932) and a response that to reach the masses it was necessary to use tunes from popular culture - 'jazz brings us nearer to the workers' (February 1932).


A critical review in the Communist Party's Daily Worker attacked the tendency to 'individual self boosting' in the Workers Theatre Movement, provoking a firm response from the Red Players of South London: 'If Comrade Bennett's ideal state is one in which the individual is prohibited from personal expression, then that is not the state we are fighting for' (Red Stage,  January 1932). There is a tragic historical irony that in Stalin's USSR - celebrated by the Workers Theatre Movement - such views could lead to the Gulag in this period.

Red Stage, January 1932 giving contact addresses for the Red Front troupe (16 Buckleigh Road, SW16 and for the Red Players (S. Banks, 22 Campshill Road, SE13)