Miners strike benefits 1984: Deptford, Woolwich, Old Kent Road with Test Dept, The Mekons and more

There were many fundraising gigs in support of the miners during their 1984/85 strike, including across SE London. One of the most musically significant took place at the Albany in Deptford in September 1984 where Test Dept played with the South Wales Striking Miners Choir - starting a strong relationship between the two that led to the album 'Shoulder to Shoulder'. I've written about that here before, but there's some additional detail in an interview with Test Dept's Graham Cunnington at Electronic Sound. According to Gra:

“Pat Brown, who was in the Deptford Labour Party at the time, was putting on this benefit at the Albany arts centre, but all the bands he’d earmarked to play had pulled out. Jack Balchin, who was our sound guy and who worked in Deptford and Lewisham teaching music to young kids, said we should do it. He went up to Pat and said, ‘I’ve got the band for you’. Pat had never heard of us, but he said OK, and because we were used to putting on our own shows, we said we’d organise the whole thing. We also said we should have some direct involvement with the mining community, not just do a benefit and send the money out'.  I didn't realise that the Choir was originally pulled together for this gig, rehearsing their songs on the bus on the way to London.

Poster for the Albany gig by Brett Turnbull
(sourced from Test Dept facebook group where there are some pics from the gig)

The Ambulance Station squat on the Old Kent Road also hosted gigs. This 'Solidarity with the Miners' punk benefit in August 1984 featured Your Heterosexual Violence, The Unknown Colours, Violet Circuit and State Hate (I saw the latter play there on another occasion). The Ambulance Station building (which seems to have actually been a former fire station) still stands opposite the Tesco supermarket on Old Kent Road.

In November 1984 The Mekons played a miners benefit at Thames Poly cellar bar in Woolwich with 5 Go Down to the Sea, the Eels,  A Popular History of Signs and the Violet Circuit (again)

See previous posts:

Test Dept and the Miners Strike

Lewisham Miners Support Group/Women Against Pit Closures

Supporting the Miners at Goldsmiths

A mix of music from the miners strike I did a while ago:

 

Little Earthquakes... Independent Records Labels & SE London

The joint Independent Label Market/London Brewers Market in Greenwich on Friday night (5/5/2017) was good and busy, with music, food and drink stalls and Lewisham's Unit 137 Sound System shaking the rafters of the indoor market.

I wrote the following piece for the programme giving a quick overview of independent labels associated with SE London, in particular New Cross/Deptford/Lewisham. I say 'associated with' because you can't necessarily pin down the label based on an office/mailing address. So for instance, I included Stay Up Forever, arguably an East London label, on the basis of tracks being recorded in Deptford (the Punishment Farm studio mentioned was originally upstairs in the now closed Harp of Erin pub, then known as Round the Bend, on New King Street). Similarly I mention No Hats, No Hoods on basis of association with Lewisham artists, though its address is in E2.

Little Earthquakes that changed the world

In 40 years of  vinyl, cassettes, CDs and digital downloads, the independent labels and artists of South East London have helped launch and popularise whole genres of music. Some of these little earthquakes have ended up shaking the world, at least those parts of the world ready to be shaken by a guitar riff or a bass wobble.

The punk period saw the first big explosion of DIY music and independent labels.  Miles Copeland named his label  Deptford Fun City because, according to Jools Holland, ‘he had been so amused by Deptford High Street, never having seen or heard anything like it before’.  A major aim was to release early tracks by Greenwich’s Squeeze, who included the young Jools on keyboards. Squeeze were soon to be recognised as some of the best songwriters of the New Wave period but as well as their sweet melodies Deptford Fun City released some of the more experimental sounds of the post-punk period by Alternative TV, the band founded by Deptford’s Mark Perry , the sometime editor of legendary punk zine Sniffin’ Glue.

Reggae sound system culture was another key ingredient of the SE London social/sonic mix in this period, and this too found expression through influential independent labels.  Dennis Harris’s Eve Records in Upper Brockley Road was to give birth to the Lovers Rock label in this period, popularising a new style mix of reggae rhythms and soulful vocals that remains part of the palette board of pop down to the present.

In the early 1980s, a new industrial sound began to emerge that included  noise made from bashing metal and other found objects.  The pioneers of this in the UK were Test Dept; like many bands at this time, they self released early material on cassette, before moving on to vinyl and releasing records on their own Ministry of Power imprint on Some Bizarre records.

The Band of Holy Joy started out in similar milieu – some of them even sharing a house with members of Test Dept in New Cross -  but their songs of love, despair and the city took them in a different direction. Their breakthrough record  was the 10” EP ‘The Big Ship Sails’ released on Flim Flam records in 1986. Flim Flam was an independent label  as well as a club of the same name that took place at the Harp Club in New Cross – later to become The Venue.  It was started by BOHJ and Beloved manager Robert Lancaster with each record given a ‘Harp’ serial number presumably in reference to the New Cross club.

Back in the late 1970s, Counterpoint record shop in Forest Hill was the main local outlet for punk and new wave records. Owner Andy Ross was in band Disco Zombies who released their 'Drums Over London' single on their own South Circular Records in 1979. Fast forward ten years and Andy Ross was working for indie label Food Records when he went to check out a band called Seymour featuring a couple of students from Goldsmiths in New Cross. He persuaded them to change their name and signed them - you might have heard of Blur.

In the 1990s electronic music explosion, a specifically London contribution  was the Acid Techno sound pioneered by the Liberator DJs  - the 303 drenched banging soundtrack to London free parties. Many of the classic tracks were released on Stay Up Forever  records, and recorded at D.A.V.E. the Drummer’s Punishment Farm studios in Deptford. International techno/speedcore label Praxis Records also sold records for a while from a shop on New Cross Road in that period.

The early noughties saw a revival of intelligent guitar based  bands and a key label was Angular Recording Corporation, founded by ex-Goldsmiths students Joe  Margetts  and Joe Daniel.

The release of the  ‘The New Cross’ compilation CD album in 2003 by Angular Recording Corporaton and associated nights at the Paradise Bar (now Royal  Albert pub)  led the music press to talk of the ‘New Cross Scene’ .  While not all the bands were actually from the area it was through Angular’s New Cross portal that bands like Bloc Party, Art Brut, These New Puritans, The Long Blondes and Klaxons had their first releases.

Following in Angular’s footsteps, No Pain in Pop  was founded by Tom King and Tom Oldham in New Cross in 2008, putting on nights in local pubs before releasing a diverse range of material from indie pop to post-dubstep – and the UK release of the 1st album by Grimes,  Geidi Primes.

A recording studio on the Juno Way industrial estate in New Cross helped launch another new sound on the world, with Defenders Entertainment releasing Crazy Cousins’ ‘UK Funky’ tracks  including their highly influential remix of Kyla’s Do You Mind (2008) – later covered by The XX and sampled  by Drake on ‘One Dance’ (2016). Also from New Cross,  Andy Blake’s disco/house label  Dissident Distribution released a critically acclaimed series of  limited issue 12" singles from 2007 to 2009.

The spirit of Dissident and Andy Blake’s ‘World Unknown’ clubnights have informed the most recent wave of ex-Goldsmiths upstarts known as The Rising Sun Collective. Along with labels such as Squareglass they are carrying the torch for S.E. D.I.Y. with a series of parties, mixtapes, and vinyl releases spearheaded by artists such as A House In The Trees and Semi-Precious.

The recent upsurge in 2^nd wave grime is giving birth to may new independent labels as artists seek to take control of their careers. Brockley’s finest Novelist has launched his own Mmmyeh Records,  having first come to prominence as part of grime collective The Square with their famous Lewisham McDeez track released on No Hats, No Hoods.  Independent labels have come a long way since the first punk and reggae 7 inch singles, but the DIY spirit lives on.

You can check out tracks from some of these on the accompanying Spotify playlist here: https://open.spotify.com/user/independentlabelmarket/playlist/0xzi0yipqBDCCI62zqCIe1

1. Alternative TV – Action Time Vision (Deptford Fun City, 1978)
2. Brown Sugar - I’m in love with a dreadlock (Lovers Rock, 1977)
3. Test Dept - Fuckhead (Ministry of Power, 1986)
4. Band of Holy Joy - Rosemary Smith (Flim Flam, 1986)
5. Star Power  – Nothing can save us London (Stay up Forever, 1994)
6.  Long Blondes - Autonomy Boy (Angular, 2004)
7.  Veronica Falls – Beachy Head (No Pain in Pop, 2010)
8.  Kyla – Do you Mind, Crazy Cousinz remix (Defenders Ent, 2008)
9.  Cage & Aviary - Giorgio Carpenter(D‎issident,  2007)
10. The Square - Lewisham Mcdeez  (No Hats, No Hoods, 2015)
11. Semi Precious - No Distractions (Squareglass, 2017)

Limited for time and space for this article,  there's a lot more that could have been included. Johny Brown  from Band of Holy Joy has asked me about Desperate Bicycles, arguably the DIY label pioneers of the punk period. I did consider them but wasn't sure about extent of their SE London connection. Think first single was recorded in Dalston, but their 1978 'New Cross, New Cross' EP on their own Reflex label apparently followed a period rehearsing in New Cross. He also mentioned Bastard Haircut records, associated with Brain of Morbius. 

As covered at this blog before, there were other New Cross reggae labels in late 1970s/early 1980s, including Fay Music, Studio 16  and Sound City Records. 

In wider SE London beyond Lewisham, there's lots more to consider, perhaps most significantly on the punk front Conflict's Mortarhate label, starting out in Eltham, and One Little Indian which started out with Flux of Pink Indians in Forest Hill. 

Loads of dance labels out there of course, could have mentioned Controlled Weirdness' Unearthly records (including his great South London Bass track).

Who would you add to the list of SE London independent labels?

Test Dept:Redux - Return to New Cross

Test Dept are surely one of the most influential bands to emerge from the local area, starting out in New Cross in the early 1980s (some band members lived at 8 Nettleton Road) and pioneering a politically committed industrial sound. 

In the last couple of years members of the band, who have remained active across musical and other cultural fields, have been involved in a number of events commemorating the  30th anniversary of the miners strike in which the band were very involved - during the strike they played benefits at the Albany in Deptford among other places.  I went to a great event at the Ritzy in Brixton last April which included the band presenting and discussing the film  DS30, a collage documenting that period.

This Saturday September 10th at the Amersham Arms sees a rare live performance:

'An intimate immersion into the Test Dept machine on our return to New Cross, South London with support from Feral Five and DJs providing an eclectic mix of Dub Sub Punk Noise Electro Industrial.

Live:
Test Dept:Redux
Feral Five

DJ
Elena Colombi (NTS Radio)
Amélie Ravalec and Travis Collins (Industrial Soundtrack For The Urban Decay)
Satellitic (Test Dept)
GrayC (Test Dept)

Roof Terrace BBQ Tickets £10 + booking fee available in advance from Eventbrite; £10 or £8 Concession on the door' (facebook details here)

A little while ago I played a set of music from the miners strike at am Agitdisco benefit for Housmans bookshop, and met Paul Jamrozy from Test Dept who was also playing. Here's my mix which of course includes some Test Dept.

Music Monday: Test Dept and the Miners Strike

Continuing the series of posts on the 1984/85 miners strike and South London, we turn to Test Dept. As discussed several times here before, the influential industrial band started out in New Cross, specifically at 8 Nettleton Road where some of the band were living.

Many bands played benefit gigs for the miners, but Test Dept went further and put out a joint album with the South Wales Striking Miners Choir. The choir and the band played gigs together around the country, as well as putting out the album to raise funds for the strike. One of the gigs was at the Albany in Deptford on 18 September 1984, recalled by Neil Stoker: 'We did a huge benefit at the Albany Empire in London with a Welsh male-voice choir, and a band called Test Department. I can only describe Test Department as a band which filled plastic drums with water and sand and banged them in a rhythmic way. It was a bizarre night--these Welsh miners came down in a coach and were stuck in the middle of Deptford with these punks banging plastic drums--but there were a thousand people there!'

The album. Shoulder to Shoulder,  was recorded at various venues including Crynant Rugby Club (South Wales), Snowdon Colliery Welfare Club (in Kent coalfield), and Cold Storage studio in  Brixton. Some tracks featured the choir, and some Test Dept, but on what track - Comrades - they performed together.

From the back of album - note that at this time the contact address for Test Dept was 41 Billington Rd SE14

Last month Test Dept founders founders Graham Cunnington and Paul Jamrozy put on installation commemorating the strike at the AV Festival on Tyneside.  Paul told the Quietus: 'for the people who took part in it and lived through it, it's certainly not forgotten, and bringing up the 30 years of the strike brings it to the fore. People are still very bitter, there's a lot of anger. I think it's important to engage with that. Seumas Milne is bringing out the new Enemy Within book, and there's some stuff coming out with the Freedom Of Information Act, there are people still looking for some truth and justice to come out of it, with Orgreave and how the strike was policed... It was also the first signs of the militarisation of the police force in a way that is now just accepted: whether you're a pensioner or a student you're going to come across against people in full riot gear ready to attack you at the slightest excuse. That all became normalised during the Miners' Strike'.

Shoulder to Shoulder - the label

Housmans benefit this week

As it happens, Paul Jamrozy and myself are both DJing this Thursday 10th April at a benefit for Housmans, the long established radical bookshop at Kings Cross. The event, at Surya on Pentonville Road, is themed around the Agit Disco project, with people playing tunes they define as political. I'm actually going to be playing a short set of tracks linked to the miners strike, and had already decided to include Test Dept when I heard that Paul is playing too. Others taking part include Stewart Home and John Eden - full details at Facebook

See previously:

Lewisham Miners Support Group/Women Against Pit Closures

Supporting the Miners at Goldsmiths

Lewisham Miners Support 1984/5

 During the miners strike of 1984/5, which started 30 years ago this month, there were support groups set up across the country. Previously here we have mentioned support at Goldsmiths in New Cross. Another local group was Lewisham Women Against Pit Closures. This flyer from January 1985 tells us that:

1. The group held planning meetings at Lewisham Labour Club, Limes Grove SE13.

2. They 'invited women from the mining community of Shirebrook to Lewisham to speak to local people about the dispute'.

3. One of the women from Shirebrook was due to speak to a Lewisham Miners Support Group meeting at the Albany in Deptford on 24 January 1985.

4. There was a 'Women's Party' planned to take place at Women's Employment Project, 28 Deptford High Street, to raise funds for Shirebrook Women's Action Group (Shirebrook Colliery was in Derbyshire)

Neil Stoker wrote a little about Lewisham Miners' Support Group on the 20th anniversary of the strike in 1984:

'My father is from the Caribbean and my mother's Irish. The black community in south east London at that time was under constant abuse from the whole structures of society--the police, the government, the executive. The 'sus' laws had gone, but in terms of police brutality, mental health issues, housing, no one really cared what was going on. What struck me was the huge collective nature of the struggle. We got a collective spirit from a part of society that I didn't know and that was completely alien to me. There was a great sense of these people getting to know and understand what we suffered in terms of oppression, and vice versa. In a sense, we were somewhat cocooned by Thatcherism: we'd not had the same levels of redundancies, etc, in London as they had in the north of England. I got an understanding of what was really happening north of the Watford Gap.

Small events had a big impact: a miner from Dennington colliery came to stay with me and my family while he was in London collecting money. He came down to breakfast one morning and said, 'I've got to apologise.' My parents looked at each other--we thought maybe he'd broken a vase or something--and said, 'What for?' He said, 'I worked in a mine in South Africa in the early 1970s, and I feel really guilty about it now.' Things like that politicised people. There's a culture that miners and miners' support groups and Women Against Pit Closures hadn't been aware of before, and there's a culture that we took on as well.

We did a huge benefit at the Albany Empire in London with a Welsh male-voice choir, and a band called Test Department. I can only describe Test Department as a band which filled plastic drums with water and sand and banged them in a rhythmic way. It was a bizarre night--these Welsh miners came down in a coach and were stuck in the middle of Deptford with these punks banging plastic drums--but there were a thousand people there!

The miners' strike created this level of cultural understanding in a way nothing else could have. I remember going to the Notting Hill Carnival the year of the strike, and one of the most popular badges was 'Black people support the miners--oppose police violence'. (Socialist Review, March 2004)

Test Dept

Next up in the roll call of great South East London bands is Test Dept. To quote from Deptford Fun City: 'Test Department were formed in 1981 from a group of people living at 8 Nettleton Road [New Cross]. They broke new ground with their ‘metal bashing’ industrial sound, using scrap metal for percussion. Their support for the Miners' Strike is documented in their 1984 LP, ‘Shoulder to Shoulder’, recorded with the South Wales Striking Miners Choir'.

In his book 'Queer Noises: Male and Female Homosexuality in Twentieth Century Music' (Cassell, 1995), John Gill describes the experience of an early Test Dept performance:

"One sunny Saturday afternoon early in the 1980s, a colleague and I found ourselves wandering the streets of south of Blackfriars Bridge, on a caper that was straight out of Thomas Pynchon. A band who had given us a tape of their music, crashing industrial gamelan music battered out of steel springs, oil drums, sheets of metal, vast tanks, drills and buzzsaws, had invited us to one of their performances. The precise address of the concert had to be kept secret. They hired industrial premises – railway arches, warehouses, industrial depots – under the guise of anonymous charities… We were told to keep an eye out for their initials – TD, for Test Dept, a collective from New Cross in South London…

It was probably the only concert I’ve attended where I wondered if I was going to die. Test Dept were (and remain) stunning, breathtakingly noisy and quite terrifying… As they drummed up metal thunder on an adventure playground’s worth of industrial detritus, violent electronic noise was bled into the mix and grainy Russian revolutionary films were projected on to band and stage… The smell of oil was everywhere, and when they began applying cutting machinery to their instruments, producing volcanic spurts of sparks 20 feet across, people stubbed out cigarettes and backed towards the door". At a similar event nearby some time later, Test Dept were arrested before starting.

I saw Test Dept much later, at the last big night at Brixton squat venue Cool Tan in 1995.

Watch Test Dept - Compulsion (1984) at YouTube