Monday, March 29, 2010

South East of the Thames Border Infection Mix

Last week I took part in Border Infection, an event at Goldsmiths in New Cross themed around borders, migration and creativity. My contribution was to lead a radical history walk/talk around New Cross and Deptford. In the evening there was a party at the Amersham Arms, with the highlight a great DJ set by Ges-E and Osmani Soundz from Nasha records (Eastern-flavoured bassism). I also played a set, in effect a soundtrack after the fact to the walk, featuring music linked to the area - specifically stuff that could be placed on a loose South London bass continuum from 70s reggae to current UK funky. Here's my selection:

South East of the Thames Border Infection Mix - Neil Transpontine (download full mix here)

1. TT Ross - Imagine: released on Dennis Harris's Lovers Rock in 1978, the label that named a whole genre of soulful reggae. The label was based in Harris's studio at 13 Upper Brockley Road, SE4.

2. Johnny Osbourne -13 Dead: this and the next four tracks all relate to the 1981 New Cross Fire, when 13 young black people died in a house fire at 439 New Cross Road.

3. Sir Collins and His Mind Sweepers - New Cross Fire: Sir Collins - or Charlie Collins -was involved in the famous Four Aces club in Dalston. His son was DJing at the New Cross party and died in the fire. I have added a sample from a BBC news report in January 1981.

4. Roy Rankin & Raymond Naptali - New Cross Fire (1981): I have added a sample of Sybil Phoenix discussing racism in late 1970s and the setting up of the Moonshot Club in New Cross, youth club for young black people and scene of mass meetings in the aftermath of the fire.

5. Linton Kwesi Johnson -New Craas Massahkah.

6. Benjamin Zephaniah - 13 Dead and Nothing Said.

7. Mad Professor & Jah Shaka - Gautrey Road Style. The Mad Professor had his Ariwa studio at 42 Gautrey Road, SE15 in the 1980s. Jah Shaka was based in New Cross.

8. Brown Sugar - I'm in love with a Dreadlocks - another release on the Lovers Rock label from 1977, written by John Kpiaye, guitarist at Dennis Harris's studio, with Dennis Bovell as sound engineer. Brown Sugar included singers Kofi (later a solo artist) and Caron Wheeler (later of Soul II Soul).

9. Brinsley Forde - Can't tek no more of that - the sound of the closing scene of the great reggae sound system film Babylon, shot around Deptford and Brixton in 1979.

10. Dizzee Rascal - Can't tek no more - he's from East rather than South East London, even if his career took off via a Deptford studio, but since this track from last year's Tongue'n'Cheek album samples Babylon it's on the list.

11. Southside Allstars - Southside Riddim - this and the following two rap tracks offer a gritty realist take on South East London life, doing their bit to undermine gentrification by reminding everybody that the area has gangs and violence as well as estate agents!

12. Tinie Tempah - South East of the Thames

13. Blak Twang - Dettwork South East

14. Controlled Weirdness vs. Excentral Tempest -South London Bass/South East: my mix combining South London Bass by DJ Controlled Weirdness with South East, a rap by Excentral Tempest (now Kate Tempest).

15. Kyla - Do you Mind: a bit of an obvious funky anthem I know, this comes via Digital Holdings, the New Cross studio used by producers Crazy Cousinz. There's a continuity between Lovers Rock and UK Funky I think, expressing the soulful current of London bass culture as the flipside to the dread, beat an' blood current.

16. Leslee Lyrix - a short extract from the 1983 Ghettotone vs. Saxon sound system clash at Lewisham Boys Club, featuring Leslee Lyrix as Ghettotone MC. In his other guise as Dr William (Les) Henry he has published an essential book about sound system culture, What the Deejay Said: A Critique from the Street. Overlaid on this are samples from a short film, Voice for the Voiceless, made by some Goldsmiths students in 2008, with Les Henry and Les Back discussing the significance of sound systems and specifically nights in the Crypt at St Pauls in Deptford. I had a small role in this film, mainly supplying them with the soundtrack after a drink with the film makers in the New Cross Inn.




Voice for the Voiceless Uploaded by nickstreet83.

[the sound quality on the mix is variable, some of it ripped from vinyl and cassette and then thrown together on Audacity, but hope you'll agree that the content is all good... Also posted at History is Made at Night]

3 comments:

Transpontine said...

Aware that there's a lot more to South London bass than represented in the mix, but I was trying to keep it New Cross/Deptford/Brockley focused and couldn't really think of much in the way of drum'n'bass or dubstep from SE4/8/14 specifically - any ideas?

Hurk said...

I know its Hip hop and not dubstep (but you've got Blak Twang on there so)-You needed to have some BLADE, he WAS New Cross, You'd always bump into him there, he repped the place always and he named his label after the New Cross dialling code.

Transpontine said...

Yes should have put some Blade in it, I have mentioned him on this site before but should probably do a proper post about him.