Music Monday: Richard Sanderson

Richard Sanderson is an important figure in the London improvisational music scene, not to mention a member of the fearsome Blackheath Morris Men. For the past couple of years he has been releasing some interesting sounds on his digital label, Linear Obsessional Recordings, and he has now put out a new album of his own, Air Buttons.

He says: 'These pieces were recorded at home in Hither Green, usually on Friday afternoons when the housework was done and before the kids came back from school. As with my previous album of melodeon improvisations the instrument was recorded in three different ways – using footpedals (wah, distortion and pitch change), pushing it through contraptions made with Audiomulch software on my laptop, or augmenting it with other sounds – in this case, field recordings and a wind-up gramophone. The gramophone was recorded with a contact microphone (made by Jez Riley French) attached to the needle, or to a toothbrush. “Above The Breakers” was played on pre-WW1 one-row melodeon, all the others were played on a D/G Hohner Pokerwork. The title of “Flim Flamingo” was suggested by Gary Widdowfield.. “Velux Doppler” was created from two field recordings- one of Beckenham Parish Church Bells, the other of the rain falling on the roof window of my bedroom. The field recordings on “Shade” were made in my garden...  For my Father'.

You can download it here, choosing your own price. Other South Londonist sounds on Linear Obsessional Recordings include Hannah Marshall's album of cello improvisations, Tulse Hill.