Showing posts with label Deptford Albany. Show all posts
Showing posts with label Deptford Albany. Show all posts

Thursday, October 25, 2018

Rubber Johnny revival




We've mentioned late 1970s/early 1980s band Rubber Johnny before, including their residency in that period at the Royal Albert pub. Led by singer John Turner, the band grew out of the Deptford Albany and The Combination, the radical theatre project based there. They've started playing again recently and have gigs coming up this weekend (Friday 26th and and Saturday 27th October) at Greenwich Studio Theatre. This will include John Turner talking about music in the SE London area, which during that period spawned Dire Straits, Squeeze and the whole genre of  'Lovers Rock'. Details as follows:


'Rubber Johnny, a Deptford based band, started life as an interval trio for the Rock against Racism concerts at the Albany Empire Deptford in 1978. They are playing the Greenwich Studio Theatre on the Friday 26th and Saturday 27th of Oct at 7.30pm. From 1978 to 1983 they held residencies at local pubs in the area, played the London clubs and the University Circuit. On Hammer Records under the name The Alligators they released a single produced by Denis “Blackbeard” Bovell. Through the late 70s and early 80s they supported many benefits in the area. The original trio was John White harmonicas, Keith Moore guitar and John Turner on vocals.
 

The band’s Return in 2016 was as a result of a request from the Save Your local libraries Campaign and led to more performances in the pub scene of the area as well as a live CD (Return) of the current band in action. To the band's great amazement the Rubber Johnny material has been received with as great enthusiasm as it had ever been. The band is now Les Morgan drums, Joe Read bass, Steve Silverton guitar Ralph Winkler guitar, John White harmonica and John Turner on vocals. New songs have now been added to set.



This has led to the invitation to play the Greenwich Studio Theatre on Crooms Hill, Greenwich SE10 8E6 Tel: 020 8858 7755. Admission will be £10.00 on the door. During introductions John Turner will be talking about music in the area during the life of the band'.
 

Thursday, September 15, 2011

South London Select

Following recent feature on Smash Hits cover stars, here's some fab photos from Select magazine, August 1991.

But what are they doing at Transpontine? Can you guess the South London connection? (click on images to enlarge).

Julian Cope - but wasn't he in that Liverpool band The Teardrop Explodes? Yes, but in the late 1980s/early 1990s he moved down to London and lived in Albany Mews by Burgess Park and at 149a Tulse Hill. I remember seeing him around on anti-poll tax demos in fancy dress.

The Creatures - Siouxsie Sioux, born in Guys Hospital, was famously part of the early punk Bromley Contingent - though technically she was from Chislehurst (she went to Mottingham High School).
KLF - Bill Drummond and Jimmy Cauty. 'KLF HQ' was Jimmy Cauty's house in Camberwell: ' KLF activities were then based around their Camberwell HQ, a huge Victorian terraced house. In the basement were the ersatz 'Trancentral Studios', where their finest moments were recorded. The upper floors were home to Cauty and wife Cressida, herself an artist, and several others. Friends recall the good times, at the height of the acid-rave scene, when the KLF would throw "really brilliant fuck-off parties", sometimes lasting all weekend, with a fairly relaxed attitude to uninvited house guests' (Guardian 21 May 1994). Not sure exactly where this was, but love that some of the stuff I was dancing to at that time was recorded just down the road.

Vic Reeves - career took off via nights at the Goldsmiths Tavern (now New Cross House) and the Albany in Deptford.

Sadly haven't managed to write Robert Smith himself into the South London Story, unless you know better...

Sunday, January 16, 2011

New Cross Fire Remembered at the Albany

The Albany was packed last Friday for the Remembering the New Cross Fire 30 Years On event. It was a moving and uplifting night, which began with a short audio-visual presentation on the fire and its aftermath, soundtracked by extracts from Linton Kwesi Johnson's New Craas Massahkah poem:



This was followed by a very evocative film made at the time, Blood Ah Go Run. It started out with the funeral of brother and sister Yvonne and Paul Ruddock, who lived in the house where the fire took place (looked like the service was at St Paul's Deptford). The film then documents the Black People's Day of Action of March 1981, showing the demonstration heading from Fordham Park, past New Cross Gate station, down Queens Road to Peckham, up Walworth Road and on to Blackfriars Bridge via Elephant and Castle, before heading on to Fleet Street and central London (it ended up in Hyde Park).

Next up was a panel discussion facilitated by Kwame Kwei-Armah with three key people involved in the movement that emerged in the aftermath of the fire. Menelik Shabazz made the film Blood Ah Go Run, and was involved in the New Cross Massacre Action Committee as the representative of the Black Liberation Front. He has gone on as a film-maker to make films including Burning an Illusion and The Story of Lovers Rock (not fully released yet, but have seen an early version of it and it's great), and is involved with BFM Media. Shabazz compared the policing of the demonstration to the recent 'kettling' of student protests, recalling that the police stopped the march by Blackfriars Bridge where there was a brief confrontation before the demonstration was able to continue (the film shows people struggling to pull back people from being snatched by the police).

Professor Gus John described his work with the Black Parents Movement in mobilising support for the New Cross Fire demonstration in Manchester and across the north of England. He also recited Martin Carter's poem Death of a Comrade with its closing lines 'Dear Comrade, if it must be, you speak no more with me, nor smile no more with me, then let me take, a patience with a calm, for even now the greener leaf explodes, sun brightens stone, and all the river burns. Now from the mourning vanguard moving on, dear Comrade I salute you and say, Death will not find us thinking that we die'.

Alex Pascal was the presenter of Black Londoners at the time on BBC Radio London, one of the few black voices in the mainstream media. He described how he used the programme as a platform to spread information about the New Cross Fire and to launch an appeal to raise funds for the families of the victims.

Charlie Collins (aka Sir Collins) was in the audience, and was invited to say a few words. His son Steven died in the fire, where he had gone to provide the music. Mr Collins ran the famous Four Aces club in Dalston for many years, where he planted 13 trees in memory of the fire's victims. The club has now been demolished and those trees lost, but to replace them 13 new trees are being planted in the public square next to the new Collins Tower.

After an interval there was some excellent spoken word performance and music. Courttia Newland read his poetic short story Flight of Freedom; Zena Edwards sang a Zulu prayer accompanied by kalimba (thumb piano), making beautiful music that put me in mind of Alice Coltrane. El Crisis performed an amazing piece of songful fastchat rhyme that got me wondering at the power of the unaccompanied human voice to carry melody, meaning and rhythm and hold a crowd transfixed.

The night concluded with two of the legends of Lovers Rock, Carrol Thompson and Janet Kay, performing some of their hits, including the former's I'm So Sorry and the latter's Silly Games. There was something poignant about the crowd singing along nostalgically recalling their youth, which the fire's victims never grew up to look back on. Songs like these would have been the last things those children ever heard.

So congratulations to the organisers, and a reminder too of the importance of the Albany as a crucial hub of Deptford social and cultural life for so many years. Profits from the event will go to the local Irie Dance Company, a youth project based at the Moonshot Club.

The fire remembered on Radio 4

The fire was remembered again on BBC Radio 4's Saturday Live where one of the guests was
Wayne Haines, a survivor of the fire. Wayne was DJing at the party and warned people when he saw smoke on the ground floor. But fire spread quickly up the stairs, leaving no means of escape but the upper floor windows. With railings below, jumping out was also very dangerous. Wayne himself tried to climb down a drainpipe but it broke and he fell from the top of the house on to the outside toilet. He was critically injured and spent months in hospital.

Wayne's testimony was a reminder that the New Cross Fire is not just a historical event, but part of the daily experience of those who were there down to the present. As he says:

'I got burnt from my fingertips to the tops of my shoulders. I'm lucky my face came back. I smashed my hip up, I walk with a walking stick every day of my life for the last 30 years. This never goes away, it can't go away, I have to look at myself every day in the mirror... I carry the physical scars... but it's the mental scars that the other people carry that has them in a worse state than me.

There are a lot of people who aren't getting through even now, there are 56 injured from the New X fire that nobody talks about... I have a friend now who 30 years on, who phones me... because the nightmares are back, he can't sleep..

There are 14 children most of them had great glittering careers to look forward too... you've got 56 people walking around and still living in 1981 and here we are in 2011'.

Like many of the families, Wayne no longer believes that the fire was caused by a racist attack or a petrol bomb, but the exact cause of what started the fire in the ground floor living room remains a mystery. But as Gus John remarked at the Albany, the reaction to the New Cross Fire has to be understood in the context of the time - the fire may not have been caused by racism, but there was racism in the response (and lack of response) of the police, press, and government, and who knows whether young people at the party might have ended up being framed for the killings if the investigation hadn't come under such close community scrutiny?

Two more events

A reminder that there's a memorial service at St Andrews Church, Brockley this afternoon at 3 pm with speakers including George Francis, Chair of the New Cross Fire Parents Committee.

Then on Tuesday 18 January a plaque will be unveiled at the scene of the fire, 2pm at 439 New Cross Road, London, SE14.

See also: New Cross Fire - the bleakest moment for an account of what happened

If you like Lovers Rock, check out this great mix by John Eden and Grievous Angel. John was at the Albany on Friday too.

Wednesday, January 12, 2011

New Cross Fire: the bleakest moment

My first memory of New Cross comes from around 1981, years before I lived here. I was in the back of a car being driven by a friend's parents across London to Kent, in the days before the M25 made it possible to drive around London instead. In the traffic jam we stopped by the haunting burnt out shell of a house, which we immediately recognised from the TV coverage as the scene of the terrible New Cross Fire.



On Saturday 17th January 1981, a 16th birthday party was held at 439 New Cross Road for Yvonne Ruddock. In the early hours of the next morning, a fire broke out and 13 young black people, all between the ages of 15 and 20 years old, were killed. Yvonne Ruddock was among the dead. One survivor killed himself a couple of years later, so the death toll is often given as 14.

There's an excellent BBC Windrush Years documentary about the fire, first broadcast in 1998, which you may be able to find online. It describes the New Cross Fire as ‘the bleakest moment in a decade of alienation and bitterness', and includes interviews with people who were at the party. Sometimes the actual event gets lost behind its political and cultural significance - we must never underestimate the horror of the night, with the terrible injuries, physical and mental, suffered by the survivors, and the dreadful scenes that greeted emergency services and others when they arrived at the house. Harry Powell, a witness, recalled: ‘I lived on Alpha Road... as I turned the corner I realized there was kids ... jumping out of the window, fire was blazing, screaming’.

Shocking too was the racist response to the fire, with abusive letters sent to victims’ families. In this climate, it is not surprising that many believed that that the fire was the result a racist attack and the police initially suggested that it may have been caused by a firebomb – a theory they later rejected in favour of claiming that the fire had been started following an argument in the party.

Local black people recalled that there had been other racist arson attacks in the area. In November 1977 a newspaper reported that a National Front meeting had included talk of burning down the Moonshot, a New Cross youth club popular with young black people. On December 18th, it was indeed gutted in a firebomb attack and had to be rebuilt.

The Albany in Deptford was a centre of local anti-racist activity, including ‘Rock Against Racism’ gigs, a three day ‘All Together Now’ festival, a benefit to scrap the suss laws and a successful anti racist show called ‘Restless natives’. On the 14th July 1978 the Albany (then at 47 Creek Road) was gutted by fire. The next day a note was pushed through the door of the building saying ‘GOT YOU’.

Back in January 1971, in nearby Ladywell, three petrol bombs had been thrown into an African-Caribbean party in Sunderland Road, seriously injuring several people. Two white racists were later jailed for the attack, and as with the New Cross Fire ten years later, the police were accused of inaction. In fact in the following week, the police arrested eight members of the Black Unity and Freedom Party in a fracas on their way home from visiting the fire’s victims at Lewisham hospital. A march by 150 black people and supporters to Ladywell police station a few weeks after the fire saw further arrests.

Throughout the 1970s there had a significant far right presence in south East London. In 1976, the National Front and the National Party achieved a combined vote of 44.5% in a Deptford council by-election. And on 13 August 1977, a National Front March to Lewisham started in New Cross, in Achilles Street by Fordham Park. The clashes between the NF, anti-fascists and the police on that day became known as the Battle of Lewisham.

But it wasn’t just the possible racist attack that inflamed anger. While local community activists like Sybil Phoenix rallied round to support those affected, there was little or no official support, not even the usual messages of condolence from the Queen or the prime minister. The police interrogated party goers as if they were criminals rather than victims, and the press reporting was largely unsympathetic. As Linton Kwesi Johnson recalled ‘a lot of people were angry... not just about what happened, but about the way the whole business was handled by the police and the way it was reported in the press and the media'.

On the Sunday following the fire a mass meeting was held at The Moonshot Club, attended by over 1000 people. From that meeting there was a demonstration to the scene of the fire, which blocked New Cross Road for several hours. A New Cross Massacre Action Committee was established and organised weekly mass meetings in New Cross. It also called the Black People's Day of Action on Monday 2nd March 1981.

On a wet working day, at least 15,000 (some say 20,000) marched over a period of eight hours from Fordham Park to Hyde Park with slogans including: 'Thirteen Dead and Nothing Said', 'No Police Cover-Up', 'Blood Ah Go Run If Justice No Come' – the largest single political mobilization of black people ever seen in the UK. LKJ was a steward on the march, and remembers that 'all along the march we kept on picking up more people... school children were climbing over fences to come and join the demonstration in Peckham'. Other walked out of their workplaces to join in.

The march passes Clifton Rise in New Cross

Although the march was mainly peaceful, The Sun reported it with the headline: ‘The Day the Blacks Ran Riot in London’, with other press reports featuring headlines like 'Black day at Blackfriars' and 'When the black tide met the thin blue line'. Paul Gilroy, who took part, relates that 'we were deeply disappointed that the justice in our claim and the tragedy itself was still considered to be secondary to the sensation'.

Black People's Day of Action - the New Cross Massacre Action Committee banner on the march

Thirty years later the families of those who died still have no answers. A second inquest in 2004 recorded an open verdict, and nobody has ever been charged. Many now query the racist attack hypothesis, but the sense of injustice remains. Playwright Rex Obano, who is helping to organise the memorial event at the Albany on Friday, was featured in an article in The Guardian this week. He stated: "To me, the New Cross fire, the fact that no one in authority seemed to care, forced the black community to unify, to find its voice in a way it hadn't before. This politicised people from all over the country. They marched in protest: thousands of people on a workday. I was 13 at the time and I always thought the older generation was comparatively passive. New Cross shows it wasn't like that at all. They dealt with so much. There had been other uprisings. But this was a line in the sand."

It is no coincidence that in the month following the New Cross Fire demonstration, Brixton erupted in the first of what was to be a long hot summer of riots in cities across the country.

See also: New Cross Fire remembered at the Albany and on Radio 4

(updated post, March 2016 - the original post included clips from the BBC documentary mentioned, but these have now been taken down from youtube)

Tuesday, August 10, 2010

Tidemill Parents Question Academy Plans

A campaign has been started to oppose plans to turn Tidemill Primary School in Deptford into one of the country's first primary 'Academies'. Legislation to create Academies - independent schools funded by the government, but outside of any influence by local authorities -has been rushed through by the new ConDem government.

In the first instance, concerned parents are campaigning for a proper consultation about the proposals. They say: 'To consult with and inform parents, it has been suggested that over the summer holiday a random selection of 5 parents from each year followed by a one hour meeting by the Board of Governors is adequate. This petition is for a full and unbiased consultation with all parents and the local community before this important and far reaching change is pushed through to become an Academy'. They further argue:
  • 'The decision to become an academy can’t be reversed,
  • It affects whole community, not just current parents
  • Some claim it will mean more money, but others say this will mean taking money off other local schools
  • Some claim it will mean more freedom but other say parents will lose rights over Special Educational Needs etc
  • The school will be run by a ‘trust’ – a private company set up by the governors. We may like the current head and governors, but what happens when they leave?'
A public meeting has been arranged for Monday 6th September, 7 pm at the Albany, Douglas Way, SE8.

Truth to tell, the full implications of the ConDem Academy plans are still unclear as so little detail has been published. But what is clear is that the plans are driven by an ideological imperative to create a market of competing schools, with a greater role for private business, and a reduction in the already limited input for parents and the community on governing bodies.

Sunday, April 25, 2010

365 days of Live Music

Hugo Simms has finally finished his epic exploration, 365 Days of Live Music in London. As he recounts in an article in The Evening Standard (16 April 2010), last April he made a vow to experience live music every day, taking him on an odyssey of streets, pubs, churches, concert halls and various improbable venues. All of this written up in his blog, and one day to be a book.

As Hugo lives in Nunhead, a lot of the performances were in South East London. The Birds Nest, New Cross Inn, Amersham Arms, Jam Circus, Old Nun's Head and Ivy House all get visited. There were several posts where I cursed that I hadn't heard about the gig beforehand - I mean, seeing Viv Albertine of The Slits at the Glad in Borough?

Hugo's effort should serve as a reminder of just how important pubs are for the culture of low key musicking - which is why it is quite right to get agitated at things like the threatened closure of The Deptford Arms.

Sunday, March 07, 2010

Blak Twang: Good work London SE8

Blak Twang has been mentioned in passing on this site a couple of times, but haven't really given full dues to the Deptford wordsmith who is arguably London's best rapper. He's been at it for 15 years or so, from his classic - but never commercially released - debut Dettwork South East in 1995 to his 2008 album Speaking From Xpercience.

Tony Olabode (his real name) was actually born in Manchester, but grew up in Deptford on the Tanners Hill Estate. For a while Roots Manuva - the other contender for best London hip hop artist - shared his flat there. The place gets mentioned on Blak Twang's early track Real Esate:

'Yeah, yeah. Tanner's Hill in your area, ya nah mean?
It's gettin' scarier. The real estate.

Oi! I'm in the house like a squatter, my gate's in New Cross
Home of the original muggers, psychopathic nutters
And plain clothes undercovers, crazy trainspotters
With grass cutters and choppers, eatin' sens' for supper

...I live in SE8 on the run-down estate
With the highest unemployment rate and crime rate'

Several SE London locations also get a mention on his London rudeboy anthem Dettwork South East (1996):

'Dettwork South East, Yeah yeah yeah yeah
Original south London trooper,
Blak Twang, live from the big smoke,
Thameslink, London Connections,
Watch the ride or watch the bus.

Its like this and this and that,
All across the map,
I chit-chat with a UK-Blak twang when I rap,
laying down facts like British rail tracks,
Cockney rhyming slang, and black conundrums dem pun the dungeon.
This is how we function in London,
From New Cross to Piccadilly Circus

From tower blocks across the circuit,
No surplus no deficit,
No more no less,
If it's Southeast or Northwest or Shredded Wheat or East,
From Old Kent Road to Ladbroke Grove,
I Lay Low,
Handle most of my biz on my cellular dog and bone,
We pass through Elephant and Castle,
Take the back streets to save the hastle,
Delivering a parcel, Over
The bridge and through the tunnel,
Beyond the horizon,
Where the sky scrapers meet the sky lining....

Good work London SE8'.




In an interview a couple of years ago, Twang said: 'South London has been influential in pretty much everything I've talked about: it really has influenced my music. South London, when it comes to black culture, is the mecca. The place even influenced my called myself Blak Twang - it was based on South London because we had a certain way of speaking and we used a lot of slang' (South London Press, 26 September 2008).

He's still going strong, living in Croydon I believe, and apparently planning to finally officially release the lost Dettwork South East, vanished amidst record company politics in the mid-1990s.

Here's his track Fearless, a defiant response in the aftermath of the murder of Stephen Lawrence: 'you can bring your baseball bats, bricks, bottles and Union Jacks, it's all crap like "Immigrants out, No Irish, No blacks"'.



Can anybody listen to this and say there's no such things as decent UK Hip Hop?

Wednesday, February 24, 2010

Ken Loach at the Albany

Ken Loach's film Looking for Eric (starring Eric Cantona) is being shown a the Albany in Deptford on March 10th, with the added attraction of an appearance by the director himself for a question and answer session.

There will also be a couple of short films by local film makers, including Bale by Al MacKay and N25 (yes, the nightbus) by Goldsmiths graduate Treasa O’Brien. All courtesy of Urban Screen.

7 pm start, tickets are £5 from the Albany.

Wednesday, October 28, 2009

That was Deptford X

I managed to take in some of the recent Deptford X festival, including the Babylon showing reviewed previously. Other highlights included Patrick Hackett's Scape Boat, a boat made out of copies of the Financial Times, inviting various metaphors about the economic crisis (sinking ship of capitalism etc). For the duration of Deptford X it was parked on the grass in front of Laban. Not sure what happened to it in the end, I was hoping for some viking burial action with a blazing boat floating in the Creek but I suspect that the artist may have become quite attached to it. After all he won the Deptford X prize so might not have wanted to follow the commendable auto destructive art example of Gustav Metzger.



On Saturday 3rd October, there was the Deptford Marbles' Tea and Dance event, a collaboration between Artmongers and Laban students. There was tea and cake...


... and dancing. The dancers were remarkably unphased by their interaction with some of the interesting 'characters' who frequent that patch of Deptford Broadway and who occasionally joined in by wandering into the action.
Fred Aylward had two exhibitions. Before and After at the Albany included information about lost entertainment venues alongside photos of what has replaced them. Meanwhile at the Dog and Bell he showed a series of his watercolours depicting similar buildings in their prime. Places featured in the exhibitions include the Deptford Odeon, the New Cross Empire, the Albany Empire (in its original Creek Road location), the New Cross Kinema (most of which is still standing as the Venue) and the Electric Palace at 197 Deptford High Street - one of the earliest local cinemas, now Shades snooker hall. I was impressed that he had discovered a last trace of the Broadway Theatre behind the chemist on Deptford Broadway (the one featured in the picture above) - a sign saying 'Way Out'.

Thursday, September 24, 2009

Fred Aylward/Deptford X

Loads going on for Deptford X festival from 25 September to 4 October. I'm looking forward to Fred Aylward's Before exhibition of photos of lost local entertainment venues showing at the Albany Cafe - and his Before & After exhibition of watercolours of buildings that no longer exist at the Dog and Bell. Linked to this is a showing at the Albany next Tuesday 29 September (7:30 pm) of the classic reggae film Babylon, much of it filmed in the Deptford area. If you stick around you can join a wander from the Albany to the Dog & Bell afterwards pointing out some of the spots featured in the film and exhibition.