I had a chat with Gill and Andrew last week. Apart from the intrinsic interest of the exhibition itself, I want to highlight their role as long term 'cultural activists' in London (for want of a better word), helping to make interesting things happen for more than 30 years.
Gill and Andrew met at Maidstone College of Art in the 1980s, where their contemporaries included Tracey Emin, moving up to South London - where Gill had grown up in West Dulwich - shortly afterwards. Andrew did a printmaking course at Morley College, where Gill worked for a spell too.
Gill and Andrew at Maidstone College of Art |
Andrew (left) at Maidstone graduation - Melvin Bragg warns art students of the 'hostile world' of market forces |
Andrew got involved with legendary Brixton club the Mambo Inn, which ran at the Loughborough Hotel from the late 1980s to 1996. The club was best known for its African and Latin American music but also had a jazz thread running through it which Andrew helped contribute as DJ ‘Danny Polo’. He also designed some of the banners which defined the club’s strong visual image (I had some great nights out there myself in my Brixton clubbing days). Andrew was also able to combine his musical and artistic interests in this period by doing illustrations for Paul Bradshaw’s influential Straight No Chaser magazine. His involvement in music has continued ever since, including singing in 1990s bands Matilda and Charm.
Andrew at Mambo Inn at Loughborough Hotel |
Umbrella Club banners and 1991 flyer - 'funk/soul/house/African/jazz/reggae/Latin/raggamuffin/rare groove' |
Having worked for spells at Morley College, Camberwell Arts College and as an Edinburgh Festival volunteer, Gill meanwhile pursued a career in freelance journalism and arts PR, working initially with Julia Hobsbawm (thanks to an introduction while showing Quentin Tarantino around town on his first visit to London - it's a long story). Over the years she worked for many clients in the arts and museum world including Artangel, the Victoria and Albert Museum and the Imperial War Museum
In 2005 they launched Cinetopia, a film night with a quiz, initially at the Crown and Greyhound pub in Dulwich. Later they moved it to the Hill Station Cafe on Kitto Road. This led on to them starting the popular New Cross and Deptford Free Film Festival, bringing their expertise in film, promotion and events.
Gill and Andrew had continued to practice their drawing and printing at various times through the 1990s, including exhibiting in an open show at the famous Cool Tan squat on Effra Road in Brixton (I went to some great parties there too but that's another story). Their relocaton to Telegraph Hill in the early 2000s with its thriving Open Studios scene inspired them to make more work and show it publicly.
Andrew Clarke mural at the Hill Station SE14 - Procession of the Manimals (2014) |
Gill Roth paints scenery for Telegraph Hill Pantomime 'Babes in the Wood' (2012) |
Andrew and Gill appreciate Lewisham Arthouse as one of the vanishing places offering cheap studio and exhibition space with a minimum of bureaucracy. While they don't have studios there, Gill has attended life drawing classes there for some time as well as more recently attending events organised by the London Drawing Group (who among other things run Drink and Draw sessions at Buster Mantis in Deptford). Gill says I have 'drawn people since I was a kid' but highlights the work of artists such as the London Drawing Group and Nicola Tyson who are doing interesting contemporary work in this medium and showing that 'you can draw in 2018 and still make sense)
Gill Roth, 'Anatomical Venus' |
Make Believe runs from Saturday 1st September to Sunday 9th September 2018 (Opening Times: Weds – Sun, 12 – 6pm), with the Private view on Friday 31st August. 6 – 9pm. Lewisham Arthouse is on Lewisham Way, SE14 6PD. Full details here: http://www.lewishamarthouse.org.uk/project-space/make-believe/
instagram: @rothgill @clarkesville.art
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