Last dance at the Hatcham?

Last Friday saw the last Jazz at the Cross at the legendary Hatcham Liberal Club in New Cross. It was packed out as people came to savour not only band Big Chief but the unique ambience of this formica wonderland - note the lights and the curtain. The final song played was 'I wish I knew how it felt to be free'. Not quite the final curtain for the Hatcham - I know that Southwark Unison secretary John Mulrenan is having his leaving do there - but possibly the last public event before the place closes.

New Cross Inn

Good time at the New Cross Inn on Wednesday night, particularly liked The Sequins who came down from Coventry. Loads of energy, reminding me a bit of Maximo Park.

There's loads of music on at the New Cross Inn at the moment, good to see and a reminder not to get too down when places we love close down. In the past few years we've lost the Goldsmiths Tavern and the Paradise Bar, both busy venues when there wasn't so much on at the New Cross Inn. It feels a bit as if the scenes there have just upped sticks and moved down the road.

White Noise

Interesting sounding night at The Montague Arms in New Cross this Friday.

'White Noise is a monthly South London gathering with Doug Shipton (Finders Keepers/Delay 68/Battered Ornaments) and Luke Insect (The Laughing Windows) pulling strings left, righ tand centre to deliver some of the best in off-kilter independent music as well as a host of firebrand guest DJs spinning a mixed bag of soft psych, acidik folk, radiophonic anomalies and fuzz-ridden-break-heavy psychedelic platters of yesteryear on the last Friday of every month'.

This month features a performance by the intriguing Woodcraft Folk.

Performance

The currently empty Thomas a Becket pub on the Old Kent Road (corner of Albany Road), played a key role in the development of Performance , the 1968 film directed by Nicholas Roeg and Donald Cammell. In the film James Fox plays the gangster Chas opposite Mick Jagger's rock star.


Public schoolboy Fox needed some training for this role so he was taken 'round the Thomas a Beckett, the famous boxers' pub and gymnasium on the Old Kent Road in South London, and in­troduced to various characters there, including Johnny Shannon, the magniloquent boxing trainer, and John Bindon, an authentic hard man who'd done a bit of film acting, slept with Christine Keeler and was celebrated for a party trick he'd perfected: balancing six half-pint beer mugs on his penis. In their world, Fox cut his hair, dropped the silly King's Road duds, learned to hit and to carry himself hard and even, it was rumored, went out on a dry run for a robbery and got into a tight spot with a stolen car. By the time he returned to shoot the film, he was the very stuff of Chas — he could show a nasty temper around the set — and he had incidentally acquired a pair of costars in Shannon and Bindon'.

Source of quote: Ready Steady Go!: the smashing rise and giddy fall of Swinging London - Shawn Levy (New York: Doubleday, 2002, p.292)

Ivy House Still Open

There was a brief scare last week that the Ivy House pub in Stuart Road (Nunhead/Peckham Rye) was closing. In fact it did shut for a short while, but is now back open again 'under new management', apparently following the brewery who own it repossessing it from the previous landlord.

No reason to fear then that its place as an important local music venue is under threat, and tonight Dulwich Ukelele Club were going ahead with their Valentines's Party there. Presumably the Easycome Acoustic Night (which found a temporary new home at Page Two in Nunhead last week) will be back at the Ivy House next Wednesday.

The Ivy House was recently highlighted in a Guardian article by Will Hodgkinson, which also mentioned the fine Indigo Moss as an up and coming band getting attention via this venue. Then there was The June Brides fine gig there last year.

The pub does though have a much longer history as a music venue, particularly in its previous incarnation as the Newlands Tavern when it was a key point on the 1970s pub rock circuit in the lead up to punk. Bands that played there at this time included Eddie and the Hot Rods, Flip City (with Elvis Costello), The Kursaal Flyers, Kilburn and the High Roads (with Ian Dury), The 101ers (Joe Strummer's pre-Clash band), Dr Feelgood and Johnny Sox (with Hugh Cornwall, later of The Stranglers). According to 'No Sleep Till Canvey Island - The Great Pub Rock Revolution' by Will Birch, Graham Parker and The Rumour rehearsed and debuted there in 1975. At this time the pub was run by Reg and Sue Fentiman.

Locals will also tell you that the Rolling Stones and Pink Floyd played there, but this may just be pub folklore - there are obsessive Pink Floyd websites which purport to list all their gigs and make no mention of it (on the other hand Syd Barrett was at Camberwell Art College so maybe one of the Pre-Floyd incarnations of the band played there). If anyone's got any further information on these tales, let us know.

February Flixation

FLIXATION, SE London's Underground Cinema Club, takes places on Wednesday 21st Februarythe Miller of Mansfield, 96 Snowsfields, London SE1 (8 pm start, membership £4/ £3 concs).

A night is promised of 'no-budget underground cinema, electronic craft, amateur film Art, performance and music' including celebrity death cult in Shitlist (Grace Connor 2007), extreme piercing in White Blue Air (Inza 2007) and more existential glove puppets in Paul and the Badger Part 2 (Paul Tarrago 2006). Also new work by Clive Shaw (My Eyes My Eyes) and a shiny new performance by Doctor Reekie. The compere will be the diabolical Tar Baby and on the wheels of steel the infamous DJ Mono.

If you have any work you'd like to show or a performance you'd like to do - contact Duncan on 07929876301 or email duncanreekie@yahoo.co.uk

Rocklands at the Albany

There's a live in Rocklands party/gig happening at The Albany Theatre, Douglas Way, Deptford SE8 on Saturday 17 March 2007.

Bands playing include The Rocks, BLAH BLAH BLAH and Seeing Scarlet.

Check out Music Tourist Board for latest details.

As soon as this pub closes

As you can see from this photo, the Coach and Horses pub in Pomeroy Street (New Cross) is being demolished. The only other pub in this street (The Arrows) was converted into housing a couple of years ago.

I don't want to turn Transpontine into a Fings Ain't What They Used T'be site, moaning about change all the time. I never went in this pub, so can't make too much fuss. But I do think it is important that there is a balance between places to live and places to socialise and it does seem to me that more and more of the latter are disappearing. In fact CAMRA estimate that five pubs a week are closing in London, and I don't see too many new ones opening.

All bets are off in Brockley

Concern about the loss of the Homeview video/dvd hire shop in Brockley has now spread to a campaign against a bookmakers taking its place. Homeview is closing regardless, but the bookies' still needs Greenwich magistrates to give them a licence to operate at 329 Brockley Road. I am sympathetic to this campaign - there are a million things I would rather see there. I certainly don't want that other corner of Boho Brockley, Moonbow Jakes cafe/bar to go under. Whether a betting shop would have a direct impact on the the cafe remains to be seen, but clearly they are going to lose the passing trade from people popping down to pick up a film.

However, reading through the petition against the betting shop in Moonbow Jakes I did pick up on a nasty undercurrent from some people. One comment in particular caught my eye, suggesting that the betting shop would attract 'skagheads, winos and the culturally poor'. Well yes, there is a link between gambling and other addictions, but there seemed to more than a suggestion here of social cleansing. South East London is one of the poorest parts of the country, but increasingly poverty is seen as some kind of personal stigma that needs to be tidied away rather than a social condition that needs to be abolished. To a large extent the poor are poor because the rich are rich, both are a consequence of the increasingly unequal distribution of social wealth. Don't come slumming it in South London and then complain that the poor are on your doorstep - do something about it. Yes I know it's not always easy to think what to do, but you could always make a start by supporting people fighting to increase their income above minimum wage levels, like cleaners on the tube.

As for the notion of culturally poor, I would suggest reading some Pierre Bourdieu, in particular his notion of cultural capital (knowledge, connections, networks) being as important to social power as money. In South London as elsewhere, the middle/upper classes are very good at holding on to their cultural wealth at the expense of the 'cultural poor' - just take a look at who has most access to galleries, studio space, NCT classes etc.

As it happens, I have known some gamblers who are actually very intelligent and 'cultured' but I don't want to go the opposite extreme of glamourising some romanticised Albert Square mockney culture. As another wise man said, 'glorification of splendid underdogs is nothing more than glorification of the splendid system that makes them so' (Adorno, Minima Moralia).

Of course this glorification is quite widespread. We can imagine that in a few years time, gambling on horses will be colonised by the 'haves'. After all, Walthamstow dogs has apparently become a middle class must post-Blur's Parklife, and 15 years ago football fans were despised as culturally poor scum. Now everybody claims to have been a lifelong football fan (usually of Arsenal or Manchester United), and ticket prices have rocketed to reflect the game's new status as a respectable recreational activity. On balance I would prefer there not to be another bookies in Brockley, if only to save from the future horror of a combined bookies/wine bar full of yuppies placing bets on the 3:15 at Haydock Park.

Good to get that rant off my chest - what do you think?

Blue Collar

One of my favourite films is showing at Cafe Crema (306 New Cross Road, SE14) next week. Blue Collar is a 1978 film directed by Paul Schrader (best known for Taxi Driver), featuring Harvey Keitel and Richard Pryor as Detroit autoworkers coming up against the company and corrupt union officials. A great title track too by Captain Beefheart.

I once saw this at the Ritzy in Brixton, with the reels shown in the wrong order, so we got to see the end of the film before the middle - half the audience jeered, the remainder obviously thought it was deliberate - perhaps reminded of Godard's famous remark that a film should 'have a beginning, middle, and end, but not necessarily in that order'.

The New Cross showing is on Wednesday 21st Feburary, 7:30 pm (for food), film at 8.

Kelvin benefits

Kelvin Van-Beeny, a well-known face on South London music and comedy circuit, was hit by a car and seriously injured in Greenwich before Christmas. A successful benefit night to raise funds for his family was held at Page Two in Nunhead a couple of weeks ago, and some more 'Tarzan' benefit nights are coming up soon. On Friday 16th February there's a gig at Cafe Koha (off St Martins Lane, WC2), then on Friday 9th March there's another one at Moonbow Jakes in Brockley.

Holy Southwark

Don't let a bit of snow put you off coming to South East London Folklore Society tonight, up by London Bridge:

"To celebrate our move to Southwark local historian Neil Gordon-Orr gives an illustrated talk on deities, saints and sacred sites celebrated within half a mile of SELFS' new venue. A bronze age barrow at London Bridge, dog burials in Borough High Street and the recently discovered Roman temples of Tabard Square will all feature. The area's shamanic poet John Constable takes us in his experiences of the Southwarks Mysteries. Thursday 8th February at The Old King's Head, Kings Head Yard, 45-49, Borough High St, London, SE11NA. Nearest stations are London Bridge and Borough. It is just off Borough High Street (see map) Talks start at 8.00pm £2.50/£1.50 concessions".

Spiral Scratch night in Brixton

Picked up this flyer on Friday night at How Does it Feel to be Loved? in Brixton (Kevin Rowland was DJing and it was fantastic - will tell more when I have recovered).

Its a Spiral Scratch night at The Brixton Windmill on Thursday 15 February, featuring Persil from Holland, Slow Down Tallahassee, Monster Bobby and Arthur and Martha. All sound interesting, particularly the last described as 'Kraftwerk meet The Carpenters by the moog in London' (just checked all these out on Myspace and they are all sound like they're worth the journey up Brixton Hill).

Jazz at the Cross - last call for Hatcham

Jazz at the Cross has been running on an on and off basis for a few years at the Hatcham Liberal Club in New Cross. On 23rd February 2007 the club will be happening there for the very last time, featuring Big Chief.

Even if jazz isn't really your thing, you might want to go along and take this final opportunity (for now?) to savour this music venue with its classic 70s decor. The building is in the process of being sold - rumour has it to a church.

Fats Waller in New Cross, 1938

From the Kentish Mercury, 1938, an advert for an appearance by legendary American jazz pianist Fats Waller at the New Cross Empire (on corner of New X Road & Watson St - now demolished), described here as 'The World's Greatest Rhythm Pianist and Master of Swing'. Waller learnt his trade in the rent parties of Harlem, and is famous for songs such as 'Ain't Misbehavin''.

Brockley Video Crisis!

Homeview, the independent dvd/video hire shop in Brockley, is closing in the next couple of weeks. I guess the writing's on the wall for shops like these, with so many people ordering DVDs through web-based rental services, or downloading movies. Still this has been a good place to browse and chat about films, something that is lost online, and Homeview has always had a great selection of obscure art house stuff, foreign language films, classic oldies etc. These are now being sold off in the closing down sale, and the space is due to become a betting shop. Just what we need.

New Cross Fire

It's that time of year to mark the anniversary of the New Cross Fire in 1981. As described in Deptford Fun City: "On Sunday 18th January 1981, 13 young black people, all between the ages of 15 and 20 years old, were killed in a fire at a birthday party at 439 New Cross Road. The police reported initially that the fire was caused by a firebomb, and many believed that it was a racist attack. On the following Sunday a mass meeting was held at The Moonshot Club, attended by over 1000 people. From that meeting there was a demonstration to the scene of the fire, which blocked New Cross Road for several hours.

The New Cross Massacre Action Committee organised weekly mass meetings in New Cross. It also called the Black People's Day of Action on Monday 2nd March 1981, the biggest mobilisation of black people ever seen in Britain. 20,000 marched over a period of eight hours from Fordham Park to Hyde Park with slogans including: 'Thirteen Dead and Nothing Said', 'No Police Cover-Up', 'Blood Ah Go Run If Justice No Come'.

Ever since the Fire, the police have leaked stories about breakthroughs, but have never charged anybody. Perhaps it will turn out not to have been a racist attack, but this was not the only issue at the time. The slogan of 'Thirteen Dead and Nothing Said' was a response to the official indifference to the deaths".

The tragedy was commemorated in a number of reggae songs and poems at the time. Sir Collins, whose son Steven died in the fire, recorded an album 'New Cross Fire' (sleeve pictured). Benjamin Zephaniah recorded '13 dead' and Linton Kwesi Johnson, ‘New Craas Massahkah’. Johnny Osbourne released '13 dead and nothing said' on Simba records (see label here).

Listen to Johnny Osbourne’s '13 dead and nothing said'

See also Don't Let it Pass You By

Maudsley closure

The campaign against the closure of the Maudsley emergency clinic in Camberwell is continuing despite health secretary Patricia Hewitt refusing to come to its aid. On Wednesday 100 mental health users and supporters demonstrated at Southwark Town Hall, moving to block the traffic on Peckham Road. I know several people who might not be here now if it wasn't for the support offered at the 24 hour clinic when they were in crisis. The alternative being offered of support through Kings Accident and Emergency is just not the same. Kings A&E can be a grim and scary place, hardly encouraging access to people who may be frightened and desparate.

Venue Flyers

We've mentioned the illustrious history of The Venue in New Cross before. Here's some documentary proof that the place really was a top live venue in the 1990s, before it became more or less exclusively for cover bands. The flyer on the left is from 1994, when bands including The Godfathers, Shed Seven and Revolutionary Dub Warriors played there (I admit to being at the latter). The flyer on the right is, I think, from 1992 and is more impressive with US bands Belly and Sebadoh, the latter supported by TV Personalities and Cornershop. Anyone got any more old flyers?

Shot by Both Sides

SHOT BY BOTH SIDES - FRIDAY 19th JANUARY
New Cross Inn, 323 New Cross Road, SE14 6AS
9pm-2am. £4 / £3 NUS & Cheaplist. Featuring:

THE TAMBORINES
'Gargantuan soundscapes, psychedelic fuzz and dreamy, pastoral vocals from Sonic Cathedral favourites'.

HATCHAM SOCIAL
'mix of hazey C86-esque indie, grubby swing-beat and 60's pop sensibilities'

WEIRD LOVE
'Down-at-heel NYC/Suicide-ish swagger and sleazy sounds from Stoke Newington 4-piece'

THE AFFECTIONATE PUNCH
'Raw and thrilling new-wave/post-punk from these intellectual upstarts'

New Cross Haight Ashbury??

A breathless article in Time Out last week, Rocklands: New Cross Creatives, proclaims the wonders of 'the new New Cross underground, a melting pot of ideas that takes in music, film, theatre, comedy, visual art, performance art and art for art’s sake. The loose adopted term for this movement, centred on New Cross and the surrounding boroughs of Brockley, Lewisham and Deptford, is Rocklands. Rocklands was recently hailed by Vogue Italia, which likened the area to the more ostentatiously fabulous Montmartre district of Paris (though British Vogue has been conspicuously slow to pick up on the story). Of course, comparing New Cross to the home of the Sacre Coeur is just a facetious journalistic exercise, not to mention totally inaccurate. No, New Cross these days is much more like Haight-Ashbury, circa 1966'. Bands including The Veez, Rank Deluxe, Seeing Scarlet, The Alps and Lost Penguin all get name-checked.

The article provoked a couple of quite snotty letters in this week's magazine, one seeking to put up a wall between New Cross and some of the snootier serious visual artists in Deptford ('it's SE14 not SE8'), and another dismissing the scene as a bunch of well-heeled yuppie types. This is not my experience I must say, it feels like the same precariat of students, casual workers and jobless who have been the driving force behind music round here for years.

Nettleton Nexus Revisited

Our recent post on Nettleton Road in New Cross and its musical productivity in the 1980s has set a few memories working. Alec Turner, formerly of Nettleton Road and now living with family in a remote part of Norway, has told us that:

- he lived in the early 1980s at number 28. This was where Colin from Conflict was born (pre-housing co-op days) .

- Alec then lived at number 11 along with Karen and another female member of the Hagar the Womb. At this time, Alec himself was in a band with his friend Martin called The Depth Charge Souls. They released a single, The Price of Love, in 1986. It made it to second single of the week in Melody Maker and got played once on John Peel.

- members of The Mekons and a guitarist from Blue Aeroplanes also lived in the street as well as members of Test Dept and Band of Holy Joy (as mentioned in earlier post). Bob from Blood & Roses and Mitch (also of Hagar the Womb) lived at number 5. Alistair from Kill Your Pet Puppy zine thinks he lived at number 24.

All the house numbers aren't very important, as it was a co-op people moved in to one house and then maybe moved to a room in another house as it became available. All this does show though what a cauldron of music this place was, as well as some interesting continuities over time. For instance, Hagar the Womb ended up on Conflict's Mortarhate records, whose founder Colin was born in the same road. Any more memories and documents (print or music)?

Listen to Depth Charge Souls - The Price of Love MP3

Croydon Now

Following my recent critique of Croydon, I thought it only fair to check out if there's anything interesting coming out of there now, at least musically.

Well, for a start there's The Noisettes (pictured) who have been making a lot of, er, noise lately - even saw them on TV last week while eating my breakfast. New single Sister Rosetta is a catchy bit of poppy rock, and let's face it not many current bands in their position would take the risk of writing a song name checking an old gospel singer.

I was going to say something about Do Me Bad Things, but they apparently split up last year, leaving the Xfm airwaves without a Croydon 9-piece.

I was also going to say that at least there's still The Cartoon as a venue for up and coming Croydon bands, but then I checked and found out that it closed down last November (read heartbroken Croydonites laments here). Still The Ship is still going, so alternative Croydon has not died a death yet.

Anyway leaving behind the rock scene, we should also acknowledge the contribution of Croydon to dubstep scene in London, hilariously and erroneously described as 'Croydon techno' in the Daily Torygraph. Tracing the South London connections of this is a whole other post, but we will get round it at some point - in the mean time check out Drumz of the South.

Underground Cinema

FLIXATION is a new underground cinema club, formed from ex-EXPLODING CINEMA and MY EYES! MY EYES! founders Duncan Reekie, Caroline Kennedy and Clive Shaw. The next show is on Wednesday 24th January 2007 at the Miller of Mansfield, 96 Snowsfields, London SE1 3SS (near London Bridge) and promises a night of 'no-budget underground cinema, digital craft, amateur film Art, performance and music'. 8pm start membership £4/ £3 concs. If you have any work you'd like to show or a performance you'd like to do - contact clivershawathotmaildotcom.

The night before at Cafe Crema (306 New Cross Road), Class Acts presents Matewan a 1987 film by John Sayles. Set in 1920 West Virginia coalfields, the film tells the story of miners fighting to organise a union against a ruthless mining company and it's officals and has hired gun thugs aplenty. Details: Weds 24 Jan 2007. 7.30 for food, film at 8.00pm. £4 entrance includes delicious veggie meal.

Nettleton Road Nexus

Nettleton Road in New Cross is a small street in South London that has had a disproportionate impact on leftfield music, particularly it seems in the 1980s. My understanding is that at one point it was squatted and then became run as a housing co-operative (and still is).



We have already mentioned in these pages that members of Test Dept lived at 8 Nettleton Road, and it seems that members of The Band of Holy Joy did too. We also have it on good authority from somebody else who lived there that Colin Jerwood, lead singer with anarcho-punk band Conflict (pictured here), was born in the street.


Now, over at the always interesting Greengalloway, Alastair Livingstone has recalled a a few more connections:

"Although I spent most of my years in London north of the Thames (in Ilford, Islington and Hackney) I was briefly a south Londoner - New Cross... Part of the psychogeography of south London Transpontine are exploring are music links, and Neil has asked if I know of any... Got three:

Mitch of Hagar the Womb / Snork Maidens / Flack lived on Nettleton Road 10 years ago.

Mouse of Psychic TV lived at 10 Nettleton Road mid/ late eighties (at no. 10)

Bob of Blood and Roses also lived at no. 10 in late eighties".

The bands mentioned all deserve a post of their own, and I will supply more detail when I finish reading The Day the Country Died. Alistair himself was involved in the seminal punk zine Kill Your Pet Puppy and has described a 1983 New Year's Eve party in Nettleton Road:

'Year started with a party at Mouse's house (Nettleton Road/ New Cross) where we listened very intensely to first Psychic TV album. Mouse later became a Psychic TV person (played on Godstar single) . Min was also at party, and by September had moved to Beck Road- next door to PTV Temple HQ. As per previous blog, Min became Zos Kia singer/ wrote words for song Rape. Zos Kia in turn evolved into Coil'.

Some other local music connections

Starbucks

Transpontine has received this message about a planned picket of local Starbucks:

As part of our ongoing solidarity campaign with sacked Starbucks workers in the US. the Solidarity Federation, ex-Use Your Loafers (former occupied social centre in Deptford High Street) and London Industrial Workers of the World (IWW) will be holding a picket of Greenwich and Blackheath Starbucks on Sat 20th Jan 2007. Starting at the Greenwich Starbucks next to the Cutty Sark at 12 noon.

We will picketting Starbucks in South East London and the City every fortnight thereafter. As we call for an end to the anti-union campaign waged by Starbucks and for the reinstatement of all unlawfully fired workers.In addition we are calling on Starbucks to give Ethiopia control over it's coffee.

We will be encouraging Starbuck workers to organise to make their jobs better and finally have a real independant voice at work. By organising a union, baristas in the US have seen wages increased, schedules stabilised and respect from the bosses.

Starbucks have consistently responded to workers organising with threats, intimidation, harassment and illegal firings and since Dec 2005 five workers in NYC have been sacked fo engaging in protected union activity.

For details on the day ring 07984513577

Goodbye to the Hatcham?

The Hatcham Liberal Club (also known as the Hatcham Social Club) in Queens Road is the latest New Cross music venue under threat, with 'For sale' signs up outside. The building pictured is an old working men's club and is apparently a listed building. Probably not listed, but a great space in its own right is the hall out the back where many gigs, parties and film shows have taken place (including among the latter a great Exploding Cinema show I went to where Mark Perry ex-Alternative TV performed).

Ben Gidley of Goldsmiths has written of the development of a ‘proletarian public sphere’ in 19th century London, with working people developing their own clubs and institutions where they could meet, talk and socialise on their own terms. Among the examples he gives is the Hatcham Liberal Club 'one of the largest working men’s clubs, where Fabian and SDF socialists debated with secularists, progressives and radicals’ (see The Proletarian Other: Charles Booth & the Politics of Representation). The Hatcham was also, incidentally, the venue for Charlie Chaplin’s mother’s last public performance (she had been a music hall singer) and of course has given its name to a current indie band - Hatcham Social. It has a past - but does it have a future?

One Grey Eye: Transpontine Drift

"One Grey Eye: Transpontine Drift" (Transpontine being a word whose time has surely come) is a collection of ghostly, folklore-inspired stories set, mostly, in south London and is published by Walworth Road based organisation FandM Publications. I've not read my copy yet but the D.I.Y venture itself (Deptford worms?) is worth celebrating.
What's not to love?

Back to the Plough

Tomorrow (Monday 8th January) is Plough Monday, in ye olden days in England the day every went back to work in the fields after the 12 days of Christmas. For me its more back to the computer than back to the plough, but the principle's the same and to mark the occassion local morris troupe 'Fowlers Molly' will be dancing out between pubs in Greenwich as follows:

8pm: Ashburnham Arms, Ashburnham Grove, Greenwich

8.45pm: Prince Albert, Royal Hill, Greenwich

9.30pm: Richard I, Royal Hill, Greenwich

Above the pub

I’ve been reading a couple of books recently which have led me to ponder the importance of that great institution – the room above the pub (or sometimes the room behind the pub).

Firstly in a Peckham charity shop I came across 'At the Dog in Dulwich: recollections of a Poet', an autobiography of Patricia Doubell edited by Clive Murphy (London, Secker & Warburg, 1986). This describes the activities of the Dulwich Group of poets who met at the Crown & Greyhound (the ‘Dog’) in the 1960s and 1970s – where indeed poetry meetings had been held since the 1940s. Among those who gave readings there were poets Adrian Henri, Brian Patten, Ted Hughes, Seamus Heaney, Stevie Smith and Ivor Cutler.

Then in George Melly’s 'Owning Up' he talks about rehearsing in the 1950s in 'the upper rooms of various pubs. I suppose that most of early British revivalist jazz emerged from the same womb. Rehearsal rooms existed, of course, but we never thought of hiring one at that time. They were part of the professional world of which we knew nothing.. Many of these pub rooms were temples of 'The Ancient Order of Buffaloes', that mysterious proletarian version of the 'Freemasons', and it was under dusty horns and framed nineteenth-century characters that we struggled through 'Sunset Cafe Stomp' or 'Miss Henny's Ball'.

I had a number of 'upstairs' experiences myself only last month, DJing upstairs at the Birdcage in Stoke Newington at my friends’ Jon & Lorna’s party, and singing upstairs at the Royal George in Tanners Hill at the South East London Folklore Society Yule Night. Over the years I have taken part in numerous political meetings, music sessions and other events in similar settings. Most memorably for a while in the 1990s I regularly spent Sunday lunchtimes above the now-demolished George pub next to St George's Cathedral on Lambeth Road, learning Irish tunes with some other beginners before getting the confidence to move downstairs and play sessions in the public bar.

People have experimented with various autonomous education projects over the years, such as the London Free School and the Copenhagen Free University, but it seems to me that free discussion, learning and culture can be found on a regular basis by circulating through the various upstairs rooms of pubs across this town and many other. The question is will they survive? As old pubs close, new places such as bars and cafes emerge but usually without any spare room for anything interesting to happen. Space tends to be planned and utilized to the nth degree with nothing so ‘uneconomic’ as a room upstairs to be used a couple of nights a week by passing radicals, freethinkers and balladeers.

So lets make the most of those upstairs rooms and hold on to them wherever we can.. As an example of the multiple treasures to be found there, I note that next Monday 8 January 2007, starting at 8.00pm, The Horseshoe Pub, 24 Clerkenwell Close, EC1 is the temporary home of a Greek music session hosted by the very fine Institute of Rebetology.

Suburban Relapse

Slightly Lost is the latest in a long line of people queuing up to slag off Croydon as 'a soulless, concrete homage to pure capitalism'. In fact one time Croydonites Kirsty McColl and David Bowie are quoted expressing similarly wrathful sentiments about their one time home.

I would be the last one to argue with this, Croydon is exactly as Slightly Lost describes it. One of the few redeeming feature of the town centre is the famous second hand record shop Beanos, and even that it threatened with closure. And if Croydon is dull for many of us, let’s not forget that for some it is a real hell-hole as the home of the notorious Lunar House immigration office. As a recent enquiry highlighted, this is a place where asylum seekers and other migrants face at best a bureaucratic nightmare and at worst detention and deportation.

Jamie Reid, most famous for Sex Pistols art work, was previously involved in a Croydon-based anarcho/situationist printing press The Suburban Press (based at 9 Sidney Road, SE25). An early edition of their zine includes a picture of Croydon town centre and the caption 'Lo! A Monster is Born - Croydon redevelopment 1956-1972 (see cover here).


A Jamie Reid design - Destination Boredom & Nowhere = Bromley & Croydon?

One of the best dissections of South London suburban life is Hanif Kureishi’s novel, 'The Buddha of Suburbia' (1990), a depiction of coming of age in the 1970s by the Bromley-raised author. The narrator, Karim Amir, is 'from the South London suburbs and going somewhere'. Amir/Kureishi is scathing about where he lives: ‘a dreary suburb of London of which it was said that when people drowned they saw not their lives but their double-glazing flashing before them’. And, again: ‘In the suburbs people rarely dreamed of happiness. It was all familiarity and endurance: security and safety were the reward of dullness'. In the suburbs he does find some sub-cultural oases – at one point he goes to see Kevin Ayers at the Three Tuns in Beckenham where 'my friends that I loved were standing at the bar, having spent hours in their bedrooms preparing for the evening, their gladdest moment being when a pair of knowing eyes passed over their threads'. But ultimately he has to go further into London and indeed New York to find the excitement he craves.

Still, Michael Bracewell also makes a good point in 'England is Mine: Pop Life in Albion from Wilde to Goldie' (Harper Collins, 1997): 'That the suburbs, as opposed to the city, have been the prime incubator and kindergarten for principal players in English popular culture is as certain as the equally strong role of the provinces. Around the extreme south-east of London, along the Bromley, Croydon and Sutton belt (a suburban curve, linking the urbanity of Lewisham and New Cross to the quasi-ruralism of Epsom and Leatherhead), the suburbs would become famous as a launch-pad for punk rock’.

Croydon has certainly giving birth to plenty of music over the years. As well as Kirsty McColl and David Bowie (the latter actually born in Brixton), Croydon was the birth place of Ralph McTell, writer of the 'Streets of London' – recently designated as the no.1 London song by Time Out. The no.2 song on their list, Waterloo Sunset, was also apparently partly inspired by Ray Davies's journeys to Croydon Art School. Several members of The Damned came from Croydon (see previous post), and Bob Stanley and Pete Wiggs of Saint Etienne also hail from there. One of my favourite songs of all time, Saint Etienne’s Hobart Paving takes its name from a Croydon-based company. Let's not forget the Purley Queen herself, Kate Moss – more of a muse than a musician, though she did contribute vocals to Primal Scream’s excellent version of Some Velvet Morning.

So is there something about the comfortable dreariness of places like Croydon that inspires people to leave and create something better? For Amir/Kureishi 'our suburbs were a leaving place, the start of a life' leaving him 'looking for trouble, any kind of movement, action and sexual interest'. If this restlessness is one source of creativity, there might also be a more prosaic reason for the suburbs’ contribution to the culture industry, namely that they are full of middle class kids with the cultural capital (education, equipment, confidence, connections) to make it in music and publishing.

Either way, 'So fuckin' Croydon' (a phrase coined by Bowie) remains apposite.

For a different take, see Weird Croydon or even Strange Croydon.

Test Dept

Next up in the roll call of great South East London bands is Test Dept. To quote from Deptford Fun City: 'Test Department were formed in 1981 from a group of people living at 8 Nettleton Road [New Cross]. They broke new ground with their ‘metal bashing’ industrial sound, using scrap metal for percussion. Their support for the Miners' Strike is documented in their 1984 LP, ‘Shoulder to Shoulder’, recorded with the South Wales Striking Miners Choir'.

In his book 'Queer Noises: Male and Female Homosexuality in Twentieth Century Music' (Cassell, 1995), John Gill describes the experience of an early Test Dept performance:

"One sunny Saturday afternoon early in the 1980s, a colleague and I found ourselves wandering the streets of south of Blackfriars Bridge, on a caper that was straight out of Thomas Pynchon. A band who had given us a tape of their music, crashing industrial gamelan music battered out of steel springs, oil drums, sheets of metal, vast tanks, drills and buzzsaws, had invited us to one of their performances. The precise address of the concert had to be kept secret. They hired industrial premises – railway arches, warehouses, industrial depots – under the guise of anonymous charities… We were told to keep an eye out for their initials – TD, for Test Dept, a collective from New Cross in South London…

It was probably the only concert I’ve attended where I wondered if I was going to die. Test Dept were (and remain) stunning, breathtakingly noisy and quite terrifying… As they drummed up metal thunder on an adventure playground’s worth of industrial detritus, violent electronic noise was bled into the mix and grainy Russian revolutionary films were projected on to band and stage… The smell of oil was everywhere, and when they began applying cutting machinery to their instruments, producing volcanic spurts of sparks 20 feet across, people stubbed out cigarettes and backed towards the door". At a similar event nearby some time later, Test Dept were arrested before starting.

I saw Test Dept much later, at the last big night at Brixton squat venue Cool Tan in 1995.

Watch Test Dept - Compulsion (1984) at YouTube

Band of Holy Joy on YouTube

Following our recent post on the Band of Holy Joy, I came across this great video for their song 'Tactless' on YouTube, featuring them being introduced by Vic Reeves. See it here.

South East London Synagogue

This must be one of the great lost buildings of New Cross - the South East London Synagogue in New Cross Road, where the Jehovah's Witnesses Kingdom Hall now stands.

According to Jewish Communities & Records, this building was consecrated in March 1905 and was destroyed by a German air raid on 27 December 1940. After this the congregation moved temporarily to 117 Lewisham Way (recently known as the Elephant house and demolished just last month). It 'returned to its original site in 1946, first to a temporary hut and then to new purpose-built synagogue in 1956'. However the congregation went into decline and it closed in 1985, by which time it only had 56 male members compared with 294 in 1939.

Afterwards the old synagogue was squatted for a while and used as a rehearsal space for Test Department, among others. I assume the 1950s building must have then been demolished, because the Jehovahs Witnesses hall looks more recent (correct me if I am wrong).

The synagogue seems have been started by Ashkenazi jews from eastern Europe living locally. Services started in a house in 452 New Cross Road in 1888, and then moved to two rooms in Nettleton Road, followed by a hut in in 1889 Lausanne Road until the building above was opened.

Credits - picture comes from South London Liberal Synagogue - I believe this is the earlier building rather than the 1950s one.

Irish Dance Halls in London

My friend Myk had a Christmas leftovers party last night where people brought along unwanted presents and put them into a lucky dip. As a result I came away with a book I've been meaning to read since it came out, Joe Boyd's 'White Bicycles: making music in the 1960s' (Serpents Tail, 2005). Its a good read, covering his adventures in the US and British blues, jazz and folk scenes as a producer of Fairport Convention, Nick Drake and Vashti Bunyan.

Boyd was also one of the people behind the legendary UFO psychedelic club in Tottenham Court Road (1966-7) with the early Pink Floyd as the house band. One thing I hadn't realized before was that UFO was held in an Irish dance hall called the Blarney Club. This got me thinking about the untold influence of Irish dance halls on wider popular culture in London, as large places outside of the main music industry circuits and therefore available for people to use for more marginal and emerging musics.

In New Cross, the Venue was previously The Harp Club, and even before it changed names was being used for gigs and indie clubs. In Camden, The Electic Ballroom also started out as an Irish dance hall, whilst the Kilburn National has hosted The Pixies, Nirvana, The Smiths and The Sex Pistols (I saw The Wedding Present there once).

So endeth the final Transpontine post of 2006.

Drive carefully

It is traditional at this time of year to warn people to drive carefully. I would like to add that particular care should be taken if you are anywhere near cars being driven by the police in South East London, especially in the Shooters Hill area

Last week a 16 year old girl was killed just off Shooters Hill after a police chase 'Teenager Samantha Clark died after accepting a lift home from a party in a stolen 4x4, police said. The trainee legal secretary, 16, was killed when the Jeep Cherokee careered into a tree and burst into flames following a high-speed police chase... Flowers have been left at the scene of the crash in Plum Lane, Woolwich, alongside messages from family and friends. A spokesman for Scotland Yard confirmed that the silver vehicle was being followed by an unmarked police car with its blue lights and siren on (more)

There have been a number of other incidents in the same area. For instance, in June 2002 a 29-year-old female pedestrian in Shooters Hill was killed when hit by a police car.

A year later in June 2003 'Two police officers and a Kent man suffered serious injuries when their marked police car collided with the man's car... at the junction of Shooters Hill Road and Marlborough Lane, SE18. The two police officers, both men, suffered leg and chest injuries. One of the officers has been discharged from hospital, and the other officer is now in stable condition. The 53-year-old man, from Orpington, was cut from his car and taken to Kings College Hospital, where he remains in serious condition'.

Band of Holy Joy

We have lots of writing about music here at Transpontine, but not enough actual music. To correct this we are now going to try and include links to MP3s, concentrating on South London obscurities and otherwise unavailable stuff.

First up, The Band of Holy Joy, decribed in The Rough Guide to Rock as follows: 'Amidst the glossy, superficial optimism of a lot of mid-80s chart music, Band Of Holy Joy were lauded by the music press for bringing the dirt and hurt back into pop. The ramshackle line-up – acoustic instruments ranging from accordion to toy trumpet, and not a guitar in sight – invited comparisons with The Pogues, but there was something very English about a group steeped in lowlife London and happy to make something of it. What they made of it fitted the band’s name. Singer/lyricist Johny Brown supplied the words for strangely uplifting songs of urban angst that brought comparisons with Brecht and Brel, but were firmly contemporary, with privatization, Prince and E-type hedonism all targets for the densely detailed lyrics. The band grew out of a group of friends living in the New Cross area of south London, although Brown was originally from the northeast of England. A south-London indie label, Flim Flam, released their first records, the mini-album THE BIG SHIP SAILS (1986) and the full-length MORE TALES FROM THE CITY (1987)'.

As Deptford Fun City notes, Band of Holy Joy emerged from a squatting (later housing co-op) scene centred around Nettleton Road in New Cross. Vocalist Johny Brown told Melody Maker in 1987: 'It was at a time when New Cross was really brilliant... Me and Max used to live in a big house with Test Department. That was how Holy Joy were formed... in Test Department's basement where they rehearse. We found an old organ there. It was this big house with no windows. They had a black door with a wreath on it and the house was haunted’ (Melody Maker, 1987).

BoHJ’s 1986 album ‘More Tales from the City’ was recorded at Chocolate City in New Cross, a now vanished recording studio on New Cross Road (think it was where that now equally defunct night club stands between the White Hart and Besson Street). The band split up in 1992, although they did reform a couple of years ago.

Mad Dot, from 'More Tales from the City' includes the immortal lines: ‘I get the madness in my head, when I lie for days in bed, or when I walk up the New Cross Road, When I’m starved and I haven’t been fed'

Band of Holy Joy - Mad Dot (MP3)

Some of their later stuff is available at ITunes but not 'More Tales...', which defintely deserves a re-release.

Greenwich Solstice

I went along to a Winter Solstice celebration in Greenwich Park last week (22nd) arranged by the Tribe of Avalon. They very kindly asked me along to sing a song I have written, 'On Snow Hill', which refers to that hill in the Park. In his book, 'Goddesses, Guardians and Groves: the Awakening Spirit of the Land' (Capall Bann, 1996), Jack Gale associates Snow Hill with a Winter Goddess, a Snow Queen linked to the Saxon deity Holda. What is undeniable is that there are Saxon burial mounds on the hill, and nearby a filled in, but still noticeable well. It felt special singing the song at the well (the well gets mentioned in the song too), one of a number of site-specific singing sessions I've done this year. These have included singing 'Georgie' (a poachers ballad set in Shooters Hill) in Oxleas Wood at the top of Shooters Hill at the start of the South East London Folklore Society walk there in the summer, and singing with Juleigh 'The Only Living Boy in New Cross' as part of the Telegraph Hill Festival at Page Two in Nunhead. Next year I am planning to get the music project off the ground on a more regular basis with 'Winterland' (watch here for details).

Greenwich Park felt like a fitting place for the turning of the year, as this year a lot of threads of my life seem to have run through it. Back in April, there was Tom McCarthy and Rob Dickinson's excellent Greenwich Degree Zero exhibition at the Beaconsfield gallery in Vauxhall, based around an alternative history perspective on Martial Bourdin's death in Greenwich Park in an 1894 bomb explosion. I gave a talk at the exibition, 'Stargate SE8: time, space and parklife' which combined my local history and Association of Autonomous Astronauts interests. Jem Finer, Pogue and sound artist, was also on the bill and through meeting him we both ended up taking part in Brendan Walker's wonderful Fairground Thrill Laboratory at the Science Museum in the Autumn, an event that combined space-themed talks and music with a go on the Booster fairground ride.

Then of course there was the unforgettable wedding of fellow Transpontinians Scott and Clare in Greenwich Park, an event which showed that it was possible to have a ceremony in keeping with your beliefs without frightening the horses or the relatives. Jacqui from Tribe of Avalon conducted the wedding, Jack Gale talked briefly about the history and spirits of the Park, Scott & Clare led the leaping over the broomstick.

Frost Fair

I went to the Frost Fair at Bankside in the week before Christmas. Not quite up there with the historic fairs held on the frozen Thames, but there were lots of stalls and the Globe opened for a pound, with a short George and Dragon play on the stage. Angels were spotted on the Millennium Bridge (photo above). Of course this year a number of people have claimed to see a Thames Angel for real - there is even a Friends of the Thames Angel fan club (see also). Men in white frocks may not have been what they had in mind - but what else is an angel?

James Brown

So farewell James Brown... dead on Christmas Day, what an exit. I made a Christmas CD for friends this year and included his great 'Santa Claus go straight to the Ghetto' (could have put the Belle & Sebastian version on, but much as I love them no one can really cover James Brown).

The James Brown sound will always remind me of my early days in South London, just after I'd moved to Brixton in 1987. I used to go to Dance Exchange at the Fridge, with Jay Strongman DJing. It was the pre-house 'rare groove' period, with the music dominated by James Brown and his associates - among the biggest records were Brown's own 'Get Up Offa That Thing' and others made by members of his band, particularly Maceo Parker (Cross the Tracks - Maceo & the Macks) and Bobby Byrd (I know you got soul).

As well as the Fridge, there were other smaller clubs playing similar music in the area - there was Wear it Out upstairs in the Loughborough Hotel in Brixton, and Dance Chase above the Alexandra at Clapham Common. Another important night was Wendy May's Locomotion at the Town and Country Club in Camden, playing a mixture of funk and northern soul.

Soon electronic beats would begin to squeeze out the 1970s funk sound, but James Brown provided the DNA for the next wave of dance music through the endless sampling of loops from his band (where would Public Enemy and many others have been without them?). There is always hyperbole when somebody dies, but I can honestly say anybody's who's been out dancing in the past 40 years should raise a glass tonight to the Godfather of Soul.

Back to 1995

As a compulsive hoarder of flyers and other ephemera from many years of parties, gigs and rampages through the streets, it is gratifying to have finally found a use for them in the last couple of years since I got my scanner working - yes, posting them on sites for other obsessives to go, wow, that was quite a night etc. etc.

I've just posted a mid-1990s batch over at Urban75 in their Lost Squats of Brixton section, including some from the legendary Cool Tan parties in the former dole office on Colharbour Lane and one from the Bar Sate industrial night at 121 anarchist centre on Railton Road.

I've also been sticking up photoes at UK Decay, an absolute treasure trove for anybody interested in punk rock in Luton (mainly ex-Luton punks like myself).


Flyer for a 1995 party at Cool Tan in Brixton, featuring Luton-based free party drum'n'bassheads Exodus Collective. I recall that Luton electronica outfit Click Click played that night. This is a real period piece with a reference to the recently passed Criminal Justice Act (clamping down on raves) and 'cold taps turned on' referring to unscrupulous clubowners trying to force e'd up dancers to buy water from the bar by turning off the taps in the toilets.

New X Inn Headjam

Happening at New X Inn tomorrow. Details from Leadpipe

Music Monday: Status Quo

[post updated September 2021, following death of Status Quo bass player Alan Lancaster]

Status Quo were one of the most successful British rock bands from the late 1960s to the early 1980s, 'Rocking All Over the World' but with roots in Forest Hill and Peckham

Lead singer and guitarist Francis Rossi spent his early years in Forest Hill (Mayow Road and Perry Rise), where he attended Our Lady and St Philip Neri RC primary school. His Italian extended family ran the local ice cream trade with vans and a shop, Rossi's Ice Cream in Catford Broadway. In his autobiography 'I Talk Too Much' Rossie mentions going to 'Len Stiles Music on Lewisham High Street. This was a record shop that also sold musical instruments including electric guitars. Len Stiles was the place where you hung around smoking your Nelson cigarettes and yacking about music'.  Later Rossi moved to Balham where his family ran a sweet shop, but after getting married at Peckham Registry Office he set up home in Forest Hill.

Bass guitarist Alan Lancaster meanwhile grew up in Cator Street, Peckham. He and Rossi met at Sedgehill Primary School in Beckenham where they first started a band - initially in a Kenny Ball style trad jazz trio! Switching to guitars they played their fist proper gig at the Samuel Jones Sports Club in Lordship Lane SE22.

Rehearsing in a garage next door to the RAF Air Training Corps centre in Lordship Lane (not far from the Horniman museum in what is now Highwood Close) they poached drummer John Coghlan from another band rehearsing at the barracks. Coghlan was from Dulwich and went to Kingsdale school. Now known as The Spectres, the band played other local venues such as El Partido in Catford, the Bromley Court Hotel and in 1967 Abbey Wood park with Pink Floyd.

After hooking up with guitarist Rick Parfitt while working at Butlins in Minehead they became 'The Status Quo' in 1967, later dropping the 'The'.  Their first gig with new name was at The Welcome Inn in Eltham and their first hit 'Pictures of Matchstick Men' came the following year in 1968, a slice of English psychedelia-lite. In the early 1970s the band began adopting the denim-clad rockier image and sound that they became famous for.  

There’s a 1972 Status Quo photo shoot in Peckham, this one is by the Peckham Unionist Club which was apparently on corner of Peckham Hill Street and Commercial Way

Must admit I had an early teens Quo moment before I got into punk. Their style/sound became a bit of a cliche, but is is time for a critical re-appreciation? Some of their peak period stuff has this almost Krautrock drone like repetition and is pretty powerful.

 

Gone to the Dogs

Went for a walk along the River Ravensbourne from Catford to Ladywell last month, came across the remains of Catford Dogs Stadium - the sign and the entrance block seem to be all that's left, with the rest demolished. Can't say I was ever a regular punter, but I did get taken there once as a leaving present from a job. I quite like the current melancholy dereliction, no doubt soon it will be a building site.

Further along the river was looking beautiful, towards the Catford end it does feel quite rural, if you screen out the buildings at the edge of your vision.

Punk in South London

I wasn’t sure about reading ‘Punk Rock: an oral history’ by John Robb (Ebury Press, 2006). Sometimes your love for things can be ruined by them being over-mythologised and analysed, and I’ve rationed my reading of punk books on this basis. This book is quite refreshing though as it is entirely in the words of people involved in British and Irish punk up until about 1984. Along the way, some of the myths about punk are quietly demolished. For instance the notion of punk emerging in opposition to all previous musical trends doesn’t hold water when you find out that most of the key players were obsessively involved, if only as fans, in all kinds of pre-punk scenes – not just Bowie and Pub Rock (the approved influences), but also the 70s underground of Hawkwind and the Pink Fairies.

So what about South London connections? Well the Bromley Contingent of Siouxsie, Billy Idol and co. has been well documented before, as have the Croydon connections of The Damned, but I hadn’t realized that the latter’s Rat Scabies and Captain Sensible met while working at Croydon’s Fairfield Halls, taking in everything from Jerry Lee Lewis to Mrs Mills. The Damned rehearsed in a Bermondsey warehouse owned by their early manager, John Krivine (who was also behind the shops Boy and Acme Attractions)

The Sex Pistols first proper rehearsal was upstairs in the Rose and Crown in Wandsworth (John Lydon had earlier made his way to the Crunchie Frog pub in Rotherhithe for a rehearsal in August 1975, but the rest of the band failed to show up). A key early gig was the following February at Andrew Logan’s Valentine’s Night warehouse party at Butler’s Wharf in Bermondsey, featuring Jordan jumping on stage to have her clothes ripped off by Lydon, who then started smashing up the equipment. The gig had an electrifying effect on Mick Jones and Brian James, seeing the Pistols for the first time and inspired to follow suit (eventually forming The Clash and The Damned respectively).

TV Smith and Gaye Advert of The Adverts started out in a flat in Clapham when they first moved up to London from Devon, while Colin Newman of Wire lived in a ‘very rough squat in Stockwell’. Don Letts, a key figure in the punk-reggae crossover as DJ at the Roxy club ‘lived in a house in Forest Hill with five other rasta brethren: Leo Williams who was later in Big Audio Dynamite and Dreadzone, JR, Tony and my brother. We were really the staff, the doormen at the Roxy’. Mark Perry of Sniffin’ Glue and Alternative TV gets his say (‘We were working class kids from Deptford. We weren’t middle class ponces from Bromley or Chelsea’).

The book follows through to second wave of punk bands and its various sub-genres such as anarcho-punk. It also attempts to rescue the reputation of Oi bands, misunderstood as right wing skinheads when they were actually working class socialists if the book is to be believed. In this category come Deptford’s The Business, whose guitarist Steve Kent recalls ‘I was living in Deptford in the early punks days. Some friends of mine found out that punk groups were playing at the famous Kings Head in Deptford, which later went on to be the subject of the Conflict song. We had a punk gang down there on Friday and Saturday nights, which was the punk night, and there would be bands in the punk room’.

Above all the book conveys the excitement of rapidly expanding possibilities, of Do it Yourself mayhem and violent reaction from shocked patriots and passers-by.

Solstice Satire

Saturday 23rd December 3pm

Bring a song, story or poem. Cozy up around a campfire or inside our yurt. Hot chai and mince pies on the go. Food donations or other welcome.

One Tree Hill allotments(KEEP OFF PLOTS). Entrance half way up Honor Oak Park Road beneath the trees. Ring the bell.

Monkees

The Monkees' movie HEAD is being shown next Wednesday 13th December in New Cross. The film, plus delicious veggie food, costs a mere £4. At Cafe Crema, 306 New Cross Road. 7.30pm for food, 8.00pm for the film.

Modern Antiquarian

Getting increasingly addicted to The Modern Antiquarian, a fantastic compendium of stone circles and other ancient sites in UK and Ireland named after Grandmaster Julian Cope's book of the same name and subject. Most London sites have long since vanished, but there are still a few burial mounds to be found, including at Winns Common (Plumstead), Shooter's Hill (Shrewsbury Tumulus) and Wimbledon Common.

Yule be sorry if you miss it

South East London Folklore Society returns with Folk Yule: an evening of story telling, song, acoustic music, traditional and magical games and other (mostly) carbon neutral entertainments. You're welcome to join in with a song, story or some other entertainment.

Thursday 14th December, revels shall commence from 8pm in the upstairs room of The Royal George, 85 Tanners Hill, Deptford, London, SE8 4QD. Just off the Lewisham Way. (map here). A £2.50 donation is requested to cover room hire and other costs.

Contact scott@selfs. org.uk or clare@selfs. org.uk

I'm Your Fan

Greenwich Picturehouse are showing Leonard Cohen: I'm Your Man next week, a documentary about my favourite Jewish Buddhist Canadian singer-songwriter. Should be good, even if features a tribute concert with obligatory performances from U2, Rufus Wainwright and others not worthy to touch the hem of Len's garment.