I've been reading Rob Young's 'Electric Eden: Unearthing Britain's Visionary Music' (Faber, 2010), an excellent overview of 20
th century folk music and related scenes. It includes some good South East London connections, and indeed starts out in the area in 1967 with the singer
Vashti Bunyan and her artist partner Robert Lewis living at ‘a camp in a clearing in some
Kentish woods, where they had been living for several months among piles of home-made wooden stools and tables, log fires, bivouacs and hammocks. The clearing was decorated with Lewis’s giant sheet paintings, part of the diploma he was enrolled in at
Ravensbourne College of Art, near
Chislehurst on the fringes of south-east London. The land was just at the back of college’
Having been evicted from the land, they set off on a journey by horse drawn carriage from London to the Isle of Skye, where the singer Donovan had bought a couple of islets and offered them a place to stay (by the time they finally got there Donovan and co. had moved on, but that’s another story) . Bunyan drew on her experience of the journey and
living in the Hebrides in writing songs for her beautiful 1970 album, Just Another Diamond Day.
Electric Eden includes a section on the late 60s/early 70s singers David and Toni Arthur (the latter best known in the period as a TV presenter on Play School and Play Away). Seemingly they were only two of a cluster of South East London folk luminaries at the time: 'by the end of the decade [the 1960s] they were living in
Lewisham, part of a babysitting circle with Shirley Collins, who lived across the heath, and Pete Maynard and Marian Gray of Martin
Carthy's former folk/skiffle group The
Thamesiders. Dave
Swarbrick lived nearby'.
More detail is included in an article on the
Arthurs by Rob Young published in the music journal
Loops ('Hearken to the Witches Rune' in Loops, No. 1, 2009), where we learn that 'Arthur found that he and A.L. Lloyd were near neighbours in south-east London, and Lloyd wound up as artistic director of the duo's 1969 album of folk songs, The Lark in the Morning, on Topic'.
That’s quite a list:
–
AL (Albert) Lloyd was a key figure in the 1950s/60s folk revival. He recorded albums on his own and with Ewen
McColl (who as covered here before,
lived in Beckenham), and wrote books including the classic Folk Song in England;
-
Shirley Collins was one of the the most striking voices in English folk music and recorded landmark albums with Davey Graham, her sister Dolly, and the Albion Country Band, as well as solo albums. She married
Ashley Hutchings, of Fairport Convention, Steeleye Span and the Albion Country Band in 1971, so presumably he was also living locally (in Blackheath?) in this period.
-
Dave Swarbrick is the best known fiddler in English folk music, famous for his work with
Fairport Convention among others.
As for the
Arthurs, they were particularly interested in looking for possible connections between English traditional song and a supposed
underground pagan strand in English culture. It was a search that led them to record an album of magical-themed folk songs, Hearken to the Witches Rune, and indeed to participate in
Wiccan ceremonies overseen by self-styled King of the Witches Alex Sanders. A search that ultimately led them to conclude that Wicca, rather than being the ancient religion of witchcraft, had largely been stitched together by Gerald Gardner in the 1940s from literary, occult and folklore sources (now generally accepted to be the case - see Ronald Hutton's book The Triumph of the Moon). They came to a similarly sceptical view of claims that folk songs can be read simply as survivals of pagan ritual lore. According to Toni Arthur, it was 'a total illusion, but a nice one. Most of us that bothered to research knew that this was not a continuation of anything. But it was a reinvention of
something that we thought had been before. It was a look at values that we seemed to be losing' (quoted in Loops).
Anybody have more detail on where any of the above lived in
Lewisham and
Blackheath?
But what are they doing at Transpontine? Can you guess the South London connection? (click on images to enlarge).
Julian Cope - but wasn't he in that Liverpool band The Teardrop Explodes? Yes, but in the late 1980s/early 1990s he moved down to London and lived in Albany Mews by Burgess Park and at 149a Tulse Hill. I remember seeing him around on anti-poll tax demos in fancy dress.
The Creatures - Siouxsie Sioux, born in Guys Hospital, was famously part of the early punk Bromley Contingent - though technically she was from Chislehurst (she went to Mottingham High School).
KLF - Bill Drummond and Jimmy Cauty. 'KLF HQ' was Jimmy Cauty's house in Camberwell: ' KLF activities were then based around their Camberwell HQ, a huge Victorian terraced house. In the basement were the ersatz 'Trancentral Studios', where their finest moments were recorded. The upper floors were home to Cauty and wife Cressida, herself an artist, and several others. Friends recall the good times, at the height of the acid-rave scene, when the KLF would throw "really brilliant fuck-off parties", sometimes lasting all weekend, with a fairly relaxed attitude to uninvited house guests' (Guardian 21 May 1994). Not sure exactly where this was, but love that some of the stuff I was dancing to at that time was recorded just down the road.
Vic Reeves - career took off via nights at the Goldsmiths Tavern (now New Cross House) and the Albany in Deptford.
